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Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Chicago Ten is a mix of actual film and animated recreations using the transcripts of the trial of Chicago Ten (voiced by actors)that happened in the aftermath of the 1968 Democratic convention in ... Chicago. What happened was that The Yippies and anti-war groups showed up to protest and they locked horns with Mayor Daley and his machine who were looking for a fight. Everyone knew it was going to happen and when the violence occurred there were arrests that set in motion the trial that is the subject of the film. The film itself is quite good. The animation puts us in the court room allows the words of everyone involved to hang themselves. To my eyes the establishment come off looking foolish and in many ways the Yippies do too (clearly they saw it all a a big game). It was a necessary evil in away but I really wish that there had been a better bunch of heroes.On a personal note, In a weird way the film left a bad taste in my mouth, not because it was a bad film, rather because I saw this right after seeing Chris Marker's Grin Without a Cat. Marker's film is a look at political protest in the world in the 1960's and 1970's and how the stakes were so much higher in say Prague where the Russians were coming to into crush the rebellion or in other places where people were dying for their beliefs. Seeing the antics of people like Abby Hoffman made me wonder how seriously the protesters were taking it.My own reflections on history aside, this is a very good film and should be seen by anyone who wants to know what happened in Chicago in 1968.

In 1968 thousands of young people got angry and rioted as an unpopular President expanded an unpopular war overseas. As Ryan Harvey sung recently "The Times They *Aren't* A Chaning". The documentary footage from the protests is amazing, timely, and very reminiscent of news footage from recent political protests in North America. The animated sequences could have been better. They have the look of a very low budget show on Cartoon Network. Occasionally, a different kind of animation is used and this one is less realistic but much more effective. I'm not sure why this type of animation wasn't used throughout the trial sequences.Roy Scheider I must add was very effective and creepy as Judge Hoffman, the authoritarian and one-sided judge who presided over the trial.The movie is a reminder that things aren't changing but it's always important to fight.

The Kid Stays in the Picture was a great documentary with a refreshing style that managed to keep me hooked into a subject that I honestly wasn't very interested in. So I was extremely excited to see Brett Morgen creating this documentary about history that I was very interesting in and.. Well, Morgen probably reached a little too far on this one.This documentary is a mix of the very powerful archive footage of the demonstrations and events leading up to them, and a rather insipid animated recreation of the trial. There are no retrospective interviews (many of the 8 are now deceased) and there is no narration - both omissions that suit the style of the director and help emphasize the time and place of the events.The archive footage could possibly have carried the film by itself. But this documentary is also about the trial. Without any footage or audio of the trial, how do you recreate it so that it appears as the farce that it was - while doing justice to the amazing news footage of protesters being maced and beaten? To do so would honestly have been an amazing accomplishment. Animating the trial was a bold move, but the end result is visually inadequate and mixes poorly with the news footage.I have no problem with the use of animation, but the animation itself is of very low quality and isn't rather creative. For the trial scenes, I believe the intention was to create a comic look and feel to highlight the nature of the trial itself - but the uninspired designs are too smoothly rendered with wooden mo-cap movement that appears borderline uncanny valley. Other demonstration scenes were animated in a hand drawn/cut out style at an extremely jerky 3-4 frames per second that is difficult to watch to say the least - thankfully they are short. The one redeeming quality of the animation is the voice acting which is top notch across the board, even if Hank Azaria's Abbie Hoffman sounds a lot like Moe from The Simpsons.My other complaint is the soundtrack, which is about half a mix of 90's rap and another half a mixed bag of pop and metal. The music has no connection to time or events and seems to only take away from the authenticity of the events. I've read the interviews where Morgen describes this movie as being about now, and not 1968 - but I think that is a disservice to the Chicago 8. Sure, there is a war going on right now as was then - but in 2008 young people are more likely to protest high gas prices than the current war.

CHICAGO 10 (2008) ***1/2 (Voices of: Hank Azaria, Dylan Baker, Nick Nolte, Mark Ruffalo, Roy Scheider, Liev Schreiber, James Urbaniak, Jeffrey Wright) Fascinating history lesson by way of state-of-the-art rotoscope animation about the infamous Chicago 10 trial of the 1968 anti-war demonstration at The Democratic National Convention led by "yippie" Abbie Hoffman curtailing into a monkey trial with dubious results and if anything a clear-eyed viewpoint of just how radical things were then and how it eerily reflects America's politics today. While the animation is hit-and-miss (and a bit eerie ala "Heavy Metal") the archival footage of the real-life instigators/participants is truly remarkable and should be seen by all who wondered what it was to live during a revolution. (Dir: Brett Morgen)