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Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

An old-fashioned movie made with new-fashioned finesse.

Contains Spoilers--This is Your Last Warning!!! After seeing this movie, I really wish I hadn't. It isn't because it nauseated or haunted me (it didn't) but it did deal with things no human being NEEDS to think about or watch in a film! If you aren't into vomit and cannibalism, STOP READING THIS REVIEW and for goodness sake, DON'T WATCH THIS FILM! While technically well made, the film is, despite the weirdness pretty predictable once you begin watching. You kind of figured the ending before it is revealed. But, once again I wonder WHY anyone would want to make such a film?! The lady in apartment 301 just moved in and she is recently divorced. The lady in 302 is excessively withdrawn and shy and seems to suffer from Agoraphobia--being afraid of the world and instead stays in her apartment all the time. This is a problem, because the lady in 301 wants to be friendly but no matter what she tries, the lady in 302 keeps her distance.After a while, Ms. 301 begins cooking and bringing dishes to Ms. 302. But 302 cannot stand the smell, sight or taste of ANY food and throws up after Ms. 301 leaves the food. Every time Ms. 301 brings food, Ms. 302 just pitches it all in the garbage. One day, Ms. 302 is taking the trash out and Ms. 301 sees all the food she's worked so hard to make is being pitched. So, naturally, the lady from 301 goes nuts and begins abusing Ms. 302--shoving her around and forcing her to eat the old festering food. It's almost like a "food rape" how 301 behaves towards 302.Ms. 302 later explains why she didn't eat the food though a series of flashbacks. It seems that 302 was raped as a teen repeatedly by her father (how 301 guessed this earlier in the film is a total mystery). Analytic therapists would likely appreciate how Ms. 302 has not only developed an intense phobia about having sex, but about having any object enter her body (including food). How she survived so long makes little sense, as she can't tolerate ANYTHING to eat. Ms. 301 feels bad and says she'll try making things that won't bother 302's stomach, but no matter what she tries it all is vomited.Then, through flashbacks we see 301's story. She was a very happy housewife who lived to cook, keep house and make passionate love to her undeserving husband. Over time, he became less and less attentive and ignored all the wonderful things she did for him. So, in turn, her meals became more and more spectacular, as she was trying to win his love through food. This was to no avail, plus since he was eating less and less, she put on weight eating all the food she so painstakingly made.Eventually, she catches him with a floozy. He denies it, but she is enraged. To punish him, she takes his favorite possession, their cute little doggy, and serves it to him in a meal! Even in Korea, this is bound to cause marital problems and this is her not so subtle way of demanding a divorce! Well, considering how violent and wacky Ms. 301 is, it wasn't hard to assume that somewhere along the line she'd get around to cooking Ms. 302. 302 is amazed with 301's story--especially since the dog apparently was very tasty. So, she asks Ms. 301 to cook and eat her--and, Ms. 301 also being insane, complies.The butchering and eating sequence of the film isn't nearly as disgusting as it might have been. However, even if done "tastefully" (get it?), it is such a gross an unnecessary thing to put in a film. Sure, there are sick ^!*#!*%!^*#$@@ out there, but do we need to make films about them? Or, more importantly, make judgment-neutral films about them?! So, the cat's out of the bag, so to speak. The film is about two totally insane women and the cannibalism that concludes the movie. If you are a sick and twisted freak, then this film is for you. All others beware!!!A final note: This movie reminds me of the Japanese director Miike's film, THE AUDITION. It, too, was about a sick and disturbed woman who loves to cut people to pieces. It, too, is not worth seeing except by maniacs.

A thin but attractive writer has suddenly gone missing and the only suspect appears to be her comely neighbor in Cheol-su Park's "301/302." The central fascination of "301/302" deals with two decidedly different women – one an extrovert, one an introvert – whose lives have been corrupted by food: the chef (Apt. 301) based most of her husband's affections and later her own inadequacies of providing exceptional meals while the anorexic writer (Apt. 302) can't shed the memories of her sexually abusive father – who worked as a butcher – and refuses to eat as a consequence. Now divorced, 301 meets 302 and transfers her love to her new neighbor, trying against all odds to get the thin, pale woman to eat her meals.The film has several plot inconsistencies that are never cleared up. 302 appears to have virtually no contact with anyone except for the occasional telephone call from a mysterious editor/writer/friend, but yet the very morning after her disappearance the police have gone looking for her. An unnamed building resident last witnessed 302 going into 301's apartment, but the hallways are always empty and void of other people. Then, in the film's final moments, it becomes clear that 301 has adopted some of 302's physical appearance, cutting her hair to match that of the thin writer; given her desire to eat and eat and eat, why would she suddenly choose to adopt the looks of one who abhorred eating? However, in the broader recipe, these points aren't significant. What matters most is the relationship these two women have with one another and their past lives. Their respective histories are told in effective if not alarming flashbacks, and, despite their differences, it becomes thematically clear why they would be inevitably drawn to one another in the unique environment created by the filmmaker. The viewer can see the conclusion coming, but, like preparing a good meal, it's really more about eating than it is the cooking.It's an odd relationship, but – if not predictably – these two women are destined to be together. Only 301 can fix 302's problems … with a solution that isn't exactly a five-star dessert.

I've seen better horror films than this (and trust me, I haven't seen many of them). This movie is like an Asian version of "The Green Butchers," a Danish horror flick. It's a cross between "Psycho" and "The Little Shop of Horrors." It's also really gross.A divorced gourmet chef moves in to an apartment #301 and for some reason, can't understand why her neighbor, in apt. #302, won't eat and won't experience the pleasures of sex. This is a dark comedy with an extremely grim.Let's put it this way. I never want to see this film again. My mom told me to see it since she thought it was good. This is the last time I take my mom's word on foreign cinema (which she really dislikes for the most part).

This movie is one of the best Korean horror movies ever made. When you watch this movie, you could see 2 women, one is very fond of food and one is unfond of food. Food-fonder makes food from every substance, but food-hater can't eat them all. At last, food fonder make food with... A must see movie for all of you horror fans!