Watch Tokyo Bordello For Free
Tokyo Bordello
A ruined businessman was forced to sell his daughter, Hisano, to a brothel in Yoshiwara, the largest red-light district in Tokyo. The owner of the brothel has hopes to make her a great new addition which will attract the richest of customers. But after several months of training, she tries to flee Yoshiwara when the time has come for her to take her first customer...
Release : | 1987 |
Rating : | 6.5 |
Studio : | Toei Company, |
Crew : | Production Design, Director of Photography, |
Cast : | Yûko Natori Rino Katase Jinpachi Nezu Sayoko Ninomiya Mariko Fuji |
Genre : | Drama History |
Watch Trailer
Cast List
![](https://static.madeinlink.com/ImagesFile/movie_banners/20170613184729685.png)
![](https://static.madeinlink.com/ImagesFile/movie_banners/20170613184729685.png)
![](https://static.madeinlink.com/ImagesFile/movie_banners/20170613184729685.png)
Reviews
Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
The film makes a home in your brain and the only cure is to see it again.
The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
This is a dark and sometimes deeply uncomfortable drama
Tokyo Bordello was apparently director Hideo Gosha's last big box office success in Japan, but nowadays it's rarely mentioned, even when this particular filmmaker's best films are discussed. I've just finished watching it and I'd rank it as one of his best.It depicts the final few years of the famous Yoshiwara pleasure district and can be categorized as one of the many films from the "life of Japanese prostitutes" sub-genre, the type of film that certain directors (like Kenji Mizoguchi) built almost their entire career over. The story in Tokyo Bordello isn't really original, but Hideo Gosha makes it all work because the style of the film is enough to carry it for two hours.The sets are pretty lavish and colorful, but it's all done in moderation, unlike the migraine-inducing kitschy visuals from, for example, Sakuran (2006), another (much worse) film from the "life of Japanese prostitutes" sub-genre. Gosha's film has a slower pace than his other works, but there's always something happening and the performances are just unusual enough to be interesting and subdued enough not to be annoying overacting. The music is quite great, and the climactic scene is pretty hectic and well-directed. This movie should be better known.