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If I Had Four Dromedaries
Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I Had Four Dromedaries stages a probing, at times agitated, search for the meanings of the photographic image, in the form of an extended voiceover conversation and debate between the "amateur photographer" credited with the images and two of his colleagues. Anticipating later writings by Roland Barthes and Susan Sontag (who professed her admiration for the film) If I Had Four Dromedaries reveals Marker's instinctual understanding of the secret rapport between still and moving image.
| Release : | 1966 |
| Rating : | 7.9 |
| Studio : | ISKRA, A.P.E.C., |
| Crew : | Director, Writer, |
| Cast : | Pierre Vaneck |
| Genre : | Documentary |
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Reviews
Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
An old-fashioned movie made with new-fashioned finesse.
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
