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Soft Materials
“What fascinates me [about film],” says Daria Martin, “is the essential contradiction of the medium: its layered ephemeral and sensual aspect, its articulation of psychological projection together with a necessary physical realization of fantasy. The camera, circling around or brushing close to constructed sets, props, faces, and bodies, caresses these material elements, intimately describes their sculptural surfaces, and yet, paradoxically, when these images are projected as a beam of light, they become transparent, their heft subtracted. I want to play at seducing the viewer while allowing escape routes from the game. My implementation of certain ideals – primary colors, mechanical or athletic bodies, geometric sets, smooth skinned faces – is always tempered by the presence of something a little more awkward: shadows, seams, aging, exhaustion.”
| Release : | 2005 |
| Rating : | 7 |
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Reviews
A different way of telling a story
In other words,this film is a surreal ride.
Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
The film's masterful storytelling did its job. The message was clear. No need to overdo.
