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The Beautiful Prisoner
Walter is told by his boss, Sara, to deliver an urgent letter to Henri de Corinthe. On the way he finds a beautiful woman he had been eying in a nightclub, lying in the road, bound up. He takes her to a villa to get a doctor, and ends up being locked in a bedroom with her. While she is making love to him, he has visions of surrealistic images from René Magritte's paintings. In the morning, the girl, Marie-Ange, has vanished, the villa looks derelict, and his neck is bleeding. Was it all just a nightmare?
Release : | 1983 |
Rating : | 6.3 |
Studio : | Argos Films, France 3, |
Crew : | Production Design, Director of Photography, |
Cast : | Daniel Mesguich Gabrielle Lazure Cyrielle Clair Daniel Emilfork François Chaumette |
Genre : | Drama Mystery |
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Reviews
A lot of fun.
Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,
A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Definitely NOT for general audiences. Watch this ONLY if you're well versed in art & Director Alain Robbe-Grillet's style. For everyone else, think about how interesting a Calvin Klein commercial would be if it was extended to run ninety minutes long. Also, what if only three of the actresses in the commercial were beautiful, while everyone else was nasty looking.At first, I thought it was some sort of French private eye flick. Then, I thought it was some sort of French soft-core porn flick. Then, I thought it was a French vampire flick. Then, I thought it was some sort of psychological experiment flick. Finally, I think it turned out to be some guy's dream before the Angel of Death (his wife, naturally) comes for him. By the end, I was hoping that the Angel of Death would also come for me, too, because my mind had been hopelessly damaged by watching this high-end artistic gobbledygook.
Everything in this film is blurred and everything is ambiguous and shaky. The main character, Walter Raim, who is, or probably isn't, some kind of secret service agent, meets, or probably doesn't meet, a beautiful and strange woman. And everything what's happening probably isn't happening at all and after every episode he tries to understand, did it happen or not and if it really did happen then what was it? But slowly and inexorably everything moves to the finish which is as incredible as all the occurrences in this picturesque drama. While so many films are adapted from a certain story The Beautiful Prisoner is based on the paintings by René François Ghislain Magritte and is as much surrealistic with the same striking shift of reality. On the side of the visual art this film is simply fantastic.
This has a little style and some flair and a modicum of interest but in the main it is pretentious tosh without hardly any justification for watching it. It is neither erotically visually exciting or intellectually involving, both of which I am sure it was supposed to be. It is never a good sign when bits of footage are repeated time and again and usually seem a very crude way of making a point or just a way to pad out a very thin story. Did I say 'story'? Now don't get me wrong I don't demand a story but if I am presented with a rather verbose storyline that goes nowhere, I can get a bit fidgety. There are good moments in this and one or two nice shots but there are far too many meaningless shots of the waves and a motorbike. Last Year at Marienbad, can seem slow but it is also poetic and utterly involving, the same cannot be said of this I am afraid.
LA BELLE CAPTIVE may be Robbe-Grillet's most entertaining and accomplished film. It dazzles the eye by creating a series of secret encounters inspired by Magritte's surrealist painting, which the director named his film after. You don't have to know anything about art to enjoy this film, though. Motifs from vampire films and erotic thrillers are interwoven with more hermetic scenes, but it's somehow all held together by the repeated image of a black clad woman riding a motorcycle. The central situation of a man on a mysterious sexual mission and some individual scenes bear a striking resemblance to Stanley Kubrick's EYES WIDE SHUT (1999).