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The Bad and the Beautiful
One of the most profound themes coursing throughout Sonbert's work is that of love between couples in all its pitfalls and perfect moments. To express this theme between his protagonists onscreen as well as in the relationship between his ever-roving hand-held camera and the human subjects in his field of vision, Sonbert employed diverse cinematic strategies, including in-camera editing (in The Bad and the Beautiful), twin-screen effects (in Ted and Jessica), and montage of discrete shots filmed in distinct spaces (in Honor and Obey). -- Jon Gartenberg. Preserved by the Academy Film Archive in partnership with the Estate Project for Artists with AIDS in 1998.
| Release : | 1968 |
| Rating : | 6.6 |
| Studio : | |
| Crew : | Director, |
| Cast : | |
| Genre : |
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Reviews
Wonderful Movie
A lot of fun.
an ambitious but ultimately ineffective debut endeavor.
A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
