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The Girlfriends
Girlfriends Zoya, Natasha and Asya live in Petrograd. Before the Civil War, young heroines are aware of the social injustice of life. When the war begins, the girls are recorded by the orderlies of the working group to protect the Bolshevik Petrograd from the advance of the whites.
Release : | 1936 |
Rating : | 6.7 |
Studio : | Lenfilm, |
Crew : | Assistant Production Design, Production Design, |
Cast : | Zoya Fyodorova Irina Zarubina Yanina Zhejmo Boris Chirkov Boris Babochkin |
Genre : | Drama War |
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Reviews
Plenty to Like, Plenty to Dislike
Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.
The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Podrugi (Girlfriends) is the story of the friendship between three girls, who start the film aged around 10 and who grow up together, eventually becoming nurses at the Russian front during the First World War. It was directed by Lev Arnshtam and featured a music score by Dmitri Shostakovich, their third collaboration following on from The Golden Mountains (1931) and Counterplan (1932) for which Arnshtam wrote the screenplay.The narrative is straightforward and the storyline only mildly interesting but it is for the music that the film holds interest today, especially as it remains unrecorded apart from three preludes released on a rare Russian Melodiya LP in 1988 (C10 26307 004). The score is unusual in that much of the music is for string quartet although piano, trumpet and timpani are sometimes utilised. There are also passages for organ and later an electronic instrument, probably a Theremin, played in a drunken fashion and a couple of cues for full orchestra. Altogether there a significant amount of musical material contained within the film and a new recording would certainly be an interesting and valuable addition to the catalogue and much overdue.For a more detailed discussion on this and other films with music by Shostakovich see Dmitri Shostakovich: A Life in Film, written by John Riley and published by I. B. Tauris, London and New York in the series Kinofiles Film Companion, 2004.