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Man of La Mancha

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Man of La Mancha

In the sixteenth century, Miguel de Cervantes, poet, playwright, and part-time actor, has been arrested, together with his manservant, by the Spanish Inquisition. They are accused of presenting an entertainment offensive to the Inquisition. Inside the huge dungeon into which they have been cast, the other prisoners gang up on Cervantes and his manservant, and begin a mock trial, with the intention of stealing or burning his possessions. Cervantes wishes to desperately save a manuscript he carries with him and stages, with costumes, makeup, and the participation of the other prisoners, an unusual defense--the story of Don Quixote.

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Release : 1972
Rating : 6.5
Studio : United Artists,  PEA, 
Crew : Director of Photography,  Costume Design, 
Cast : Peter O'Toole Sophia Loren James Coco Ian Richardson Harry Andrews
Genre : Adventure Drama Comedy Music

Cast List

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Reviews

Evengyny
2018/08/30

Thanks for the memories!

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Robert Joyner
2018/08/30

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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Kaydan Christian
2018/08/30

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

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Mandeep Tyson
2018/08/30

The acting in this movie is really good.

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aramis-112-804880
2017/09/22

"Man of La Mancha" is the story of the boring classic DON QUIXOTE, heavily truncated. It take place in two venues. First, in a dungeon where QUIXOTE author Miguel Cervantes is immured with a bunch of criminals and oddballs; and then on the Spanish plains in Don Quixote's adventures. Peter O'Toole plays both the author and his creation."Man of La Mancha" the movie (as opposed to the original musical, which I have not seen) has a lot going for it.First of all, it has a phenomenal cast. Supporting stars Peter O'Toole and Sophia Loren are solid standby Harry Andrews, and the rising talents of Brian Blessed, Ian Richardson and John Castle.Loren, approaching 40, is mostly deglamorized, but nevertheless shows ample amounts of the impressive decolletage with which the Lord has blessed her (though Brian Blessed seems to want to rival her in the chest department). Loren may occasionally go over the top (in her acting, not her poitrine, which jiggles a lot but stays put) resembling Ginger Grant of "Gilligan's Island" in their episode "The Producer"; but she makes up for her overacting at the genuinely affecting climax.O'Toole reminds us what a gifted actor he really was with his cunning portrayal of Cervantes. He leaves all his screaming bits to Don Quixote, in his fits of madness.The movie runs the gamut of emotions from a droll humor (Don Quixote's battle with the windmill is genuinely amusing, though not funny) to heart-string plucking end.The real problem with this movie is, it's based on a stage musical. That means it has songs. A few are good, some aren't; but "Man of La Mancha" produced one great song of its era, "The Impossible Dream," a ballad claimed as an anthem by folks of all political stripes.O'Toole's voice was not up to this level of singing so his warbling was dubbed by someone who unfortunately sounds too much like him (the voice might have matched O'Toole's talking voice, but what that song requires is the talent of an Ed Ames). Loren and James Coco bray along as best they can, and it's not good enough to be laughable.When you have a movie musical and the best singing is performed by a trio of Ian Richardson, Rosalie Crutchley and 1960s sexpot Julie Gregg, you know you're in trouble. (Richardson actually has quite a good voice; he'll never sing at the Met but he's a pleasant comic tenor).It's the songs that sink "Man of La Mancha." The best movie musicals, like Academy Award winners "The Sound of Music," "My Fair Lady," and "Oliver!" have one great, toe-tapping tune after another. This movie has a sprinkling of good songs, one great song, and a lot of tedium in between. Apparently one early director hired, and fired, for "Man of La Mancha" wanted to eliminate most of the songs altogether. Good idea.Movie musicals were on their way out by 1972, so "Man of La Mancha" was something of a dinosaur even when it filled the screens with Loren's chest. I'm sorry to say it hasn't improved with age like a good wine or a good cheese. But the acting is mostly above par, if the singing isn't.

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ma-cortes
2015/09/01

Musical rendition upon the best literary work ever written that stands in a unique position between medieval chivalric romance and the modern novel . This ¨Man of La Mancha¨ adapted from the musical play , a hit Broadway , by Dale Wasserman , being compellingly directed by Arthur Hiller packs a nice cast such as Peter O'Toole , James Coco , Sofia Loren , Harry Andrews , John Castle , Brian Blessed , Ian Richardson and Rosalie Crutchley . Based on the classic novel written by Miguel De Cervantes , Don Quixote is considered one of the most influential works of literature from the Spanish Golden Age and the entire Spanish literary canon and deemed to be one of the greatest novels in literature history . Miguel De Cervantes (Peter O'Toole) is framed by an issue allegedly from the thunderous life and is incarcerated by the Inquisition . Don Quixote (Peter O'Toole) is the crazy , aging nobleman who embarrasses his respectable family by his feats . It follows the adventures of a nameless Hidalgo who reads so many chivalric romances that he loses his sanity and decides to set out to revive chivalry , undo wrongs , and bring justice to the world , under the name Don Quixote . To these ends, ¨Alonso Quixano¨ dons an old suit of armour , renames himself "Don Quixote", names his exhausted horse "Rocinante", and designates Aldonza Lorenzo (Sophia Loren) ,who is actually a downtrodden prostitute , as his lady love , renaming her Dulcinea del Toboso . Quijote , nearing fifty and some years of age , recruits a simple farmer, Sancho Panza (James Coco) , as his squire, who often employs a unique , earthy wit in dealing with Don Quixote's rhetorical orations on antiquated knighthood . Adapted from the work of Miguel de Cervantes , we then follow Don Quixote on their adventures , his squire Sancho Panza and an old horse named Rocinante . On their journeys , they rescue dames in distress in honorable acts and fight giants among other perils , with Don longing to be with the love of his life , lady Dulcinea . Backed by his faithful sidekick Sancho Panza, he duels windmills and defends his perfect lady Dulcinea named Aldonza.This musical version of The Man of La Mancha starred by Peter O'Toole as Cervantes and Don Quixote giving nice acting . While Peter O'Toole was generally slated for his "singing" performance in the film, what many critics chose to overlook was the fact that this was not O'Toole's first musical ; indeed, his appearance in Herbert Ross' musical remake of Goodbye, Mr. Chips (1969) . This is the amazing and fun story of a Hidalgo , fanatic for chivalry novels , decides to go on imaginary adventures along with his friend , the simple farmer Sancho Panza , who becomes his squire . This enduring romantic adventure deals the enthusiast , passionate knight Don Quixote and it is paced in enjoyable as well as deliberate rhythm . The film is quite amusing with emphasis on spectacle and following freely the immortal novel scripted by MIguel De Cervantes Saavedra .At the picture occurs several known episodes , such as : when ¨the knight of sad countenance¨ arrives at an inn , which he believes to be a castle , as he calls the prostitute he meets ,"lady¨ : Sophia Loren ; Don Quixote's attack on windmills that he believes to be ferocious giants ; Don Quixote attacks 'the ¨knoght of the mirrors¨who actually results to be the Bachille Sanson Carrasco played by John Castle . Being stunningly photographed by excellent cameraman Giuseppe Rotunno and well produced by Alberto Grimaldi and Saul Chaplin . ¨The man of La Mancha¨ results to be another of uncountable versions dealing with the unforgettable novel ¨Don Quijote De La Mancha¨ by Miguel Cervantes y Saavedra and in which Quixote and Sancho take on numerous dangers and adventures . Other recounting about this notorious story are the followings : ¨Don Quixote¨ (1933) by G.W. Pabst with Feodor Chaliapin Sr. ; ¨Don Quijote De La Mancha¨ by Rafael Gil with Rafael Rivelles , Juan Calvo and Sara Montiel ; Don Kikhot (1957) Russian recounting by Grigori Kozintsev with Nikolai Cherkasov as Don Quixote de la Mancha / Alonso Quixano ; ¨Orson Welles's Don Quijote¨ with Akim Tamiroff ; ¨Don Quijote Cabalga De Nuevo¨ by Roberto Gabaldon with Cantinflas and Fernando Fernan Gomez ; and for American TV : ¨Don Quijote¨ by Peter Yates with John Lightgow and Bob Hoskins ; latterly : ¨Don Quixote: The Ingenious Gentleman of La Mancha¨ (2015) by Dave Dorsey . Besides , Spanish series titled ¨El Quijote de Miguel de Cervantes" (1991) TV series 1991-1992 by Manuel Gutierrez Aragon with Fernando Rey , Alfredo Landa , Aitiana Sanchez Gijon , Manuel Alexandre , among others . And for cartoon movie was made ¨Don Quijote De La Mancha¨ by Cruz Delgado and ¨Donkey Xote¨ (2007) by Jose Pozo .

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Gavno
2008/08/02

Along with the plaudits and praise, MAN OF LA MANCHA is getting a lot of bad reviews here. The reason is clear.If you look at ANY work written for the stage that was transformed into a film, you're going to see exactly the same sort of wildly divergent opinions listed.IT'S BECAUSE WE'RE COMPARING APPLES AND ORANGES. TO THOSE WHO SAW A LIVE STAGE PERFORMANCE, NO CINEMATIC VERSION WILL EVER COMPARE FAVORABLY! At the same time... for those who never saw the work on stage, the film can and WILL stand on it's own merits.I'm of the generation that saw and emotionally connected with HAIR, and remember live performances well.HAIR was interactive. In the opening number, "Aquarius", the cast literally converged on the stage from all parts of the audience and theater.During the first act, protesters in the audience (actually cast members) disrupted the flow of the performance and interacted.In the closing number (FLESH FAILURES / LET THE SUNSHINE), the cast literally returned to it's origin, leaving the stage and mixing in with the audience.Over time, even the script itself evolved; periodically the worldwide casts received mimeographed sheets of changes to the script (sometimes, MAJOR changes to the story line).How could a movie version of HAIR ever hope to compare favorably with that? A film HAS to look inadequate by comparison, because we're looking at the strengths and weaknesses of the particular MEDIA EMPLOYED, and not the productions themselves.By comparison... the film version of HAIR looks pale and amateurish when placed beside the stage version. But in and of itself, the film isn't a bad representation of the script.Film versions of Broadway productions DO serve a valid and valuable purpose tho.Not every kid grows up in an urban area like New York City. Millions of youngsters never have the chance to attend a live symphony concert, an opera, or a Broadway play.A film or video version of a play can expose them great literature.I once saw a classroom full of high school freshmen in the north woods of extreme northern Wisconsin who were absolutely captivated and fascinated by a videotaped production of Thornton Wilder's OUR TOWN. I've seen live stage productions of it many times, and the video struck me as not nearly on a par with any of them... but these kids hadn't. The nearest theatrical company was over 300 miles away, so it was all new and unique to them.Maybe that videotape will, sometime down the road, inspire them to actually attend a live performance.MAN OF LA MANCHA has to be viewed in that same context. Take it for what it is... film making. Comparison with the Broadway stage is unfair and unproductive.

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BMWGriffith
2008/06/22

The material of Man of La Mancha is so perfect, not even bland direction and poorly staged musical numbers can ruin it. It remains completely watchable and entertaining.What peeves me is much of Aldonza's songs have been cut. Sophia Loren did well with the songs and she should have been allowed to sing the entire songs.Overall, this movie musical lacks the charm and sparkle of the big musicals that preceded it. It failed to match the box office success of Fiddler on the Roof (over 80 million dollars in grosses), Hello, Dolly! (38 million) and Camelot (over 35 million).While three musicals won several Oscar nominations, Man of La Mancha won just a couple. Yet I'm glad there's a film version of Man of Lamancha and this version, while not perfect is quite acceptable and far from the disaster critics say it is.

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