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Jilla
A cop decides to take on his godfather, who raised him from childhood, and make him realize the error of his ways.
Release : | 2014 |
Rating : | 6.2 |
Studio : | Super Good Films, |
Crew : | Director of Photography, Director, |
Cast : | Mohanlal Vijay Sampath Raj Kajal Agarwal Mahat Raghavendra |
Genre : | Action |
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If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
The best films of this genre always show a path and provide a takeaway for being a better person.
Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
The movie is about the relationship between Don - Sivan(MohanLal) and his foster son - Shakthi (Vijay). Shakthi hates policeman and Khaki(police uniform) but Sivan decides to get him into police force in order to carry out his illegal activities without any problem. Things take turn when after an unfortunate incident Shakthi turns into an honest and sincere policeman confronting his father Sivan and his illlegal activities. Rest of the story tells us whether the rift between father-son was genuine or was it a conspiracy by their enemies , or did they plan it themselves , Do they re unite , Does Sivan gives up his illegal business or not ?Its a masala entertainer with dosage of comedy , action , family bonding which entertains effectively but there is a big weak point in my opinion - the transition of Shakthi . The event that led to his transformation should have been nothing new to shakthi, with him being a right hand to underworld don. Yes , we are not supposed to think a lot in masala entertainers but this thing was very blatant and hard to fathom. If the reason which initiates the confrontation and leads you to the main story is weak it somehow stays with you and questions you. Mohanlal is excellent as ruthless dominating don who doesn't want his rule to slip away and as a doting father and family man. Vijay is good in comedy and action scenes but at places fumble during emotional scenes. Kajal Aggarwal looks good but she doesn't have much to do apart from providing romantic and comedy relief . Remaining characters doesn't have much to do but were good in whatever part they had to play ..All in All its decent masala entertainer and you wont be disappointed if you are looking for some entertainment Tamil cinema style :)
Movie: Jilla Rating: 4.5/5Vijay sir and his movies both are entertaining as usual. This time he comes up with Jilla, which is a cool, action packed, dramatic, emotional mass entertainer.If its about the story, then it is up to the mark. Vijay sir's performance is great as always. This time I got to see Mohanlal sir as well. He is simply fantastic. The action scenes are good and the background music is crisp. The film has a very good emotional quotient and will go down well with family audiences. After a very long, a film like Jilla has come.On the whole, Jilla is a cool entertainer that has entertainment dissolved in every frame of it. Watch it, then you would realize why I am saying so!
Whoa it was a mass celebration at the theaters. Loved loved Jilla and Vijay. FDFS was needless, to say, rocking. But I missed half the dialogs. And the next time , was more into the story . Super entertainer. It had everything. Masala, Mass, fun, youth, love, songs, fights. A regular Vijay film with Lal thrown in, to kick-start the screenplay. Fights were absolute kick-ass. And I liked "Verasa Pogayile" song. Everyone praised "kandaangi". And it delivered. But I liked "verasa" visuals more. First I thought Vijay' s gonna do soft love like "faazil" or "kaavalan" type films , but this later developed into "eppa mama treatuu" . As I said,that's what hit me . You think it's a soft drama, it suddenly hardens into Lal-VJ fighting and then smooths down again. I like this sorta fizz. Makes easy watching
Mohanlal making an appearance was the only motivating factor for me to watch Jilla. And Lalettan under-played subtly. I didn't expect this. But that's exactly why I liked it. Lalettan could have been given more platform to exhibit his histrionics. But ironically, not exceeding is why the role stands out on its own. There is no hyper-realistic histrionics nor mad-cap mayhem. But there's the ubiquitious punch thrown into satisfy the local audience. Lal is definitely much more than, but sivans boundary stops there and lal becomes sivan and does ample justice by mellowing down. There's this one shot in a far-off highway, where hes sitting like a King Dethroned, robbed of pride and glory and yet the director didn't subject the scene to melodrama. Instead he let Lalettan shed a teardrop ! I love Jilla