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Great Film overall

This movie was so-so. It had it's moments, but wasn't the greatest.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

The film may be flawed, but its message is not.

After lecturing her sister on the evils of fake orgasms, Louise, a self-obsessed twenty-something, gets her come-uppance the next morning when she discovers that she has "lost her clitoris", a misfortune she doesn't hesitate to communicate, loudly and explicitly, to anyone who'll listen.It's a shame that so many of the characters and situations in this movie, from the gay best-friend to the sex guru with his herbs to the celibate neighbour to the old ladies discussing orgasms, feel like a parade of comedy stereotypes. The falseness and banality of these sketch-like scenes conflict awkwardly with the pseudo-documentary discussions of female sexuality that the director inserts with great earnestness throughout the film.The film's saving grace is Marie Gillain, who pulls off the near-impossible task of making the infuriating, egotistical Louise both watchable and sympathetic.

True, European movie are more interesting then American Movie. This is a fact. More idea. This one's idea is not so unusual - the quest for pleasure in a pure hedonistic way, unusual is the language. It's has his good parts, i know...like Freud thought..every thing is about sex, here in a egoistic way, but is to much like Eve Ensler's monologues and the characters are much too caricatured. And another thing - maybe i'm too mean, but the movie seems like a soft-core porn, it tries to be a lesson of life, a feminist view of sexuality, to make the Clitoris the new god of pleasure (instead of the phallus), but is to descriptive for a family movie and not enough for a adult movie.