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The Burglar
With a brother dedicated to punk rock stardom at any cost and a drunken father who chases skirt between robotic dancing lessons from the TV, young Senka stands as much chance of nurture as the hero of Truffaut's 400 Blows. The amazing thing about Ogorodnikov's film is that it was made in Russia. Clearly, plenty of Soviet teenies share the nihilistic feelings of their Western counterparts, and the extensive footage of safety-pin chic at concerts perhaps points to a sound export instinct on the director's part. Senka's brother Kostya is under pressure from Howmuch, a very heavy rocker, to steal a synthesiser from the Community Centre, so to protect him Senka steals it himself. The story occupies little more space than the music, but the performances are splendid enough to lodge Senka's predicament in the heart.
Release : | 1987 |
Rating : | 6 |
Studio : | Lenfilm, |
Crew : | Production Design, Production Design, |
Cast : | Oleg Yelykomov Konstantin Kinchev Yuriy Tsapnik Svetlana Gaytan Polina Petrenko |
Genre : | Drama |
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Reviews
Too much of everything
If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.