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Why so much hype?

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Tacky, colorful, confusing, mildly-entertaining drivel seems to be the European answer to the short-lived North American 'heavy metal horror' subgenre; films that typically revolved around Lycra-clad, big-haired rock band members being terrorized by supernatural (usually Satanic) forces. Said subgenre included the titles ROCKTOBER BLOOD (1984), HARD ROCK ZOMBIES (1984), MONSTER DOG (1984), TRICK OR TREAT (1986), ROCK 'N' ROLL NIGHTMARE (1987), SLAUGHTERHOUSE ROCK (1987), BLACK ROSES (1988), HARD ROCK NIGHTMARE (1989), HEAVY METAL MASSACRE (1989; directed by David De Falco and so obscure it's currently not even listed on IMDb), DEAD GIRLS (1990), SHOCK 'EM DEAD (1990) and probably a few others I'm forgetting. This one, from the director of the usually-well-regarded giallo THE KILLER MUST KILL AGAIN (1975), the silly sci-fi adventure STARCRASH (1979) and the unofficial SUSPIRIA "sequel" THE BLACK CAT (1989) - amongst others - is neither the best nor the worst of the lot, though it's far from what most would consider good.A nearly all-female rock band headed by singer/songstress Kate (Jasmine Maimone) has hit a creative slump, as evidenced by their atrocious "You Give Love a Bad Name" opening rip-off number. To help matters, drummer Daniel (Pascal Persiano) purchases an unreleased composition written by famous Italian violinist Niccolo Paganini from Mr. Pickett (a diabolically dubbed and goofy acting Donald Pleasance). Upon hearing the track and learning of its origins, the band's bitchy, money-hungry producer Lavinia (Maria Cristina Mastrangeli) decides to hire famous horror film director Mark Singer (Pietro Genuardi) to shoot a horror-themed music video in Paganini's former home; the same place where the violinist reputedly sold his soul to Satan to become famous. It isn't long before most of the cast - which includes Daria Nicolodi as the current owner of Paganini's home and sexy guitarists Michel Klippstein and Luana Ravegnini - are facing various supernatural horrors. For starters, there's a ghostly, echo-voiced, gold masked killer lurking around who uses a gold violin with a retractable blade. There's also an underground tunnel which leads to an alternate dimension (?!), strange shrill noises that incapacitate people and an electric forcefield which surrounds the house (?!) and is able to blow up a car. Some of the death scenes are pretty bizarre. Someone is crushed by an invisible wall; another is mutated by some kind of infectuous tree fungus (!) Oh yeah, and one of the females may be a little girl who toasted her mum in the bathtub with a hair dryer years earlier. The final scene tries to tie all the loose ends together but only succeeds in making things even more confusing than they already were.There's some mild gore (fx are variable) and no less than three musical numbers, including a pretty funny music video. Everything is drenched in blue, red and green colors because the director is an Argento devotee (and had helped write a couple of Argento's earlier projects).

It's not a surprise that Luigi Cozzi, after this movie, never shot a film again (except for two documentaries). This thing is not worth being called a movie (I've directed better films with my friends). The attempt of the director to give the film a photography reminiscent of the chromatic games of Suspiria is simply pathetic, and is nonetheless the better thing of the movie. However this film made me laugh so much with my friends that I should forgive its uselessness and its ugliness. We had a lot of fun. There are two sequences in Paganini Horror (one at the beginning, the other close to the ending) so silly and dumb that you can't do nothing but laugh.. unfortunately the rest of the movie can be quietly trashed away, its boringness is something unbelievable (especially during the music scenes). Maybe this film owes its only appeal to the bad acting of the actors, the principal cause of hilarity. But even the script is wonderful: the invisible barrier is surely the lowest (or highest) moment of the film...

This movie is so bad.... The acting, the story, the dialogues, the special effects, the direction, the sound.... Everything in this movie is soooo bad that I LOVE it!! It's supposed to be a horror movie but it's the best and funniest comedy I ever seen!! I can't stop laughing every time I'm watching it and I'm so in love with it that I ended up buying the video! If you want to laugh for 80 minutes, watch it!! The best line?? "Spirito del Male.... TI DETESTO!" - Italian people will understand.

"Paganini Horror" isn't a masterpiece,but it is a solid horror flick that will keep almost all horror fans entertained.The acting,apart from Daria Nicolodi("Deep Red","Tenebre")and Donald Pleasance("Phenomena","Halloween"),is pretty bad and the rock music is extremely cheesy and annoying.Director Luigi Cozzi("Il Gatto Nero")desperately tries to create some spooky atmosphere and,in my opinion,he partially succeeds.The film is full of rich,glowing colors,and the gore effects are pretty well-done(for example nasty head explosion,violin stabbings etc).All in all I really enjoyed this one,so check it out for yourself.