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Overrated and overhyped

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

This film is so real. It treats its characters with so much care and sensitivity.

Beth (Diane Keaton) has always played second fiddle to her doctor-husband Joseph's (Kevin Kline) job as an orthopedic surgeon. As someone who was busy raising three daughters, this didn't matter so much. But, now the gals are grown and the tension between Beth and Joe is pretty palpable. As they reside in Denver, one snowy winter day, Beth spies a dog on the side of the road, a major highway. She insists that her daughter pull over so they can rescue him. After a trip to the vet, where Beth's daughter makes eyes with the veterinarian, Beth takes "Freeway" the canine home. To be sure, Joseph doesn't really want to keep the mutt but, for once, Beth insists. Over the next few months, Beth and Freeway form a strong attachment while Joe softens his stance a bit. Romance is in the air! Yes, soon the vet and the dog rescuer's girl are walking down the aisle, in a remote area of the state. After the ceremony, Beth, Joe and assorted relatives and friends stay on for a few days at the mountain resort. Alas, Joe takes a call on his cellphone as he is walking the dog and Freeway breaks free and gets lost. As a result, long standing grievances come out between Beth and Joseph, as Beth blames Joe for Freeway's missing status. So, will the lovable canine be found and will it be at the cost of the marriage? This worthwhile film is not without flaws but it is not a disaster by any means. For certain, the cast adds greatly to its entertainment value, as Keaton, Kline, Diane Wiest, Richard Jenkins, and the rest get as much out of their roles as possible. Kline, especially, has a truly unlikeable part, redeemed somewhat at the end, which takes courage to play. Then, too, the scenery is quite wonderful while the photography is equally fine. As for the script, it is definitely uneven and rather haphazardly put together, which makes director Kasdan work harder to polish up the results. Then, too, while the dog in the movie is darling, this is really not an animal flick but rather one about human relationships and their perils. Therefore, if you are attracted to the cast, director, or setting, take a chance on the flick and bring it home.

I'm going to rate this film higher than most are. I think it's a pretty decent LITTLE film that appeals to a limited audience. Who's in that audience...well, frankly, us older folks. Oh, don't get me wrong. This is not a great film. But it's a decent LITTLE film about mature relationships and marriages and what makes them tick. And by the way, several sites list this as a comedy. It is a drama, not a comedy.One of the highlights of the film is the scenery and photography. Autumn in southwestern Colorado! But, of course, we're not watching it for those reasons. That's just a bonus.Girl meets dog. Boy loses dog. Marriage in a shambles. That's the crux of the story.It's the performances that make the difference. And these are not great performances. But they're kinda real. I'm more sympathetic to the husband than most of our reviewers. He's a surgeon, and I'm getting ready to have surgery in about 10 days. I want my surgeon to be thinking exclusively of me that morning...not worrying about a lost dog. Now that's not to say that the doctor has been a great husband; clearly he takes his marriage for granted. Kevin Kline does fine here, although this is certainly not his best role..by far.This is probably the most different role I've ever seen Diane Keaton in...as the wife of the surgeon...struggling in a somewhat lifeless marriage who rediscovers her love in a rather odd set of circumstances...partially lost in the rain in the woods and resetting her husband's dislocated shoulder.Richard Jenkins is a much underrated actor, probably because he's far from handsome and thus, not the movie-star type. But he fairly consistently turns in fine performances, and while this is not a "great" role, he subtly fine tunes his performance.The rest of the performances are fine, but not notable. Even Diane Weist, who is usually so good, just sort of gets by here in a part that relegates her to a comparatively minor role. The Israeli actress Ayelet Zurer has a somewhat interesting role as a modern-day gypsy.You're not going to walk away from this film saying how great it was. But I think you may enjoy a quiet little movie with some realism in it.

Slow story, whiny characters, irritating boomer reactions, weirdo gypsy, and rednecks. I started to read the in-flight magazine instead. The beginning is slow and when you hope for more momentum, it starts to get annoying with petty bickering over obvious topics. The attempt at humor showing displaced urban boomers as completely inept in the great outdoors is hard to watch. It further deteriorated to the point where I found myself thinking what the !?! is this and unplugged the headphones. I enjoyed silence for the rest of the 3 hour flight. I wish that I had the Harbor Freight tool catalog that rubitony had. Menopause Melodrama gets my vote for title.I will say that Freeway the dog did a great job. He was right on cue and did not overact.

"Lassie, don't come home."Will movies never cease to amaze me? How could the creativity behind the pleasing ensemble film Grand Canyon, Lawrence Kasdan and his wife, Meg, be responsible for the insipid drama, Darling Companion? A lost dog? The hunt curing and binding the principle couples? Please!! Only surgeons, veterinarians, and their wives could have the time and resources to stay at a Colorado lodge to look for a lost dog. Of course, the dog is just the metaphor for the lost romance, to be found, of the couples, mostly Beth (Diane Keaton) and Joseph (Kevin Kline).It's difficult to describe how banal their interaction is, especially since Keaton overacts, flailing her arms at emotional moments, and Kline appears to wish he hadn't made this movie with his lines appropriate for a high school world premier.But then, Sam Shepherd, the world-class playwright, has to endure his thankless role as the curmudgeonly sheriff, and Diane Weist can only showcase her world-class cheekbones. Richard Jenkins as her silly love interest, well, he's had a whole lot better than his comic-relief buffoon.But then the writing Kasdans didn't have to worry about crafting each line since it seems every other line is a scream calling for lost dog, Freeway. When the most conflict you'll get is Joseph's enslavement to his cell, you have an idea that there are no new ideas. I suggest the real conflict is Beth's over dramatizing, which Joseph calls her on.Once again a film relies on the faded glory of its Hollywood royalty to tell a silly tale about older folk. I'm thinking I might enjoy the second edition of The Expendables, whose 65-year-old Sylvester Stallone is a has been, knows it, and makes no pretense about making a warm and fuzzy film.