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The King of the Hill
Quim drives around an isolated rural area through a maze of lanes. When he drives into the woods, he gets lost. Trying to find his direction, he suddenly gets shot from the hill. On his escape from gunshots, he meets Bea, an attractive young woman, who apparently is lost as well. Suspicious of each other, they join forces to run away through the forest, unprotected, cold, hunted...
Release : | 2008 |
Rating : | 6.2 |
Studio : | Coach14, |
Crew : | Director, Producer, |
Cast : | Leonardo Sbaraglia María Valverde Pablo Menasanch Francisco Olmo |
Genre : | Action Thriller |
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Memorable, crazy movie
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
And his day got off to such a promising start. After stopping at a petrol station, a man finds himself propositioned to have a quick bit of nookie in the ladies toilet by a sexy young brunette. RESULT!! Unfortunately, he later discovers she's nicked his wallet and lighter. Oops. Still, on the road again, he sees her turn off and decides to pursue her vehicle... and before long, in circumstances too convoluted to explain, both are forced to team up as they find themselves stranded in the wilderness, being shot at by unseen snipers. Quite a turn-up for the books, eh? Known as 'King Of The Hill' here in the UK (But with no connection to the TV show of the same name) this is a nail biting thriller with a very small cast, but an abundance of tension and realism. The aspect I most enjoyed was the way the participants were fleshed out, as despite being on the run for the most of length we discover a lot about them through their words and actions alone. Even the main 'villains', who we don't meet until late on, and their own unique perspectives. This is crucial to the movie's success as if it was a simple chase between two sets of caricatures with no discernible personalities, it wouldn't be half as absorbing as it clearly is.People get hurt, tired and frustrated. Their very lives are on the line. They never know where the gunmen will crop up next. The terrain they have to trek through is inhospitable too, to say the least. It's all done with miraculous skill by the director, as the stakes are raised with every scene. Make sure you go to the bathroom beforehand... you're not gonna want to tear yourself away for a minute. A great thrill ride, and a smart one as well. 7/10
It doesn't take a huge amount of money to make a really great film. We've seen great low-budget movies develop out of a few simple ideas, a twist or two, and a little bit of solid acting. I'm thinking of movies like "Duel" - or the latter half of "Apocalypto". These suspenseful chase pieces featuring a good guy we can all relate to, caught in a very bad situation, can be thrilling. At first, El Rey de la Montana (english title: King of the Hill) suggests we are in for such a treat. Unfortunately the storyline never really develops to the point where we feel a connection to either the hero(es) or villain(s). There seemed to be some undue secrecy surrounding every character in the movie, preventing the viewer from fully understanding or appreciating the gravity of the situations that they found themselves in. Perhaps this was the point. When we don't know enough to trust others, we can't fully care about others. If this was the point, it was also the movie's biggest flaw.
Maria Valverde make for a sympathetic pairing, wisely the film doesn't stop to long to give them a relationship but they have a certain mild chemistry that makes their bond under adversity a compelling one. For around two thirds or so of its length King of The Hill is rather great, hardly earth shattering in its events or approach but sufficiently well handled that it really stands out, unfortunately it doesn't end the same way. Like most films of its mysterious ilk, there's a "big reveal" here, and it's deeply ill-advised, an attempt at sombre significance that flops hard. A turn in events that would be unlikely and fairly tricky to pull off even if it were a significant part of the film from the start, here the film expects us to just buy the plot turn and then continues in the same uncompromising vein as before. To say much about why it doesn't work would be going into spoiler territory and since other have enjoyed this much more than I and not been troubled by the finale I won't divulge events, but for me it was daft verging on laughable, it not only took all the wind out of the film's sails but also rather tainted what had gone before. A saddening turn of events, as I wanted to dig this one and it came close to being a winner, but I can only go by my final impression, which was one of disappointment. A 5/10 then, even though for a fair amount of the runtime this is more like a high 7.
In the first hour an exciting movie, cause you just don't know why things happen. Plus it's a classic horror theme - a man, a good looking woman and a police officer are caught accidentally in wild and lonesome hills. Somebody's shooting at them and they try to escape. But near the end (and with only one survivor left) the curtain drops and you see - some Kids trying Counterstrike with real guns and killing real people. Camera shows First-person-shooter-view (you see only the gun of an running person) so its obvious. The Kids also wrote down scoring points for shooting or killing people or animals. Very disappointing, I just get sick of this simple conclusion.