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Wonderful Movie

One of my all time favorites.

Absolutely the worst movie.

An old-fashioned movie made with new-fashioned finesse.

The idea of an Italian murder mystery set in Australia (based on, or inspired by, a true story) is a compelling enough hook for this reasonably well done film. Ray Milland plays Inspector Thompson, a retired detective who is allowed to help out in the investigation of a partly charred corpse found in a car on a beach. At the same time, we follow another story, that of a waitress named Glenda (the stunning Dalila Di Lazzaro) who has a couple of lovers, and even marries one, but won't commit to one man alone. As it turns out, the stories are ultimately connected."The Pyjama Girl Case" is a stylish film, gorgeously shot by Raul Artigot and Carlo Carlini and capably directed by Flavio Mogherini. It didn't always completely involve this viewer; the melodrama in Glendas' story just wasn't as interesting as the murder investigation portions of the picture. The slow pace has to rate as another debit. But at least the film is always pleasing to look at, in more ways than one: it also features some striking female nudity, and Di Lazzaro looks great in or out of costume. This further benefits from a lovely music score by the always reliable Riz Ortolani (of "Cannibal Holocaust" fame).The acting is solid from all concerned. It's a treat to see Milland (who actually smiles on a number of occasions) in this sort of thing, but when he disappears from the story, the film can't help but suffer. The international cast also includes Michele Placido, Mel Ferrer, Howard Ross, Rod Mullinar, and Giacomo Assandri.Admirers of those Italian films known as Gialli may find this to their liking.Seven out of 10.

Often referred to as a giallo, The Pyjama Girl Case (or The Girl in the Yellow Pajamas) is one of the more unique entries into the sub-genre. Frankly, it's not really much of a giallo in my eyes. I look at it as more of a dramatic murder mystery with some underlying splashes of the yellow paint.In Sydney, a young girl discovers the charred remains of a woman in an old car on the beach. The woman's face is too badly burned for the police to make a proper identification. The case is given to an inspector by the name of Ramsey, though retired Inspector Thompson insists on getting involved as well much to Ramsey's dismay. While we watch their investigation unfold, we are also treated to an alternate story involving a sexually troubled young woman who has gotten herself involved with three different men. What's the connection? Ray Milland is solid as the retired Thompson, and he delivers a few laughs to boot. He has a distaste for the methods that police have began using since his time on the force, and it's quite entertaining to watch his sense of glee whenever he's crowding Ramsey's space. Ramsey is a pretty unlikable guy too. He refuses to listen to Thompson's logical reasoning, and he tries his best to find a scapegoat as quickly as he can. Caring more about getting credit and going on a nice vacation as soon as possible, Ramsey is behind Thompson every step of the way.On the alternate end of the spectrum, Dalila Di Lazzaro successfully captures the very troubled and torn nature of her character, Glenda. She spends her time between a wealthy doctor (Mel Ferrer) and a German factory employee (Howard Ross), both of whom she uses for meaningless sex. Through Roy, the German, she meets Antonio, a Polish waiter with a seemingly soft and sensitive nature. They fall for each other and marry, but the marriage is a very troubled one as Glenda, starved for both intimacy and an emotional connection, becomes very bored with the shy natured Antonio. This in turn sets off his jealous tendencies. As Antonio, I think Michele Placido gives what is perhaps the film's best performance. He's just as troubled as his wife, and his emotional outbursts seem genuine and heartfelt.The film's unique narrative is constructed in an effective manner as we bounce back and forth not only between stories, but in time as well. Director Mogherini also throws in some wonderful pieces of misdirection throughout the alternating story lines. Carlo Carlini's cinematography is splendid. Sydney is a lovely city, and Carlini milks it for all it's worth, delivering some striking shots and images. Mogherini's film is further complimented by some rather arty directorial flourishes. One of my favorite sequences has tons of people in trance-like states shuffling around a tank containing the woman's body, the police hoping someone will be able to identify her. The scene plays to Riz Ortolani's beautifully haunting score, and has a very surreal, detached feel to it. It's a masterfully crafted little sequence.Overall, while a stylish film, The Pyjama Girl Case is mainly about the characters. It's a very character driven story with a real emotional punch to it, something I wasn't expecting when I first gave it a go. I have zero reservations about recommending this to fans of gialli and Eurohorror in general. Just don't go in expecting your typical giallo.

Stylish murder mystery from director Flavio Mogherini, "The Pyjama Girl Case" is based on a true crime that took place in Australia in the 1930's. The Sydney location lensing by cinematographers Raúl Artigot and Carlo Carlini takes full advantage of the city's magnificent vistas and gives the film a sunny, deceptive tone. Told in flashback, Ray Milland, a retired cop, gets back to work after the burned and bludgeoned body of a young woman (Dalila Di Lazzaro) is found on a beach. The film's focus is on the Di Lazzaro character, a listless slut who spent her life manipulating a variety of men including her husband and older lover (Mel Ferrer). The gorgeous Di Lazzaro appears naked in a number of scenes (she has a superb body) and there is a sleazy, voyeuristic vibe throughout. The actress takes on two sweaty Mexicans in one murky sex scene and is adequately beaten about in an impressive set-up in a caravan as the camera circles the vehicle. Riz Ortolani delivers a striking, upbeat score, and Australian actor Rod Mullinar (who once played TV tough guy 'Ryan') co-stars as a straight-shooting cop. Unfortunately, he is shabbily dubbed. Though the film sags badly in the center for close to a half hour, it redeems itself with a strong and nasty climax.

A young girl and her older brother find a body of a young woman dressed in yellow pyjamas on a Sydney beach. So a retired inspector comes out of retirement to help out the police with their investigation. But he sees that the modern methods of police work aren't getting results and when they make their mind up there's no swaying it. So Inspector Thompson decides to start his own case on the side using his own methods.'The Girl in the Yellow Pyjamas' is a reasonably modest Italian/Spanish giallo that does construct itself around some striking fixtures and an involving plot. A quick note; during the opening proceedings it's labelled that the actual story is supposedly based on true facts with the names of those involved changed. I'm not what you call an expert of this sub-genre, as I've only come across oh so few, so you can say I'm fairly new to it all. Thinking that man I've got to see more gialli, I notice that this was playing on telly one night and I thought that it isn't one to pass by. Form what I saw; I definitely had an above average time with this giallo piece. It was a bit confusing at first glance, but as you keep on following the story it all comes together rather neatly, without any real hiccups. I'll admit when watching it I was kind of thinking is this actually going to go anywhere or is it just going lose its way. As I thought some sequences were rather pointless to this whole investigation with the mystery playing second fiddle to the central drama position, but the structure of the story, which I've never come across before works out in the bigger picture. Well I have, but definitely not edited in this way. So don't be fooled like I was that most of the sub-plots were not contributing to the case, but they most definitely are and that's proved so, in the last half-an-hour.The story structure comes into its own by being truly ambitious, which it could make or break the film, but actually I thought it was quite ingenious and refreshing. The plot does more than enough to throw you off course with some surprising knock offs. Like a reviewer had already mentioned there's so much going on in a matter time that it does become crowded with characters coming and going. Too many characters can spoil the brew, but this time it was easily overcome. Throughout the feature we get very moody and drawn out sequences that has of touch of pretentiousness to it, but still it's hard to take your eyes off it.Director Flavio Mogherini makes the most out of the impeccable location cinematography. The Sydney backdrop is easy on the eyes, but at times I just couldn't stop getting the sneaking impression that they seem to forget they were shooting a film. I say that because excessively it felt like there was more concern in the sights then developing any rhythm and plot. But in the long run I was wrong. Another factor that stabs away at you is the funky soundtrack that makes one real lasting impression. Which at times was a good thing, but also a bad thing. Moments it would be humming with irresistible ooze that breathed such silky elegance, but that wasn't always the case with some high-strung tunes that were tiresomely wretched. The repetitiveness too didn't help either. Mogherini creates some spots of brilliance amongst some odd and arty images that do make headway, like the tasteless scene involving a dead body and glass case and the moment when we discover the dead body. The pacing is stodgy but somehow your just transfixed to what's happening that it doesn't really matter, especially because it does pick up after the hour mark with an cleverly laid out climax that's more than a exceptional ending. The editing was executed to perfection, but the camera work is a bit unstable and lacking flash of style. The performances were that of high quality and Ray Milland as Inspector Thompson was leading the way. Dalila Di Lazzaro as Glenda Blythe was impressive too. What might be a turn off is that it might lack the violence and brutality, but not a sexually charged vibe. Though you might call it very sleazy. Overall, it a professionally done production.It might have its fair share of flaws, but this unique Giallo has a whole lot more lurking under the surface than what actually meets the eye. It's definitely worth tracking down if you're an enthusiast of the sub-genre.