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Cradle Will Rock
A true story of politics and art in the 1930s USA, centered around a leftist musical drama and attempts to stop its production.
Release : | 1999 |
Rating : | 6.8 |
Studio : | Touchstone Pictures, |
Crew : | Production Design, Set Decoration, |
Cast : | Hank Azaria Rubén Blades Joan Cusack John Cusack Cary Elwes |
Genre : | Drama |
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Reviews
Very very predictable, including the post credit scene !!!
As Good As It Gets
Pretty good movie overall. First half was nothing special but it got better as it went along.
While it doesn't offer any answers, it both thrills and makes you think.
"Cradle Will Rock" got no love at the time of its release. I can only hope people discover it all these years later on home video, because it's a triumphant ode to the power art has to enact change and unite people in a common cause.Set in the world of Depression-era protest theatre, it brings together a collection of narrative threads that explore the collision between art and commerce. The robust cast is full of terrific actors, all doing terrific work, but Cherry Jones and Vanessa Redgrave are standouts.This film has an energy and irresistible narrative drive that get me excited every time I see it.Grade: A+
From the beginning I wasn't too sure I was going to watch the entire movie because it seemed a bit scattered, and sort of an almost musical, but not committed enough to be a full fledged musical. But the longer I watched the more I became fascinated with the many layers going on in the production. This is definitely one of those movies that you could watch a few times and come away with different information and perspectives than previously.The casting was totally a power house line up. I'm guessing the script along with Tim Robins fame probably got these powerful actors and actresses to work on this for lower than their usual price because this just wasn't a script that would make mega millions at the box office so there must have been some sacrificing to get that many great performers on here. I wont go over all the big stars because others on here already have done a good job of that. But the actor who played the young Orson Wells (From around the Citizen Kane era) was practically a ringer for Wells. So much that it was almost like they imported him back in time from the Citizen Kane movie.The only disappointment I actually had here was that in the beginning of the film this is listed as a "Mostly True Story," but then at the end there wasn't some post script that sort of tied up the loose ends to let us know what finally happened to the individual primary characters and the play production after the opening night. It would have been nice to have some mention....Otherwise this was a very interesting and thought provoking movie.
Never thought I'd be interested in a socio-political musical drama!! Somehow Time Robbins managed to make his cause common, and his theme universal. This is the first Robbins-directed movie that I see, but it's VERY enough to prove that he's such a brilliant director! He manages to keep actors perfectly attached to their roles and characters. Seriously, I've never seen such vivid direction, as if each shot speaks for itself and the underlying thematic meaning. When I first read this movie's synopsis, I thought that I'd be completely detached! But somehow, after watching it, I realized that art is a universal call that matters each and every one of us.
I suppose I loved this film because I was in the first British production Of The Cradle Will Rock at London's Unity Theatre in 1951 and the film brought back poignant memories of my salad days. Our production was brought about by a phonograph record which described the events in the film, the theatre lock out and the success of John Houseman and Orson Wells in getting it on stage. We loved the music and Bill Owen directed it for a very successful production. It's so rare these days to get an adult film in cinemas that this was a rare treat. My only regret is that so much of the wonderful music and especially the wonderful lyrics in the original show were either omitted or truncated. I only wish that some film producer had the courage (and the money)to make a film version of the original show. So much of it is still apposite today, like Reverend Salvation's religious justification for an unnecessary war.