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Mirages
Working, as in other films, with relatively simple materials and a contemplative stance, Ratté begins by exploring the flickering movement of light and its distortion as it is translated into the digital realm, using chromatic excess as a means to corrupt her sources' integrity. These somewhat inform images of natural events slowly morph into geometric grids with which moving human silhouettes are later juxtaposed before we are finally sent back to the abstract shapes that opened the film, now harmonised with these colour-looms and figurative forms.
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Reviews
It's fun, it's light, [but] it has a hard time when its tries to get heavy.
To all those who have watched it: I hope you enjoyed it as much as I do.
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
