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Charlie Chan at the Olympics
Get ready for a Gold Medal murder mystery! This "tense, thrilling mystery" ('California Congress of Parents and Teachers') pits Charlie Chan against international spies who are using the Berlin Olympic games as the perfect cover...for cold-blooded murder!
Release : | 1937 |
Rating : | 7 |
Studio : | 20th Century Fox, |
Crew : | Art Direction, Art Direction, |
Cast : | Warner Oland Katherine DeMille Pauline Moore Allan Lane Keye Luke |
Genre : | Action Thriller Mystery |
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Reviews
Very very predictable, including the post credit scene !!!
It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
An experimental, top secret plane is hijacked and the pilot murdered. When the plane is found, someone has stolen the new remote control device the plane was carrying. Foreign powers would pay a fortune for such a device. Charlie Chan is on the case and tracks the crooks from Honolulu to a ship carrying Olympic athletes to the games in Berlin. Maybe not the absolute best, but Charlie Chan at the Olympics is a fun addition to the series. I'll keep this to a couple of things that stand out to me. First, the movie looks like a million bucks. The Fox B unit made some fine looking films. Cinematography, lighting, sets, and set design are all quite good. And here, they combined newsreel footage from the Berlin Olympics with scenes they shot in as seamless a way I've seen in a movie from the 30s. It's very well done. Next, The acting in Charlie Chan at the Olympics is fantastic. I really enjoy the all too brief scenes Warner Oland and Keye Luke have together in this movie. Just a pleasure to watch. And I get a kick out of the scenes with Johnathan Hale and John Eldridge. Surely, no on actually talks like that. They sound like they're in a race to see who can spit out lines the fastest. I love it.If I have one negative to say about Charlie Chan at the Olympics it's that the movie is more spy/adventure than murder/mystery. Whether it's Chan, Sherlock Holmes, or Hercules Poirot, I prefer the plots that revolve around a murder more than those that get all tied up in a wartime distractions. I love those scenes where the great detective gathers all the suspects together before making the final reveal. I know this is a matter of personal opinion and taste, but I do rate this movie lower because, for me, the entertainment value isn't as great.
Some unnamed source at IMDb alleges that CHARLIE CHAN AT THE OLYMPICS, a film capitalizing on the then recent 1936 Berlin Olympics (taking place in Germany under Chancellor Hitler) and released on May 21, 1937, in the U.S and in the early fall of that year in Europe, was "pulled from circulation shortly after its release because it takes place in Nazi Germany." Could someone please define "shortly after its release"? The film, while sympathetically portraying the civilian police force in Berlin (interestingly played for irony and possibly surprise or subtext by frequent film villain Frederik Vogeding), pointedly incorporated actual newsreel footage of Jessie Owens' Olympic triumph which was so upsetting to the Herr Hitler. The film plot had considerable hurdles to surmount in avoiding the identification of the foreign power trying to steal the "McGuffin" military device. Most U.S. or British films of the period would have been more blatant in assuming the national guilty party, but Germany was still a major market for U.S. motion pictures (even if the Chan character himself must have been an anathema to Nazi Party leadership).Even with the unsettling Anschlus in Austria and the Munich Crisis over the dismembering of Czechoslovakia; with the invasion of Poland and the formal start of European hostilities in World War II still a little more than a year away (U.S. entry into the conflict more than four years away!), America and much of the rest of the world was doing its best to ignore distressing realities within the Reich. While CHARLIE CHAN AT THE OLYMPICS had to do a fine dance to play to that desire to turn a blind eye, it largely succeeded. It is difficult to believe that 20th Century Fox would withdraw an entry in the wildly popular Chan series in anything which could be realistically considered "soon" (anything less than six months). A specific DATE of the withdrawal would be appreciated.While the film over all may be one of the lesser Chan efforts, it has moments (the initial set-up in the U.S., the travelogue race to Berlin, the scenes in the Olympic Stadium and the final confrontation with the killers) which are as good as any in the canon. To be dismissed as "pulled from circulation shortly after its release" if it is demonstrably not true would be unfortunate.
One of the best of the 1930s Chan films. It is remarkable how all reference to the Nazis was expunged from the scenes of the 1936 Olympics in Berlin. The Police are represented as Kaiser-style people rather than members of the Gestapo. I was more familiar with Sidney Toler, but I can see that Oland was a superior actor and much of the slapstick of the later Chans was omitted in the earlier versions. All in all, a well-done effort. The plot really doesn't concern the Olympics aside from being used as a backdrop for the action, but this isn't a problem. There is the usual complement of Chan aphorisms. The early Chan films are also interesting commentaries on the state of technology in the 1930s. Getting across the US by plane is said to take 13 hours, as Charlie races a boat from Honolulu to Germany.
Another well-directed Warner Oland Chan filmmaking full use of stock footage from 1936 Berlin Olympics and the dirigible Hindenburg. Chan is on trail of stolen aircraft autopilot and killers who will make an attempt on his life and again kidnap No. 1 son Lee. Keye Luke is allowed to play his part without disguise and too much oriental racial humor. Good supporting cast and great shots of the game ceremonies and Jesse Owen in the relay race. For those who want to view more of these games, without Chan, see Leni Riefenstahl's Olympia 1. Teil - Fest der Völker and Olympia 2. Teil - Fest der Schönheit (1938). Continuity with other films suffers when Layne Tom, Jr. is introduced as #2 son Charlie. We have seen much older sons in his family at the circus and we will later see Victor Sen Yung as #2 son Jimmy and even later as Tommy Chan. This is a good mystery, but once again it is impossible to share in the clues that only Chan can see and from that catch the thief and murderer. `When all players possess suspicious cards, good idea to have joker up sleeve.' Story line is somewhat believable enough for a good afternoon's watching. Concluding scenes have oriental detective admit he is willing to risk loss of son and self in order to maintain honor and loyalty to United States. One of the best in the series. Recommended.