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Monelle
Around the sleeping bodies, some presences occupy the architecture and move around the space in obscure activities: nothing of their actions is visible to us, except in the fragments in which the image shows itself under the flashlight. Monelle is a circular film without any narrative or hierarchy, without a beginning or an end, and it circumscribes a place of promiscuity and ambiguity between the different formats used—35mm and CGI animation—and the approaches of two opposites film attitudes—the structural cinema and the horror genre.
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Very Cool!!!
Thanks for the memories!
I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
