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everything you have heard about this movie is true.

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

The movie's only flaw is also a virtue: It's jammed with characters, stories, warmth and laughs.

One of the most extraordinary films you will see this year. Take that as you want.

Years ago a Thai friend of mine asked me who Jimmy Cagney was. I'm not sure which Cagney film I showed him (definitely not this one), and after it was over my friend said, "Do Americans think that is good acting?" Now, every time I watch a Jimmy Cagney film I think back to that comment, and frankly, most of the time I conclude that Cagney is not a great, nor even a very good actor. Yet, there was something special about him. Perhaps a screen presence which superseded acting. Unfortunately, by 1956, an old Jimmy Cagney (aged 57, though he seems older) no longer had that screen presence (probably a major reason this film lost money). I'm 64. I don't know ANYONE who walks like that, moves like that, talks like that; it's not real. At this point in his career, Cagney was seemingly becoming a caricature of himself.But actually, this is a good film...just a poor choice for the lead. Somehow, Cagney on a horse just doesn't sit right...so to speak. It's one of those sorta "big" Westerns, with spectacular scenery, a decent story, and some good actors. So if you're watching this for Jimmy Cagney, you may be disappointed. If you're watching this just as a Western, you'll probably enjoy it despite Jimmy Cagney...and it is a cut above most Westerns.The plot is mostly pretty interesting. A man has a streak of cruelty in him that leads him to want to hang anyone who steals from him. Just why a much younger Irene Papas (in her American debut) would be so attracted to him...well, that's a hole in the plot. Along comes a young cowboy-to-be (Don Dubbins) who develops romantic feelings for Papas, father/son feelings for Cagney...until he learns more about who Cagney really is (in terms of behavior).Don Dubbins is very good here as the young man, although I guess I would never have seen him as a future lead actor (and he wasn't). Stephen McNally plays the really bad guy well. Irene Papas, despite the illogical aspect of her character, does nicely here. Vic Morrow is overrated as a young man beginning to move toward the wrong side of things; he thought he was James Dean...he wasn't.I'm glad I watched this film. Once. Cagney's career was winding down...and perhaps that was good. Because it's much better to enjoy his earlier films, such as "Yankee Doodle Dandy".

Tribute to a Bad Man is directed by Robert Wise and adapted to screenplay by Michael Blankfort from the short story Hanging's for the Lucky written by Jack Schaefer. A CinemaScope/Eastman Color production, it stars James Cagney, Don Dubbins, Stephen McNally and Irene Papas. Music is by Miklós Rózsa and cinematography by Robert Surtees.Jeremy Rodock (Cagney) is a no nonsense rancher whose ruthless hold on his considerable spread of land includes hanging rustlers without trial or sentence. When young Steve Millar (Dubbins) helps Rodock in a time of need, he is offered work on the ranch. But when his Greek mistress Jocasta Constantine (Papas) attracts interest from Steve and wrangler McNulty (McNally), it forces Rodock into even darker shades of his character.Following on from the wonderful Run for Cover the previous year, Cagney returned to the Western arena for the last time for Tribute to a Bad Man, and what a fitting picture on which to leave the West.The film encountered problems in early production when Spencer Tracy had a sulk and walked off of the picture. So in came Cagney. Steve Millar was being played by Robert Francis, but the actor was tragically killed in a plane crash, so in stepped Dubbins. Wise's film is essentially a coming of age frontier Western, though it concerns two male characters coming of age at different places in their life. Millar is the young pup whose come West to seek employment and meaning in his life, Rodock is hard-bitten, grizzled and can't see further than his own pig-headed beliefs. Rodock will either have to change his ways, wake up and smell the coffee, or risk losing everything.Will Rodock come through? Can an old dog be taught new psychological tricks? When he once again deals out his own brand of justice he has surely gone too far this time? It also opens up an old rivalry wound that will ultimately define all involved. What is in store for Millar? Once his eyes have been opened and he sees that cowboy life can actually be harsh, as can his young emotions. Then there is the beautiful Jocasta, a woman ashamed of her past life back in Cheyenne, forever grateful to Rodock for taking her away from that life. The age difference between the two is considerable, but their relationship is based on trust, loyalty and realism. That is until the equilibrium is upset…Technically it's a sumptuous production, where even if the thematics of the story doesn't sound like your thing, it's a film worth spending time with just to see Surtees' Scope photography and hear Rózsa's score. The former brings the striking Colorado Rockies to life with some breath taking distinction, while the latter provides music that positively swells then swirls around the magnificent back drop. With Cagney on mesmerising form, Papas and Dubbins not letting their inexperience affect the picture (Cagney took both under his wing), and Wise stringing it together as a knowing character based tapestry, it rounds out as a darn great and beautiful Oater. 8/10

A Wyoming horse breeder (James Cagney) is callous in his treatment of rustlers... He hangs them from his trees in the Colorado Rockies and forces horse thieves to march barefoot over rocky terrain...Into the wild frontier of the 1870s rides Don Dubbins, a young grocery clerk from Pennsylvania, who stays to grow up under Cagney's tutelage...Dubbins seeks the love of Irene Papas (completely wasted in her first Hollywood debut), a woman Cagney has befriended, but learns she really loves the older man... Through their relationship the 'bad man with bad teeth, broken bones, a double hernia and lice' learns that justice should be tempered with mercy and reveals a warm heart that few suspected he had...Beautifully photographed in CinemaScope and Technicolor and with a sweeping musical score by Miklos Rozsa, "Tribute to a Bad Man" is a convincing picture of life in the Old West...

You simply must see Vic's riveting portrayal as the young disillusioned, but still proud Lars Peterson stands up to a cruel and ruthless land baron. Vic has the pivotal role of this top-rated James Cagney western. Vic's show down with Cagney will hold you spellbound!