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Foxes
A group of friends come of age in the asphalt desert of the San Fernando Valley, as set to a blazing soundtrack and endless drinking, drugs and sex.
Release : | 1980 |
Rating : | 6.1 |
Studio : | Casablanca Filmworks, |
Crew : | Art Direction, Set Dresser, |
Cast : | Jodie Foster Cherie Currie Marilyn Kagan Scott Baio Sally Kellerman |
Genre : | Drama Thriller |
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How sad is this?
From my favorite movies..
One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
The film never slows down or bores, plunging from one harrowing sequence to the next.
Ahhh those teen age memories! My friends and I getting together at each others houses for sleepovers. Telling each other our deepest secrets and confiding our dreams. Battling our parents while trying to just have a good time and never NEVER trust anyone over 30!!Foxes is one of those movies that make us remember those bittersweet memories of growing pains and still trying to avoid getting into trouble. I did not grow up in L.A but I can relate to these characters in the movie. The cast and acting is really not too bad considering they are young people in the drama field. A young Jodie Foster as Jeannie who is the central character trying to keep herself and her friends sane while battling parents and the dangers of society (boys, social acceptance, high school and just anything teenagers have to face) Her best friend Annie, is a teen just hell bent on a course of self destruction, who Jeannie constantly bails out of trouble. The other two girls, Madge and Deidre are desperately trying to find their place in life by seeking social acceptance (losing virginity) and finding their one special love in their lives! Scott Baio (anyone still remember him?) He was hot property playing Cha Chi in Happy Days is a skate boarding (very popular in the 70's) boy teenager who is always on the prowl for a good time. Also look for a very YOUNG Laura Dern in the party scene! The script which was unbelievably always rewritten is very mediocre with some sappy lines. When Jeannie's Mom, played by Sally Kellerman is criticizing Jeannnie for getting into trouble, all of a sudden she says "You're all so beautiful--my hips, I hate my hips" I guess even adults go thru their growing pains as well.The soundtrack should be on a collectors list! It is very hard to find in stores and probably only available on vinyl. Donna Summer's haunting song "On The Radio is featured. It gives the film a very thoughtful feel and sometimes a sadness. The ending of the film has a very sad feel to it. We all survive our teen years but their is some sad memories that will always haunt us. Foxes is a film that seems to force us to reflect on those years and review what good or bad choices that we have made.---even if it makes us laugh or cry. This is a film for any teenager going into the growing pains and for any adult that wants to sit back and remember fond youth.
This is 2009 and this way underrated gem has lost nothing of the power it had 31 years ago. It connects a pretty wide variety of different characters and stories without appearing to be cluttered.Clothes and music might have changed over time, but in the end this is a story that will never lose its up-to-dateness. And especially this movie does the job pretty well. Of course it is cheesy at times, but very touching as well.Jodie Foster's performance is striking, and it shows that she is really a natural born actress who showed her true potential especially in her earlier movies.Don't miss this one.
Jodie Foster, Cherie Currie (the former lead singer of the seminal all-girl rock group the Runaways in her remarkably able acting debut), Marilyn Kagan, and Kandice Stroh are uniformly believable, splendid and touching as the titular quartet, who are a tight-knit clique of troubled, fiercely loyal adolescent girls with negligent, uncaring, self-absorbed parents who do their best to grow up and fend for themselves in the affluent San Fernando Valley, California suburbs. The girls are forced to make serious decisions about sex, drugs, alcohol, commitment, and so on at a tender young age when they're not fully prepared to completely own up to the potentially harmful consequences of said decisions. Foster, giving one of her most perceptive, affecting and underrated performances to date, is basically the group's den mother who presides over the well-being of both herself and the others; she's especially concerned about the good-hearted, but reckless and self-destructive Currie, whose carelessly hedonistic lifestyle makes her likely to meet an untimely end.This picture offers a poignant, insightful, often devastatingly credible and thoroughly absorbing examination of broken, dysfunctional families which exist directly underneath suburbia's neatly manicured surface and the tragic net result of such families: tough, resilient, but unhappy and vulnerable kids who have to confront the trials and tribulations of growing up on their own because their parents are either too inconsiderate or even nonexistent. Adrian ("Fatal Attraction," "Jacob's Ladder") Lyne's direction is both sturdy and observant while Gerald Ayres' script is somewhat messy and rambling, but overall still accurate in its frank, gritty, unsentimental depiction of your average latchkey kid's nerve-wrackingly chaotic, capricious and unpredictable everyday life. Leon Bijou's soft, dewy, almost pastoral cinematography properly suggests a delicate and easily breakable sense of tranquility and innocence. Giorgio Moroder arranged the excellent score, which makes particularly effective use of Donna Summer's elegiac "On the Radio." The top-notch cast includes Sally Kellerman as Foster's neurotic, insecure, peevish mother, Scott Baio as a sweet skateboarder dude, Randy Quaid as Kagan's rich older boyfriend, British 60's pop singer Adam Faith as Foster's feckless, absentee rock promoter father, and Lois Smith as Kagan's smothering, overprotective mother. Appearing in brief bits are Robert Romanus (Mike Damone "Fast Times at Richmont High") as one of Foster's morose ex-boyfriends and a gawky, braces-wearing Laura Dern as an obnoxious party crasher. Achingly authentic, engrossing and deeply moving (Currie's grim ultimate fate is very heart-breaking), "Foxes" is quite simply one of the most unsung and under-appreciated teen movies made about early 80's adolescence.
I have been a Jodie Foster fan ever since we were both kids, from her Disney years. I loved her tomboy antics in films like Candleshoe."Foxes" was such a huge departure from all of that.Where other young female actors of that era turned to sexual puerility disguised as comedy ("Little Darlings", anyone?), Jodie went for a depressing and tragic tale of teens dragged to their demise by the powerful allure of temptation and addiction.This was not Disney. This was not Porky's. This was not "Halloweed". This was a dark & powerful story of the destruction of young lives. Sadly it's a tale that still plays out on a daily basis all over the country, this film could be replayed (with a current soundtrack) and still be wholly relevant.It's not the best film ever made, it is tired at some parts, not all the performances are particularly outstanding. But Jodie Foster continued to show her chops as a real adult actor (a trend started when she was very young in Taxi Driver).7 out of 10 Barky