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Swan Lake
Perhaps the most popular ballet video ever released, this version of Tchaikovsky's beloved work stars one of the most famous classical dance partnerships of all time, Rudolf Nureyev and Margot Fonteyn. Nureyev choreographed this production for the Vienna State Opera Ballet. Two icons of 20th-century dance in magnificent form. Ballet authority John Lanchbery, former music director of the Sadler's Wells and Royal Ballet companies, as well as of American Ballet Theatre and Australian Ballet, conducts the Vienna Symphony Orchestra in Tchaikovsky's enchanting score.
| Release : | 1966 |
| Rating : | 8.3 |
| Studio : | WDR, Seven Arts Productions, ORF, |
| Crew : | Art Direction, Production Design, |
| Cast : | Margot Fonteyn Rudolf Nureyev |
| Genre : | Drama Music |
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Cast List
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Reviews
To me, this movie is perfection.
Plenty to Like, Plenty to Dislike
One of the most extraordinary films you will see this year. Take that as you want.
By the time the dramatic fireworks start popping off, each one feels earned.
Not for me. That has always been the 1982 production with Anthony Dowell as Siegfried. As a child I loved this Swan Lake. Re-visiting it at 20, it is not as good as I remember, with a generally second-rate corps-De- ballet and Nureyev's terribly over-the-top make-up as well as the treatment of the Black Swan music, yet there is still something fascinatingly enchanting about it. The costumes and sets do exude a fairy-tale atmosphere which I loved, while the video directing while straight-forward is effective. Perhaps though it does on occasions lack intimacy, due to lack of close-ups to accommodate Fonteyn(who in a way is past her very best), but at least it's still skillful and not superfluous. The choreography is wonderful, again to accommodate Fonteyn it is adapted to suit her, and has many fine moments, in particular the Pas-De-Deux which is exquisite in every way imaginable. The orchestral playing and conducting are first rate. As is Rudolf Nureyev, I found his Prince-like fashion generally noble if a tad effeminate at the start, and he is wonderfully masculine and handsome and one forgets any reservations like his make-ups when he dances as well as he does with a bravura charisma and beautiful lines. Margot Fonteyn is not at her best, with some of her movements a little slower and a couple of balance issues in Act 2, however on the most part she is very elegant in physique and in dancing, her style is impeccable and she plays Odette/Odile with great personality that even with some not-so-good moments it is so fascinating to watch her. In conclusion, definitely worth seeing but I'm hesitating personally to cite it as a first choice. 7.5/10 Bethany Cox
Nureyev in his prime and Fonteyn at her most accomodating. Why Nureyev chose to scuttle the traditional Black Swan music is a mystery of the production. It's a glaring flaw although Fonteyn does her best, fouettes and all, in his watery choreography for the dramatic pas de deux. There's not too much of a selection for ballet on DVD at the moment and for lovers of Nureyev, this is his show. (Hint to DVD producers; how about releases of DTH's "Creole Giselle" and "Firebird". They should be visually stunning in DVD format.)
