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Wonderful character development!

Fantastic!

Admirable film.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Directed by John Farrow, with a story by Richard Carroll that was scripted by Jerome Cady, Dalton Trumbo, and Nathanael West, this above average adventure drama is one of the first to put an ensemble cast of characters from varied backgrounds in peril - the heart of the story shows how persons' real character traits are revealed in a survival environment.Later used by director Alfred Hitchcock in Lifeboat (1943) (and remade by director Farrow as Back From Eternity (1956)), and most recently by so called reality television producers, this popular concept typically utilizes a desert or island locale and oftentimes a shipwreck or airplane accident to strand its passengers, isolated and cut off from civilization. Frequently, there are constraints of food supply or safety which force the survivors to choose a plan of action in order to live or rescue themselves. The initially tantalizing question of who will lead or survive in such circumstances is sometimes surprisingly answered.The cast is terrific and recognizable to most movie mavens:Chester Morris plays pilot Bill Brooks, Kent Taylor plays his co- pilot Joe. Patric Knowles plays wealthy young businessman Judson Ellis, who's eloping with his secretary Alice Melbourne, played by Wendy Barrie. A surprisingly beautiful young Lucille Ball plays a fallen woman, Peggy Nolan. Joseph Calleia plays an anarchist named Vasquez that John Carradine's bounty hunter Mr. Crimp is escorting back to justice (to be hung) in his native South American country. Allen Jenkins plays a gangster's hit man named Pete, who's taking his mob boss's son Tommy Mulvaney, played by child actor Casey Johnson (in his film debut), to safety outside of the United States. During the flight, it's learned that Tommy's father was killed in a gang shooting. C. Aubrey Smith plays retiring botany professor Henry Spengler, and Elisabeth Risdon plays his longtime wife Martha. Selmer Jackson (among others) appears uncredited, as an airlines official.Their Coast Air flight leaves from municipal airport, from a nondescript Southern California city, en route to South America. The Silver Queen is of the sleeper variety and some of the passengers have preconceived notions about their fellow travel mates. After landing at a stopover in Guatemala, during which Joe expresses an interest in Ellis's attractive blonde fiancée Alice, the pilots soon find themselves in a storm as their journey continues. After losing one engine, they decide to crash land in a forest, during which no one is seriously injured. Professor Spengler surmises that they've landed between two mountain ranges such that their only way out is through the air. Bill estimates that the plane can be repaired with 3 weeks. They solve their 1-2 week food supply problem by becoming vegetarians, though Pete is able to shoot the occasional deer. Unfortunately, the professor is able to identify, per the native drums heard, that cannibals are in the forest, making their need to repair the plane and get out of there more urgent.I won't spoil who survives and who doesn't, nor how, but the film's title tells you that five will "come back"; these have to be chosen, among those that aren't killed in other ways, because the plane will have a limited runway on which to take off in order to clear the trees, so weight is at a premium. During the course of the weeks it takes to repair the plane and clear this runway, the true characters of the passengers are witnessed and their relationships to one another change.

I Tivo'd this because I was told this was a "minor classic". Watched it with my wife and she seemed to stay into it, I was thinking this was a serious "dog". The running line between us was, "which 5?" well we ruled the kid from the start, so I'm thinking OK do the pilots count? The crash (which happens a long almost half way point) yields no new deaths, just a bruised shoulder from the old lovable professor (of Shirley Temple and 4 Feathers fame among many other roles). Anyway a total waste of John Caradine, I was hoping he would be good here, but no luck, he's dead in the jungle after a very bad start. I mean c'mon, is this a chick action flick or what? Hey, its Hollywood, its couples going out, its not about grim realities, its a kind of boy that was cool action flick (if your a woman), its lame (if your a dude). 5 of 10. I don't know why I rate it that high, but the wife didn't fall asleep which is saying something for a old black and white film. I'm into them, and old planes; but this one was barking loud like a dog in heat. I predicted the head hunters also long before they showed up. yawn. Was waiting for some savagery among the survivors (all of them survived, sheesh) but we got nothing like that. Boring B flick worth forgetting about. Also, Lucy isn't in much here if thats why you are are curious.

FIVE CAME BACK is a standard RKO B-film, capably directed by John Farrow with a cast headed by a bunch of veterans who were now entering the B-film phase of their careers--CHESTER MORRIS, KENT SMITH, PATRIC KNOWLES, WENDY BARRIE--and some very good character actors like Joseph CALLEIA, SIR C. AUBREY SMITH and JOHN CARRADINE. At that time, even LUCILLE BALL could be called a veteran actress, having adorned many a B-film in less than impressive ingenue roles, usually as a brassy type with a heart of gold--but this is certainly one of her lesser early assignments. It's easy to get the feeling that you've seen this sort of plot before, perhaps in a different setting.She's rather wasted here since most of the footage concentrates on the men who have more to do in this tale of a plane crash in the Amazon jungle that leaves them stranded near some dangerous natives until they can get the plane fixed. The pilots (CHESTER MORRIS, KENT SMITH) then have to give the others the bad news--the plane can only take off if there are five passengers aboard it. As it turns out, it's up to reformed revolutionary Joseph CALLEIA to choose who stays and who goes. PATRIC KNOWLES is the cowardly suitor of WENDY BARRIE who gets his comeuppance at the hands of the reformed man when he attempts to bribe his way to escape.If this sounds familiar, it's because Farrow directed the same story again years later, called BACK FROM ETERNITY.It's absorbing but obviously a low-budget film, rather murkily photographed using some of the old KING KONG jungle sets (unless that's the fault of the print I viewed on TCM), and the script is better than average for this type of story. But if you have the feeling that you've seen this all before, you probably have. The stock characters facing peril will remind you of those STAGECOACH characters, most of whom had to worry about their fate, some brave and heroic, others more like cowards. Still, it works.

This is a kind of likable, fast, black-and-white, Grand Hotel, airplane-in-peril movie. You see, there are eleven people of varied background who board a passenger airplane, which crashes in the Amazon jungle, and only five people can be flown out when the plane is repaired and takes off again. Of the passengers, the two pilots are robust no-nonsense types, there is a little kid, an elderly couple, a mobster, a murderer being flown back to be hanged, a drunken nasty detective, and a rich young couple made up of a nice young lady and a spoiled guy who turns into a cowardly lout. Oh -- and there's a whore with a heart of gold. Just an average group of a dozen or so people you might pick out at random from the streets of Los Angeles.I suppose you think you know the trajectory of the plot. Well, in this case it so happens that all the bad guys survive and fly to safety, while all the moral self-sacrificing embodiments of noble middle-class values are left to be tortured and have their heads shrunk by the Jivaro natives. Just kidding.Actually it turns out pretty much as you'd expect but there are interesting twists and turns along the way. There's nothing much to be said about the performances. The characters are cardboard. The picture is studio bound, meaning that no jungle ever looked quite so well laid out. The end is predictable. The intelligent design behind it looks suspiciously like Darwinism.But it's an unpretentious and enjoyable old movie. Considering the budget, it's nicely done. The scenes in the passenger cabin during the storm are particularly neat -- junk falling all over the place, tanks of gas breaking loose and rolling about, a steward sucked out the open door while saving the kid. The old professor gets the details of Jivaro head shrinking accurately. They were mean folks. Not the meanest though -- that accolade generally goes to the Aymara of Chile -- but mean enough. It all flows along smoothly to its sad but inevitable end. Worth seeing.