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The Last Night
A fine example of the female-led melodramas of the 1950s that revived Iranian cinema after a long hiatus during WWII, The Last Night follows Monir, a happily married woman who gets blackmailed by her former lover and must rely on an actress to clear her name. There’s a striking sense of 1950s Iranian cosmopolitanism, especially when the camera leaves the studio and ventures into the streets of Tehran or the ski resorts in the north of the city.
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Sadly Over-hyped
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ridiculous rating
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All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
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There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
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