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Justice
In Justiça, Maria Ramos puts a camera where many Brazilians have never been – a criminal courtroom in Rio de Janeiro, following the daily routine of several characters. There are those that work there every day (public attorneys, judges, and prosecutors) and those that are merely passing through (the accused).
Release : | 2004 |
Rating : | 7.3 |
Studio : | Nederlandse Programma Stichting (NPS), Limite Produções, Selfmade Films, |
Crew : | Director of Photography, Assistant Director, |
Cast : | |
Genre : | Documentary |
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Rating: 7.7
Reviews
Wonderful character development!
The film may be flawed, but its message is not.
A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
This documentary is a well-crafted, impressive film by Maria Ramos, a Brazilian film maker who has been living and working in The Netherlands for fourteen years. Rightfully, this film was awarded as "Best Film" at the Nyons Documentary Festival (France).In Justica, Ramos explores the Brazilian judicial system, which is in fact only a perspective from which we look at the inequalities in Brazil. Ramos convincingly shows us how the justice department tries to deal with the enormous number of petty criminals. Most of these criminals are very poor people who live in slums and have practically no chance of changing their lives. At the same time, the repressive justice department does not seem to help much to solve this problem. On the contrary, people guilty of small crimes are locked away in crammed prisons for years. We get to see different people with very different roles in the story: prejudiced, repressive judges, a more progressive judge, the underprivileged poor people guilty of mainly small crimes, the attorney who tries to help them, but also the families of the different people.The story Ramos wants to tell is quite straightforward. However, the way she tells it is not. There are no interviews and there is no narration in this film. Instead, most shots are plain registrations of what goes on in the courtroom, in prison, or at characters' homes later in the film. The absence of interviews or narration, the slow pace, the use of very static shots and the blueish colours in the courthouse all help to create a very distant atmosphere. Nevertheless it is exactly this detached approach that make the film so gripping. In essence this film deals with personal stories, but the political message is clear: the non-judgmental and personal approach make this political message even more powerful. The whole film left me with a choking feeling, not only because of the poignant story, but also as a result of the claustrophobic shots (nearly all scenes are filmed inside the courthouse, the prison, in the car or in the characters' homes).Moving story & great film style. 8/10
Not an easy to see documentary about histories that happens on the criminal court of justice of Rio de Janeiro City. The documentary does not have and does not need a narrator. A guy that is caught with drugs in a stolen car, his public attorney, his wife, his pregnant girlfriend, the judge on the case, another drug-dealers with no future caught by policemen and sent to a public prison...the way he comes out...It is for those who liked Bus 174, Carandiru, prison stories, very sad stories, inequality, poor justice system, etc... For me is a must see to everyone, but be aware that when one come out, one does not look the world in the same way...8/10