Watch The St. Valentine's Day Massacre For Free

Waste of time

Masterful Movie

Fresh and Exciting

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

If you're looking for a serious depiction of the infamous massacre and 1920s organized crime this isn't it (despite its semi- documentary style).Giving director Roger Corman his due, his forte was exploitation pictures. That's what this film is despite its higher budget and major studio status. One could say he was pushing the envelope by 1967 standards with its level of violence and depictions of prostitution.The slapstick comedic scene with George Segal and a scantily clad Jean Hale (her only scene) comes out of nowhere and has nothing to do with the unfolding narrative.There is a large ensemble of very capable performers including the smaller roles. This doesn't mean that all the actors are well cast or give good performances. Jason Robards, an otherwise fine actor, is totally out of his element as Capone. I think this partly explains his completely over the top performance that at times is unintentionally funny.The film is studio bound and has an artificial look and feel. There is little real character development and the frequent use of voice over narration is not cinematic. Some of the individual scenes and performances are worth viewing albeit sometimes for the wrong reasons.The film, when taken as a whole doesn't make the grade.

I'd like to think that Roger Corman and the cast had a jolly good time making this outrageous movie. Certainly everyone in the cast seems to be enjoying himself. It's as if Corman's directorial advice had been boiled down to one sentence: Swing away.A nice cast, full of familiar faces. Most enjoyable: Jason Robards Jr. trying to imitate an Italian mobster using every operatic device in the book. See him learn of the death of an underling and break into sobs. Watch him explode in rage and spout Italian in an American accent. Shiver at the relish with which he proceeds with the castration of an "assassino". Laugh out loud as he gesticulates, he shrieks, he chokes with contumely, his exopthalmic eyeballs threatening to pop at any moment and launch themselves at his target.Most entertaining scene: George Segal, as one of the seven, who has a fight with his paramour over an expensive fur coat. He smashes a half-eaten sandwich in her face, she kicks him in the jewels after his violence turns him amorous, he throws her out into the hall in her scanties, then dashes after her and grabs the coat out of her hands, while half a dozen onlookers stand by and complain about the noise.I've seen this twice. Can't recall if the first viewing left me confused or not, but this one did. All I could make of it was that Capone and O'Banion were enemies, blaming each other for breaking the agreement. And the seven men blown to pieces in the garage were mostly unlucky schlubs. The story, addled by violent flashbacks to previous murders, is complicated enough to resemble the Borgia court.Most memorable element of the film: Paul Frees' fruity intonations as he narrates the plot. "On the last morning of his life, Peter Gusenberg ate a ham sandwich on rye with pickles and mustard...."

For me, the great Roger Corman will always be best remembered for his film versions of classic Edgar Allen Poe stories; but he also made a lot of films outside of the horror genre and clearly stories of true American crime interested him as aside from this film he also directed Bloody Mama based on Ma Barker. The Saint Valentine's Day Massacre has a fairly strong cult following and I went into this film with some fairly high hopes because of that; although unfortunately I have to say that I'm not as big a fan as many as while this is undoubtedly an interesting and well made crime film; it also has several flaws. The plot focuses on the Prohibition era and in particular the rivalry between two prominent gangs, one of which lead by the infamous Al Capone. As the title suggests; the main focus of the film is on the famous 'Saint Valentines Day Massacre' which saw a group of men gunned down in cold blood. The film focuses on the main players in both the gangs and focuses on the events up to and including the incident.As anyone who knows anything about Roger Corman would expect; the film does not benefit from a big budget and in some ways feels like a cheaper version of several big budget crime flicks. However, in spite of this, Corman still manages to give his film a good style and the film really does feel like its taking place in the late 1920's. The plot does not play out like a regular crime film and instead we get a fragmented report on the key events and it almost feels like it could be a documentary with reconstructions. Corman was obviously keen to focus on the history too as there's a voice-over that fills the audience in on key happenings. In my opinion, the film would have been better as a straight drama as the way it has been done means that it's interesting in parts and then not interesting in others and there's not a great deal of fluency which is a shame. The film has a sense of inevitability to it all the way through as it's always clear how it will end and while it contains no surprises; The St Valentines Day Massacre is at least a successful retelling of the famous event of it's title.

Chicago, Prohibition, Gangsters, Machine Guns and Hollywood have long been inseparable companions ever since the real Prohibition Era was loosed upon us. Starting with James Cagney in THE PUBLIC ENEMY(1931), LITTLE CEASAR(1931) and SCARFACE(1932) are each powerful films that fit these qualifications like a proverbial glove. Each meets the individual criterion and tell their stories in somewhat different ways of story telling.They each use the point of view of the title characters.And so that's the way it was, back in the day! And of course there have been revivals of this particular topic and Genre every so often. Hence we have been treated to The Prohibition/Depression Era Gangster films like ROGER TOUHY,GANSTER(1944)*, AL CAPONE and THE PURPLE GANG(both 1959), THE GODFATHER(s), I,II & III(1972,'73, '90) and soon and so forth, down thru the ages.And of course on TV we had THE LAWLESS YEARS(1959-61) and of course, last but hardly the least,THE UNTOUCHABLES(1959-63)to give further lore to the celluloid underworld. It is probably likely that we'll always have some of these Gangster Soap Operas every so often.As for this ST. VALENTINE'S DAY MASSACRE, we must say we saw it at the old Double Drive-In on the Southwest Highway in Chicago when it was in newly released/first run status. We saw it again, recently on cable TV, on Turner Classic Films or Fox Movie Channel. It might sound peculiar, but did you ever hear of a movie getting better? Let me explain.The original viewing was done by a 20 year old, still wet behind the ears kid, who just viewed any movie as another entertainment to be viewed, (devoured-up, if you will) and forgotten. There was really no sense of a "Medium" or being "An Art Form". With age of course, is supposed to come wisdom, or at least a little experience under one's belt.After a period of nearly 40 years has passed, this writer has found himself to be not a'movie fan',but rather a 'film buff'. The big difference is in the viewing over the years and,more importantly,all of the reading of film books and periodicals containing the history and background information.As for the title in question, THE ST. VALENTINE's DAY MASSACRE, well I can't say that it was every bit as good when viewed now as it was then. No, because it is even better! The movie was Produced and Directed by Mr. Roger Corman. Now the brain (mine, for what it's worth) takes one name of The Director/Producer and adds it to the venue of a Drive-In Movie Theatre and it computes to a cheapie, a grade "B" film at best. And to be honest, until just recently, I had thought that this movie was a product of the ever popular, Amerkican-Interntional Pictures. After all, that's where Roger Corman used to hang his hat.This 20th Century-Fox production is really a well done movie, deserving of a new respect and frequent showings.** The costuming, the autos and the sets are all very good and approximate the real locales in Chicago and nearby suburban Cicero, Illinois. The mock up of the famous and infamous Garage on North Wells Street has a very authentic look to it. Even the type of apartment building used by the conspirators is a Chicago-type building, of which there are still thousands of the yet in use there today.Mr. Corman pursues a form of the Docudrama to a large degree, in unveiling the story. The voice over narration gives us, the viewers the benefit of all that has been learned since then. Also, we have the information of the official Police Investigation now available for the Public Record.In this we have many conclusions that have been made, but not proved, sort of educated guesses.The story starts out giving the viewer a great deal of background info about the state of Chicago's Underworld at that time in the late 1920's We are privy to the old Northside, Southside, Westside rivalries that the various Gangs were involved in. The previously mentioned Narrator, Voice Actor Par Excellance, Paul Frees, is very busy from beginning to end in supplying us with factual material about the criminal careers of the peoples involved.As a historical fact we observe the Gangland Killings of Northside Big Shot Hoods Dion O'Bannion(Chicasgo Native John Agar)and Hymie Weiss (Reed Hadley) and the continued battling over territories. Mr.Corman also includes a seemingly fantastic, but factual raid by the Northside Mob on Capone Gang Headquarters. A really large number of autos, replete with multiple Thompson Sub-Machine Guns attacked the favourite watering hole of the Scarface Mob. They failed to kill Capone or anyone of the gang, in spite of perhaps thousands of rounds of that super fast .45 caliber disbursement at the intended target.Like any Hollywood treatment of a story taken from real life occurrences, there is a lot of filling in gaps and causes of these incidents. The unknown aspects of the people involved and their behaviour is also subject to guess work, albeit an enlightened, educated guess at that. Whatever was known about the characters in question was used as guidelines for molding on-screen persona.One last time, please take a new look at it. On Cable/Satellite, in VHS or DVD, Purchase or Rental, make an evening with THE ST. VALENTINE's DAY MASSACRE.* The real Roger Touhy, a Prohibition Era Gangster Headquartered in Northwest Suburban Des Plaines, Illinois sued 20th Century-Fox over this largely fabricated story. Hint To Hollywood: A realistic Roger Touhy story really would make a great film! Check on it!** Maybe my own fair city, Chicago, is missing the boat on this one! After all, why can't we have a Yearly Massacre Fest? It could be a rival to events all around the country such as: The Kentucky Derby, Mardi Gras, Sadie Hawkins Day or even The Bull Frog Leaping Contest of Calaveras County.