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Pretty Good

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

After being told over and over again from friends to watch this film, I finally got to it. Despite it being overhyped by them, I still found myself captivated by V For Vendetta. There was something brilliant about seeing our "hero" at face value just like every other character along the way. There was no Batman/Bryce Wayne, there was only V and because of that it made him more of a myth and much more intriguing for what he stood for.Vengence is in the title, but it so much more than that with a deeper meaning that rivals some of the best in Hollywood. I found myself reading more into the "idea" V represented. Now one of my favorite Comic Book Films.

Portman is just about the most beautiful woman to ever be on film and it still took me 12 years to get around to giving this a chance. I'm glad I did! This has spectacular eye candy, some FX, a little action and is a frighteningly topical statement. I would have found this incredibly relevant in 2006. HA! What naïve fools we all were then. If you haven't seen this, NOW is the time. Provided we all survive the next 3 years I should be able to re-watch this for every new sociopath.

Movie Review: "V for Vendetta" (2005)Under a major production effort with Hollywood insider Grant Hill and Joel Silver producing, former-assistant-director James McTeigue, receives his break after an mission-impossible back-to-back job-assignment for George Lucas "Star Wars: Episode II - Attack of the Clones" (2002) and The Wachowski's "Matrix Reloaded" (2003), getting a promise fulfilled by the overly-demanding producer and directors, who then in return adapted the instant-classic graphic novel "V for Vendetta" written by Alan Moore in years of 1986/1987/1988 and simultaneously illustrated by David Lloyd & Tony Weare (1912-1994), when "The Wachowski" present a powerhouse of a Anti-Totalitarianism Science-Fiction-Action-Movie, which stars Natalie Portman as compromised media-indulged character Evey, whose eyes get open by a man hidden behind an early 17th-century-terrorist mask, acted in heavy dark-colored costume and vocal-beats-striking actor Hugo Weaving as anonymous character "V", when this exceptionally-paced and visually-demanding deliverable of a motion picture with polishing haunting score by composer Dario Marianelli distributed to excellence by Warner Bros. Pictures despite real-life terrorist-attacks sweeping Europe in years 2004/2005/2006.The supporting cast convinces throughout with John Hurt (1940-2017) as nemesis dictactorship-indulging character Adam Sutler, who seems to fight his demons of a career-defining character defeated-by-the-system Winston Smith in Michael Radford's George Orwell adaptation of "1984", when on the other side Stephen Rea as Detective Finch and Stephen Fry as all-symparthy-owning character Deitrich in a world-going on course for total controlling the society by fear of not-being enough as an individiual. The cinematographer Andrew Biddle (1952-2005) on his last job after a fulminate career as lighting cameraman, starting out with visualizing James Cameron's "Aliens" in season 1985/1986, for further benefits with "Matrix" production designer Owen Paterson, who creates unique world of clean-rectangle shapes in black/red color majorities, when the cave-like establishment of "V" gathers splendors of a lost era of living with analog technology as record playing devices, medieval properties of metal armor and weaponry to just seating on in a couchchair watching censored motion pictures."V for Vendetta" strongest suit becomes Natalie Portman's full-submission into a role that demands a complete transformation not only in physical appearance, but emotional openess of the unknown as controversial world of fighting dictatorship with acts of terror as wake-up call for a society, which seemingly seem happy and fulfilled in their microcosm of convenience, which makes this motion picture rich in attitude towards a certain way of life to be reached by a minority of people, while the majority watches and applauds or denies. In this case the outstanding as stand-alone graphic-novel adaptation had been put in capable hands of director James McTeigue, who seems to have been peaking in directorial vision already from this exceptionally-fulfilling debut for any movie-going audience.© 2018 Felix Alexander Dausend (Cinemajesty Entertainments LLC)

Well this film checked all the boxes. Evil Christian conservatives are Nazi perverts out to literally kill you if you are gay, muslim, journalist, writer or uppity woman. This film is based on a comic book but is actually more comical in it's contrived mactivist worldview. It ruined an otherwise entertaining film and it's no wonder Alan Moore wants nothing to do with it. Sad. Stupid. I know there are people who hate art, but can't they sabotage it with a little more subtlety? If you're making a movie, inject your ideas by all means but don't make us gag on it. Real modern governments and societies are imperfect systems with some good and some bad. Oh yeah, and you know it's okay to murder people cause they're Nazis. M'kay. The irony of this is that real Muslims and Christians have a lot in common, but anti-culture hacks and useful idiot actors and liberal arts majors want to divide and conquer. And they're doing a great job.