Watch Nathalie For Free
Nathalie
Haute Couture model in Paris becomes involved in the activities of two rival jewel thief gangs.
Release : | 1957 |
Rating : | 6.3 |
Studio : | Gaumont, Italian International Film, Société Française de Cinématographie, |
Crew : | Production Design, Director of Photography, |
Cast : | Martine Carol Mischa Auer Michel Piccoli Philippe Clay Aimé Clariond |
Genre : | Comedy Mystery |
Watch Trailer
Cast List
![](https://static.madeinlink.com/ImagesFile/movie_banners/20170613184729685.png)
![](https://static.madeinlink.com/ImagesFile/movie_banners/20170613184729685.png)
![](https://static.madeinlink.com/ImagesFile/movie_banners/20170613184729685.png)
Related Movies
Reviews
Very best movie i ever watch
Fantastic!
I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.
The first must-see film of the year.
A very minor film in Christian-Jaque's uneven filmography.The last one he made with his then-wife Martine Carol("Nana " and "Madame Du Barry" are the most popular,but even those are not really the director at his best).Nathalie is sometimes entertaining,Henri Jeanson's lines are sometimes funny but he is not at the top of his game here.The story is confused and it's finally neither a good comedy nor a good thriller.Nathalie ,a mannequin,is involved in a far-fetched detective story which includes theft,rapt,murder,spying,cops and robbers.The story is too repetitive and too derivative to sustain interest .Nathalie fights against a tall villain (Philippe Clay) and she falls in love with a cop (a young Michel Piccoli)."Nathalie" served to recharge Carol's career who had been endangered after the colossal flop of Max Ophuls' masterpiece "Lola Montès" .Note that all the movies Carol was featured in between "Lola" and "Nathalie" were foreign works such "Around the world in 80 days".Its success was so big that there was a follow-up in 1959:"Nathalie ,Agent Secret" ,by Henri Decoin.