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A Masterpiece!

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

One of the worst ways to make a cult movie is to set out to make a cult movie.

In the Citadel Film Series book on The Films of Olivia DeHavilland, her winding up in Government Girl was a great illustration of how the contract players were treated at the studios. Just like baseball players in those days before the reserved clause was abolished.As we all know Olivia had worked with David O. Selznick before and she was excited when Jack Warner who just could not see her as anything but arm candy for Errol Flynn and other of his heroic leading men optioned her off to Selznick again. Maybe she would get a part as good as Melanie Hamilton.But Selznick called off whatever film he was going to do with her and took his option and sent DeHavilland packing to RKO where she was put in this minor league comedy Government Girl. She did the film, hating every minute of it and resolved once and for all to challenge the studio system and its control of its players. Just like Curt Flood later challenging the reserved clause in baseball.Although she overacts outrageously in a part that someone like Jean Arthur might have been better in, DeHavilland does well in this comedy about wartime Washington, DC. My aunt was such a Government Girl during those World War II and she met her husband who was a 4-F in those years because of a history of tuberculosis. I'd like to think they had such hijinks during those years.America was truly mobilized then and people like Sonny Tufts who were business executives were called in and gladly served on the home-front, organizing the nation's industrial and agricultural might. He appropriates her hotel room using his big-shot status on a night when Olivia was helping friend and Anne Shirley try to get in some quality honeymooning with her bridegroom James Dunn. And then of course Olivia who knows the Washington power scene inside and out finds out she's going to be Tufts's secretary. But I don't think I need tell you more.Oddly enough DeHavilland is romanced by Tufts, Jess Barker who later married Susan Hayward and Paul Stewart. Barker is a slimy young man on the make working for a Senate Investigating Committee having to do with keeping the graft at a minimum in the war effort. Senator Harry Davenport employs him for reasons not altogether clear. In real life I doubt Senator Harry Truman employed anyone like Barker. Through his own naiveté Tufts winds up in a jackpot before the Davenport Committee. And it takes a Government Girl like Olivia DeHavilland to bail him out.For her legion of fans this was not Olivia's finest hour and a half on screen.

Dudley Nichols, the director of "Government Girl", working with Budd Schulberg on the script, gave us this look of America during the years of WWII. This is a move of how every department in Washington was taken over by thousands of women who descended on the capital to help with the war effort.The housing problem of the times is clearly shown as we watch the opening sequence when Ed Browne arrives in Washington without a reservation for a hotel. Because his name is in the newspaper, he is given the honeymoon suite that young Sgt. Blake and May, were going to use for that purpose.Smokey Allard comes to the rescue as she tries to give the couple a place where they can be together, but makes the mistake of taking them into the "only women" rooming house where she and May share a tiny apartment.This comedy shows us a slice of life in Washington in those years. Even though there was a war going on, there is always optimism, as that conflict was a just one, in the minds of all Americans of that era. We are shown how Ed Browne is instrumental in setting up the factories that will produce the bombers that were key in winning the war in Europe and in the Pacific.Olivia de Havilland makes a sunny "Smokey" Allard. Even when playing roles that didn't demand much of her acting abilities, this actress makes us like her because of the charisma she projected. Sunny Tufts is good as this unsophisticated Ed Browne who is mired in the bureaucracy he encounters in Washington. Ann Shirley, James Dunn, Paul Stewart, and Agnes Moorehead complete the excellent cast.While the movie doesn't break new ground, it's pleasant enough for a few laughs and a nostalgic look at that period.

Have watched Government Girl and enjoyed the interaction between the two stars. Although Sonny Tufts career was short lived, he is fun to watch. As an actor who was 6'4" he at times seems to fill the room he is in. His costar shines. Having seen her in To Each His Own,it is fun to see her in a lot of funny situations. The scenes in the bedroom and the lobby of the hotel really show her comedic talent. The part about the different initials of the different departments is really funny. Even funnier to that many of the departments really did exist during the war. A lot of bright and fluffy movies were made to lighten the days during the war and this was one of them.

De Havilland found herself obligated to do GOVERNMENT GIRL when David O. Selznick borrowed her from Warner Bros. (he lent them Ingrid Bergman) and then sold her services to RKO for one picture. She didn't like the script and it looks as though she got her revenge by overacting the title role, which would have been okay if the material itself was funny. But this lame wartime comedy about overcrowded Washington never quite gets off the ground.Sonny Tufts does what he can with a thankless role as a bungling, naive politician who has to learn the ropes from his pretty secretary. Agnes Moorehead gets in a couple of good quips as a snobbish Washington matron and Jess Barker is likable enough in a secondary romantic lead.James Dunne and Ann Shirley tend to overplay their roles as a couple of lovestruck newlyweds eager to find lodgings. Despite its obvious flaws, the film was a moderate success for RKO at the box-office and wartime audiences seemed to go for it. De Havilland fans aren't likely to rate this among her best comedies.