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Don't listen to the Hype. It's awful

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

This film is breathtaking and sticks in your mind for days. Its is 3 hours long, but there is not a dull moment. The film is in french and the English is subtitled. I am not usually keen on this type of film, but a found after only a small bit of time you forget it is subtitled and become more engrossed in the film, due to the fact that you have to read the subtitles, a swell as listen and watch. It is a lesbian love story and highlights problems that teenagers might experience whilst growing up and learning about who you are. Adele is the main character, and dates men and finds that there is something missing,and being with men doesn't please her sexually. She then kisses one of her female friends, but is then rejected. She meets Emma and feels something she has never experienced before. She is then rejected by her friends because of her sexuality, and is devastated by this, but the film shows Adele growing up and eventually comes to terms with who she is. The acting throughout the film is amazing. I had never seen a film with the two main actresses in because they are french. Adèle Exarchopoulos and Léa Seydoux acting is superb all the way though. They make the story so believable and real. They have great chemistry in the film, and due to the fact that I was so impressed with the film, I have watch them both being interview about blue is the warmest color, and it is evident that they have a lot of chemistry off screen also. The sex scenes in the film are a bit hard to watch considering they are slightly over the top, but overall they are amazing. They are so real and the actresses preform them so well. When I first watched the sex scenes I thought that they were having sex for real due to the fact that the actresses were completely naked, and you could see everything, but obviously wasn't the case and the actresses private areas were artificial. The end of the film was a bit sad, but I suppose it was realistic. It highlights what could happen in real life, and that Love stories do not always have an a happy ending.Overall brilliant film, with the best acting I have ever seen.

I'd like to say that the movie was okay in general,but there were some things that annoyed me so much. First,i don't get it why there were so many close ups of everyone's faces,example they eat and they chew with their mouth open and all the food is shown which was disgusting. Another thing is that the sex scene is overrated,I honestly don't think that it makes the movie better or anything,unlike the other comments and reviews that I read. There were so many holes in this movie that i don't know where to start.We don't know anything about how they ended up living together or whether at some point Adele's parents find out about her being a lesbian.I read that you can learn from this movie a lot about relationships,whether you are straight or homo or bi,which is totally not true.Nothing is really happening between them other the fact that Emma becomes very busy and avoids Adele,who then cheats on Emma and they break up..typical stuff that has been seen in a lot of movies.It lasts 3 hours and nothing happens particularly that makes the movie interesting.

Film Review: "La vie d'Adèle" (2013)Tending to go intensively as overly-pricy into his screen-time eating "mis-en-scènes", director Abdellatif Kechiche, with North-African Tunisian roots, as immigrant living in Paris, France, finding his personal language of communicating with leading actress Adéle Exarchopoulus, at age 18, to present moments of a young adult's single-life in thorughout documentary-raving as seemingly nonstop-handheld digital camera operations by Sofian el Fani, mainly focusing on the performers' transcendence of emotion despite improving on the technical aspect of film-making by neglecting decisive cinematic motions, in color and further improvements of a detailed shot design.Nevertheless the moody as tight close-up coverage of ultimate-prepared as hardwire-conviction-speaking and never-seen-before intercoursing lesbian couple of audience's endless discovery with the character of Adéle and show-stealing in-and-out the picture of professionally-acting Léa Seydoux, when director Kechiche cannot let go of his subject matter in a festival-audience prolonging 180 minutes editorial, which by no means could have been easly a 100 minutes of an instant-classic young-adult-drama for the ages, when "Blue Is The Warmest Color" after nearly five-years favored from its jury president Steven Spielberg striking notions on higher education, ensuring a blade-running win with a jury members at a retrospectively simply-political decision on another "Palme d'Or" missing a cinematically-further accomplished motion picture "La Grande Bellezza" directed by Paolo Sorrentino.© 2018 Felix Alexander Dausend (Cinemajesty Entertainments LLC)

Abdellatif Kechiche's "Blue is the Warmest Color" is often a study of facial landscapes. Specifically, that of Adele Exarchopoulos, whose performance is one of great ambiguity. She's the subject of countless close-ups, raw and real, without makeup, which would add a layer of contrivance to the performance.Her character, also named Adele, is confused and lost at the beginning of the film, and still confused and lost when the credits roll three hours later, several years later in narrative time. Such is life. Adele only experiences clarity and certainty while in the throes of passion with her lover, Emma (Lea Seydoux). They devour each other body and soul during drawn-out lovemaking sequences that are, shall we say, rather European in aesthetic. Although some might find them excessive, they aren't purposeless – the point is to show how moments of ecstasy and grief are inextricably tied to deep, intimate relationships. Kechiche's message? Love is extreme.However, the most striking image in my memory isn't the graphic sex, but a close-up two-shot of the couple's faces, where Emma's crystal- blue eyes are a burst of laser colour against a backdrop of pallid skin and white sheets. As the title suggests, blue is a visual motif throughout the film, and it has classically symbolised both tranquillity and sadness – more ambiguity. The first time Adele feels homosexual attraction is when she sees the openly gay Emma and her dyed-blue hair, in passing, on the street. The first girl to kiss Adele has chipped blue nail polish. At the end of the movie, Adele wears a blue dress. (Notably, the French title of the film is "La Vie d'Adele," "The Life of Adele," but the English-language title feels like the median between that and the source material, Julie Maroh's graphic novel "Blue Angel.")Kechiche reportedly filmed Exarchopoulos in her daily life, while eating, sleeping, taking the train. It's an extreme measure to take in the quest for naturalism, but it works. It has a hint of voyeurism, making the dramatic and mundane moments broodingly real. The consistency of Exarchopoulos' performance makes her characterisation all the more astonishing. She's extraordinary.The story begins when Adele is 17, in high school. She meets a sweet classmate named Samir (Salim Kechiouche), and sleeps with him. But post-coitus, she has an empty look on her face, of dissatisfaction and fear. She hurts him, as she must. Adele finds some clarity when the blue-nail-polish girl kisses her. Her closest confidant is Valentin (Sandor Funtek), who takes her to a gay bar, where she catches Emma's eye. He also rescues her from a cruel inquisition by a gallery of her peers. In such moments, "Blue is the Warmest Color" finds great dramatic focus, and we feel intense heartbreak as Adele's crisis of sexual identity is made public.Kechiche veers wildly from the suggestive and evocative to the explicit, which isn't limited to bedroom entanglements. He eavesdrops on Adele's lit-class lectures, and contrives to offer profound angles on her situation – big-picture lessons on love, tragedy, sin. The film is best when he ties visual detail into the development of Adele's character. Emma, a budding artist, draws Adele, and the scratchy, indefinite lines of the sketch show a woman in the process of finding herself. Later, Adele poses nude for one of Emma's paintings, and the picture is fuller, bolder, but still enigmatic in identity.The film follows their relationship over several years. They move in together, and establish careers, Emma as an artist, Adele as a preschool teacher. Emma's parents introduce Adele to the joys of eating oysters. Adele prefers to keep her homosexuality hidden from her parents, and the couple concocts a ruse to keep them in the dark. Their story is episodic and indulgent, yet compelling. It moves quickly. Its most consistent element is Kechiche's fascination with Exarchopoulos' face, so subtly expressive, it's Art... in Motion.