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Jackie
An account of the days of First Lady, Jacqueline Kennedy, in the immediate aftermath of John F. Kennedy's assassination in 1963.
Release : | 2016 |
Rating : | 6.7 |
Studio : | Why Not Productions, Wild Bunch, Protozoa Pictures, |
Crew : | Art Department Assistant, Art Direction, |
Cast : | Natalie Portman Peter Sarsgaard Greta Gerwig Billy Crudup John Hurt |
Genre : | Drama |
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Reviews
Good concept, poorly executed.
The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
This is a dark and sometimes deeply uncomfortable drama
Assassination attempts on the Kennedy Case have been mulled over and recreated to the point at which conspiracy theories remain. Conspiracy like the John F. Kennedy assassination by 'no one' is an instance where democracy did not prevail; limelight reporting sites no human activity with a gun. Sniper Shot that is brutal to see and not for children bellow a certain age but like then attempts are still being made; 'Mushraf' the ex-president of Pakistan who had military control and had no democracy wrote in his memoir that twice he escaped suicide attacks that nearly lead to his demise: in an armored vehicle, attacked on the route.
I remember watching Oliver Stone's JFK in the cinema in 1991 and being mesmerised by the magic bullet theory. I'm not sure that an in depth knowledge of JFKs assassination is essential here, but it probably wouldn't hurt, as this is looking very much at the aftermath and as the title suggests, this is Jackie Onassis' story, with Natalie Portman representing her very well. She's hurt, aggressive, defiant, all at odds with the character shown before the events in Dallas and certainly how she's depicted to the public. Mica Levi's score is sombre and powerful, it's thick and haunting almost dragging some scenes along in its wake. These two elements make this a very heavy 90 minutes. Not much needs to be said of the motorcade, but needless to say that the way it's dealt with here is visceral. She's bitter and rightly so, there are some heart wrenching scenes that punch through all the formality, but I'm left with admiration for how she coped and to Pablo Larraín for this retelling. It's honest, addressing her husbands flaws, her fears, but always with an air of feeling wronged and a building tension to want to pick a fight. There's nothing of conspiracy theories or anything to make sense of events. There's no light, no let up in the hopelessness. Still despite all this, it's compelling viewing.
This must be the umpteenth version of Jacks by now? I think they were full of bravado agreeing to do this yet again. For those of us who are old enough to have lived through it, nothing new here. I have to say that I have difficulty historically dealing with impersonators in general because I tend to become harsher than usual. I'm a stickler for small details. For instance, her hair is incorrect--Jackie had more of it and a lower hairline which gave her a distinctive look. Natalie's hair comes and goes throughout the film as though she either has extensions going on or a wig and then not a wig. Her hairline is so high that she almost looks like she's balding. Then there's the accent--at times it does evoke Jackie but mostly there's a distinctive annoying lisp that Jackie never had. Then there's the miscasting of almost everyone else in the film The only people who 'look' like they might be Kennedys are the actors for JFK and Teddy whom we barely see or hear. Bobby is played by one of those Swedish boys from that huge Scarsgaard family. He too has an unbearable lisp. Jackie was tall for a female of that time; Ms. Portman barely reaches anyone's shoulders. Jacks was famous for wearing low cut heels. Natalie is on stilts and even then she can't outgrow Tucky or Rose Kennedy (who was a shrimp). The clothing looks bought from a Catholic charities shop downtown--work,cheap and completely wrong. The children are pathetically incorrect, no comment (Some producers' kids no doubt?)! A fine Brit actor plays the priest but hardly has a line worth mentioning. Portman gives good grief but adds a snippy , cranky sarcastic edge to everything she says (very unlike ladies who were taught manners from Miss Porters). A 'rush to production' is obvious . It does perhaps show Jackie's complete experience of the time but hardly and unfairly all sides of the woman. Watch documentaries and skip this one.
Wrong title for the movie, this movie isn't about jackline, it's about JFK's funeral. Conversations are boring, music and storyline are almost non exsisting. If you haven't watched the movie you saved yourself 1 hour and 40 minutes of life you can use to see some real movies, and if you are interested in watching a movie about JFK watch JFK (1991) or Bobby (2006), it's about his brothers assasination. All the best.