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One of my all time favorites.

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

That child, those children. Other reviewers talk of the beautiful cinematography of the movie, I agree. It was stunning at times. Some lament the lack of grit, or shock factor. I've been to The Killing Fields. I've seen the pits, listened to the propaganda recordings blared over loudspeakers. I've seen the skeletons still rising from the ground. I'm a well-traveled man, and seen my fair share of tragedy. Listening to the story of how children were executed by the KR was one of the most heart-rending moments of my life. In my opinion, Angelina Jolie has told as much truth as the average Western audience could bear. The scene where the father was executed was exactly as I was told by Cambodians. Jolie knows the truth, and has to be commended for pushing the envelope while not crossing the line where the movie would be rated for adult viewing. We Westerners will never see a screen depiction of the horrors of that genocide. Way too traumatic for our sensitivities. And all the way through the movie I wondered where the international community was when this was going on. It was left to the Vietnamese to save these children, these poor people. We in the West turned our backs. Just as we are turning our backs in Syria today. And that is the skill of Jolie, she has produced a movie talking to the politics of today. A word about the actress who played the part of Loung - excellent. The burning hut scene was painful to watch, the birth scene brought a joyous smile. These were but two moments of many where her wee face told us of the human condition. The final scene where the family are gathered, some could construe it as being mawkish. I saw it as a tribute to the parents ( also superbly acted ). I've said enough. I commend and recommend this movie.

Having lived in Cambodia for over 18 months, I was glad to see a movie bringing the many atrocities of the Khmer Rouge to light, for the simple fact that far too many people have no idea what happened in Cambodia from 1975 to 1979, and those who do, don't understand the why behind it. This movie not only fails to inform about the truth, but also intentionally misinforms with straight up non-facts that fit today's alt-left anti-US sentiment. All this amounts to both a simply terrible movie, and an utterly shameful insult to the upwards of 3 million victims of the ultra-communist Khmer Rouge regime. I understand the source material is the memoir of a survivor who was a young girl at the time, but the presentation of said source material is over produced, needlessly artsy, and even the supposedly emotional scenes lose impact because the film does not add any context to the events that unfold. Which is very coincidental, as the Khmer Rouge targeted intellectuals for extermination, this very movie leaves out a lot of facts which would make the false narrative purveyed by the director crumble to pieces. Looks like the alt-left ultra-communist playbook hasn't changed much after 40 years. Do yourself a favor and show respect to the victims of this tragedy by skipping this movie and reading some of the very informative books out there. Even better if you could actually travel to Cambodia and visit Tuol Sleng (S21 prison) and Choeung Ek (the killing fields).

First of all, let me start by saying 'First They Killed My Father' is not in my opinion as boring as some here have maintained, though this may be due to my long standing interest in the region and subject matter. Even so, the movie is unfortunately marred by factually incorrect anti- US propaganda via the disingenuous citation of the 'US bombing of Cambodia' as the cause of the communist Khmer Rouge ascendancy in Cambodia. I can only guess that foreign pre-sales or investment financing from Euro territories, where this film is likely to have a strong audience, essentially and implicitly 'required' an anti-US position in order to satisfy the mandate of the investors, state cultural bodies, and potential audiences.Film and media agencies in France, for instance, including Unifrance,  Film France, and others have been overtly aggressive over the past decade in re-parsing re-interpreting historical events in Indochina. especially with regard to the Vietnam/Cambodia situation subsequent to the French termination at Dien Bien Phu. Their goal appears to be to distance France from any significant culpability in the Indochinese disaster, extending from Vietnam through the Cambodian tragedy under Pol Pot, Increasingly common is the obligatory citation of the 'US bombing' (usually cited as a lump bogey-man term) as a primary cause of the rise of the Khmer Rouge. See, for instance, that same device being utilized at the introduction of the recent Cambodia-related documentary, 'Don't Think I've Forgotten: The Story of Cambodia's Lost Rock and Roll', and others.Though no fan of the massive and tragic US error in Vietnam, I'm aware of few if any serious Cambodia scholars today who would argue that the US air campaign in Cambodia gave rise to the Khmer Rouge regime as a primary cause, especially when compared to more significant factors such as the role of King Sihanouk in cultivating the KR as a fighting force. An even more obvious and traceable cause would be the first exposure of Solath Sar (Pol Pol, leader of the Khmer Rouge) to communism while studying at his Lycee in Paris in the late 40's and early 50's.Aside from this, it's not clear what component of the US/ARVN tactical and strategic and tactical air campaign Ms. Jolie and her French- Cambodian producer, Rithy Panh, are referring to when they cite the US air campaign in Cambodia in the 1970's.It is true that the brief and limited MENU bombings of NVA and Viet Cong border areas was not authorized by Congress, and were therefore illegal (As were the NVA and Viet Cong incursions into Cambodia). But the filmmakers seem to be conflating the MENU operation with non-secret tactical and strategic air strikes called in by Cambodian Armed Forces (FANK) spotters against the mixed KR / NVA combatant forces. Without intervention by air in many cases, Khmer Rouge and NVA main force units would otherwise have shredded the FANK Cambodian Republic armed forces opposing them. It was only the tactical use of B52s against KR and NVA forces which prevented the capture and fall of Phnom Penh as early as 1973, for instance. In other words, without intervention by the same US bombs cited as an accelerant to the KR regime, the Cambodian genocide would otherwise started an additional two years earlier.A more courageous, honest and authentic approach with 'First They Killed my Father' may well have been to undertake and share an objective examination of other greater causes at the time, most notably Cambodian King Sihanouk's role in encouraging the rise of the KR in order to regain his throne. Finally, the involvement of other relevant powers such as China and the Soviet Union in the Indochinese/Cambodian morass would also have been well worthy of discussion.Even more courageous approach would have been to allow the author of the original book, Ms. Ung, to direct the movie herself, which in turn would have validated the movie as a true local Cambodian effort. In any case, 'First They Killed my Father', so promising in its potential, compromises itself from the start and cannot thus be considered on the same rigorous level as 'The Killing Fields'

In the 70's, a Cambodian middle-class girl sees the lives of her family and her turning upside-down when the Khmer Rouge invades the Cambodia. They leave their comfortable apartment and lifestyle to live in a primitive working camp. Her father, a former officer, is killed and the family splits to survive.Angelina Jolie once again surprises with another great film about contemporary war and genocide directed by her. "First They Killed My Father: A Daughter of Cambodia Remembers" shows the effect of the revolution promoted by the Khmer Rouge in Cambodia through the eyes of an innocent seven year-old girl. Her family is separated and they fight to survive in a devastated country. The children have top-notch performances and Angelina Jolie succeeds in exploring the best from each one of them. The "happy ending" does not fit well to the storyline and maybe is the unique "but", probably imposed by producers. Even those that are not fans of Angelina Jolie with have to respect her work as director. My vote is seven.Title (Brazil): Not Available