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Good story, Not enough for a whole film

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

'Dekalog' is a towering achievement and a televisual masterpiece that puts many feature films to shame, also pulling off a concept of great ambition brilliantly. Although a big admirer of Krzysztof Kieślowski (a gifted director taken from us too early), and who has yet to be disappointed by him, to me 'Dekalog' and 'Three Colours: Red' sees him at his best.All of 'Dekalog's' episodes have so many great things, and it is an example of none of the lesser episodes being bad. This is testament to the high quality of 'Dekalog' as an overall whole and how brilliant the best episodes are. Along with Episodes 1, 4 and 5, Episode 6 is one of my favourites and simply magnificent in every way.Every single one of 'Dekalog's' episodes are exceptionally well made. The production values in Episode 6 are as ever atmosphere-enhancing, beautiful and haunting to look at and fascinating. Many of the images are impossible to forget and have the ability to shock and move. The direction is quietly unobtrusive, intelligently paced and never too heavy, and the music is suitably intricate.The themes and ideals are used to full potential, and the characters and their relationships and conflicts feel so real and emotionally resonant without being heavy-handed. Despite being based around one of the ten commandments, don't let that put you off, resemblance to religion is relatively scant.Story-wise, it is one of 'Dekalog's' richest, it's creepy, it's poignant and thoughtful, deliberate but never dull. The themes of obsession, stalking, lust, and heartache are expertly explored. The characterisations and interactions are among 'Dekalog's' richest and compellingly real. The acting is superb as to be expected from both the two leads, again the complexity and nuances of the performances is to be admired.Overall, one of the best 'Dekalog' episodes and a masterpiece. 10/10 Bethany Cox

I think the film "A Short Film about Love" is a better descriptor than the commandment "Thou shalt not commit adultery" in this case because the "adultery" in this sense is much more symbolic than some of the other segments of the Decalogue. Most of the Decalogue is steeped in layers of symbolic and discursive intention, making this a moot point, but altogether I must say that this is one of the least well-developed and thematically linked segments within the Decalogue.A young schoolboy finds himself fascinated with a neighbor who is sexually prolific but longs to find someone she can truly connect to. The schoolboy translates his feelings to love (haven't we all at some point?) and pursues the neighbor, who finds herself genuinely interested in this purveyance but has become too cynical about love to accept his approach. When the two of them mesh, it results in uncomfortable emotional lack of responsibility that endangers the boy's frail (and in my opinion shallow) mind.Once again dealing with opposites, Kieslowski's structured relationship between the two is not only the focus but the most interesting aspect of this episode, mostly since the woman's current lover is banal and the boy's history is uninteresting. Still, something about the obsessive tendencies of love and the difficulty in interpreting feelings sticks well, and is one of the film's best themes.--PolarisDiB

the best of the series that i've seen so far. i guess you could call this one a sort of cinema verite style. the meat of this film is in the story and the characters. so much of the story is told without dialogue and that's sexy. the acting is very good as i've quickly come to expect from kieslowski's crew and the story was just plain good. the changing of roles midway through provided and interesting situation while avoiding a contrived feeling. B+.

Cat-and-mouse game of voyeur and victim, with an exchange of roles between the two about halfway through. Seems to have been well-received by the critics, but I found it too coy and contrived, not to mention compromised by a lack of credibility: The supposedly naive pure idealistic love of the voyeur, a 19 year-old boy, fails to acknowledge the inherent ugliness of voyeurism. Voyeurism entails a sinister imbalance of power between watcher and watched; it consists of cruelty and exploitation more than love; all of which the woman seemed to overlook much too easily. If the boy truly loved her, he would have stopped stalking her; his isn't love, but disease. The whole affair is intellectual structuralism at its worst, a plot concocted to demonstrate a point. Apparently, the woman spied upon "adulterates" the boy's love by humiliating him, as well as being unfaithful to her lover and unfaithful to love itself by her cynicism (thus violating the commandment, though unmarried). Her repentance and reversal seems as sudden and arbitrary as everything else in the film. Silly color coding abounds; the stranger in white (angel of death?) here carries a suitcase and shopping bag. The only intriguing element for me was the surrogate mother's sexual possessiveness, a tickle of evil.