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From This Day Forward
A young American soldier, with an honorable discharge, returns home from World War II to his bride, whom he married after a short courtship and has not seen for several years. The two come together with many trials and tribulations in trying to preserve their marriage in the post-war years.
Release : | 1946 |
Rating : | 6.3 |
Studio : | RKO Radio Pictures, |
Crew : | Art Direction, Art Direction, |
Cast : | Joan Fontaine Mark Stevens Rosemary DeCamp Harry Morgan Wally Brown |
Genre : | Drama Romance War |
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A waste of 90 minutes of my life
Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
It’s sentimental, ridiculously long and only occasionally funny
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Although it hurt to see the lovely, graceful Rosemary DeCamp shoe-horned into the role of a Bronx housewife (with matching accent) that fit where it touched this is, overall, a pleasantly satisfying entry even if it can't decide whether it's a social documentary, a romantic drama, or something in between. The ever reliable Harry Morgan lends both gravitas and stability to the mis-matched but earnestly sincere leads Joan Fontaine and Mark Stevens. It's virtually unknown - I, a lifelong moviegoer, had never heard of it - but certainly deserves more outings and/or a DVD release, which I would probably buy if it came my way. Meanwhile all I can do is recommend it.
"fRom this day forward " looks like Wyler's 'best years of our lives " released the same year,a "best years" in miniature .The main difference is that Wyler's work took place after the war whereas Berry's movie is part past (the year before the war) and part present (Mark Stevens'coming home) It also deals with the difficulties the soldiers come across with when they return to a country that has sometimes forgotten them.The best scene,however, is to to be found on draft morning:the couple had put the alarm clock forward and forgotten it;the G.I. did not even have a breakfast (the cupboard is bare anyway);through the window ,Fontaine tries to make her husband come back:there's something of Frank Borzage in this sequence ("seventh heaven" "street angel".)Although Stevens' presence on the screen is at least as long as that of Fontaine's ,he is granted a "and introducing...." -it was his debut- and Joan Fontaine is the only name before the title of the movie.
OK, Joan Fontaine is no Bronx housewife. But this movie about the post-war travails of a New York City couple is genuinely moving. Mark Stevens comes across well in the lead, and Harry Morgan does nicely in a small role. True, these are probably the only non-ethnic people in the Highbridge section of the Bronx, but that's how it was in those days.
Good example of studio films from the forties. A love story,but also a history lesson on the labor unions trials and problems of getting a foothold in industry.True to the novel, Mark Stevens and Joan Fontaine are perfectly cast.