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Wild Reeds
As the Algerian War draws to a close, a teenager with a girlfriend starts feeling homosexual urges for two of his classmates: a country boy, and a French-Algerian intellectual.
Release : | 1994 |
Rating : | 7.3 |
Studio : | Canal+, CNC, Les Films Alain Sarde, |
Crew : | Production Design, Set Decoration, |
Cast : | Élodie Bouchez Gaël Morel Stéphane Rideau Frédéric Gorny Michèle Moretti |
Genre : | Drama Romance |
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Reviews
Wonderful character development!
It is a performances centric movie
Although it has its amusing moments, in eneral the plot does not convince.
A clunky actioner with a handful of cool moments.
I am still asking myself as to how and why I ended up getting this movie from Netflix. There is nothing to see for an intelligent viewer. Stupid idiotic teenagers wander aimlessly in the French country side with one kid clutching his radio for good part of the movie. They are all effete looking and talk gibberish (atleast from what I read in the sub-titles.) The movie is a bore and lacks any kind of continuity that is sign of a good film maker. The class room scene is the most boring piece of movie I ever seen. These French Films are overrated by these French Media Morons here to reffered as morons for brevity, who probably have never seen non French films since they are narcissistic and don't know or don't care there is life outside France or outside of French films. Quite a bunch of useful and strange idiots. To the credit of this movie..the cinematography is breathtaking specially the canal scene and the greenery of the countryside.
A superb film from Téchiné. The small town of Villeneuve-sur-Lot is filmed beautifully, the characters are well-drawn, the story moves along believably (not always the case with this director). Gael Morel as François is fresh, ardent and appealing; his love for Serge will not be returned, to his chagrin. Élodie Bouchez impresses us as Maité, who has grown up without a father; in a sense, the Communist Party has become her father. The one sinister character is Mariani the pied-noir: his bigoted notions of life have been formed by his parents and the OAS, he has no real philosophy just an internalized sense of rage at the unfairness of life.There are wonderful scenes. Mme Alvarez, the teacher at the lycée, might help Serge's older brother to desert from the army so he won't have to go back to fight in Algeria, but refuses to do so out of professional pride. Later she hears of the young man's death in combat and falls into a profound depression. The sleep cure is prescribed for her, it's a cure worse than the disease. Mariani has a chance to pass his bac if he works hard (he has already failed it) but working with the teacher Morelli (a pied-noir himself) is forcing him to confront his mental strait-jacket. Since he would rather be wrong in solidarity with his parents than right with these progressive Frenchmen he despises, he abandons his studies. The student-teacher confrontations are sour and hopeless.
It is absolutely impossible to make a film like this one without carrying out the personal memories of an our own teenage time. That's why this so called 'teenage movie' is so far away from all other experiences within this field. Téchiné had written and directed a part of his own life. Villeneuve-sur-Lot, Paris, Lisbon, who cares? This is the movie of my life. And if it is so, it's not only because of the unexpected beauty of all frames on the movie, but, essentially because that I felt every inch of the road walked by the characters of this film, as if their experiences, a long time ago, in a galaxy far, far away, were my own teenage experiences and hopes. I saw this film ten years ago, and still I can remember every image, every phrase... And I kept these memories as a guideline for a future life, when I was 23 years old. I know what I have lived, I still don't know what the future reserves to me. But, on those days, ten years ago, I have increased my hope. I found that there was people like me, and like the others around me... The time and the place doesn't matter. No film will never make me feel so strongly about my youth, and, simultaneously, about my future as a man. This is not a 'teenage movie', it's a collection of memories about the construction of our personality. And, we all, with that age, were a little bit of François, Serge, Henri and Maite. And we still are. (...I'm sorry about my English...)
The ending sums up the entire movie. Exiting the Garden of Eden, these 3 strong, yet weak teenagers find themselves lost among the world. Sexually, they have somewhat of a clue what they want and don't like, but by the end of the movie, we are left with something of a complex conclusion. All three have an idea who they are. Even though they are still lost with no one to talk to, they find there way out of the Garden of Eden and back to the World where they belong. The movie ends with hope.