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Just perfect...

It's an amazing and heartbreaking story.

One of the worst ways to make a cult movie is to set out to make a cult movie.

This movie feels like it was made purely to piss off people who want good shows

I like John Wayne, regardless. he was a real good actor for war movies and for westerns like this one. The Undefeated is a nice post-Civil War western with Wayne and Hudson as main stars, and they both deliver excellent parts, as a Union and a Confederate officers, respectively. This is not any new story, down in Mexico, with all the bandits, wild horses, Mexican troops, deserts, shoot-outs, women, Indians, cactuses, dances and all. Nothing very new, but this movie really works well and all 120 minutes it is a nice and fast sunny dry Mexican drama. Some phrases and dialog lines are very cool and deeply humorous, too. Why 8, and not 10? As I wrote above, rather predictable plot, looks often like many Mexico border westerns so far. Often, smacks of some other Wayne films, but generally, still, a very enjoyable, fast, often hilarious movie full of action and events. Good for all western buffs and Civil war aficionados like me/ Recommended

"Wild Geese" director Andrew V. McLaglen's "The Undefeated" marked a low point in John Wayne's cinematic career. James Lee Barrett's screenplay has an ending looks like something out of a John Huston heist caper because nobody wins in the end except the Mexican revolutionaries. Indeed, "The Undefeated" looks like a reconciliation fable as former Union troops and their tenacious Confederate adversaries find common ground and help each other out. Furthermore, the notion that each side--John Wayne's cowboys and Rock Hudson's unreconstructed rebels--would become friendly with each other seems improbable. After four years of fighting Johnny Rebs, no Yankee blue-coat would change their attitudes so quickly. The optimistic protagonists behave like everything will magically work out for them. Hudson's rebels dream that they can find sanctuary in Mexico and fight alongside Emperor Maximilian to oust Benito Juárez and his revolutionaries. Again, the lackluster ending where Wayne and company cave-in to the demands of the revolutionaries just doesn't reasonable.This routine but polished post-Civil War western opens with one final battle between the Blue and the Gray. No sooner have Colonel John Henry Thomas (John Wayne of "True Grit")and his troops triumphed in battle than he discovers that the war had concluded three days previously with General Lee's surrender. As it turns out, the Confederates already knew about Lee's historic surrender at Appomattox Court House and preferred to keep on fighting. This is about as realistic as "The Undefeated" gets, because everything afterward defies logic and credibility. Later, our hero in a ten-gallon hat changes his uniform for civilian clothes and several of his troops help him herd and sell horses for a living. Co-starring with Wayne for his first and only time, superstar Hollywood legend Rock Hudson plays a Confederate Colonel James Langdon. This proud southern plantation patriarch burns his mansion rather than hand it over to Yankee carpetbaggers. Langdon and his family and friends leave their home in Louisiana to head for Mexico to join the ranks of the Emperor Maximilian's army. They barely get Mexico soil beneath their hooves with a Federal patrol at their heels. Meantime, John Henry learns that the Emperor is willing to pay more for his 3000 horses than the U.S. Army, and he drives his horses to Mexico. Along the way, Thomas' men run into Langdon's caravan and help them fend off marauders. The confrontation between Wayne and the villains is pretty good. The photography is splendid, but the ending leaves much to be desired.

The title of "The Undefeated" refers to those Confederates who refused to accept defeat in the American Civil War and migrated to Mexico rather than live under the Union. The film is loosely based on a true story, although the details are very much fictionalised. A group of Confederate soldiers, led by Colonel James Langdon, make their way with their families across Texas, hoping to cross the Rio Grande and to join Emperor Maximilian of Mexico, who has offered them land where they can make a new life. Langdon was once a wealthy plantation owner, but has been ruined financially by the war, and before leaving sets fire to his mansion rather than see it fall into the hands of Northerners.On the journey, Langdon meets an old Civil War antagonist, Colonel John Henry Thomas, who is leading a group of his former soldiers on an expedition to capture a herd of wild horses, which he is hoping to sell to the US government. Upon learning, however, that the Mexican government are willing to pay a better price, Thomas and his men also turn south with their captive herd. The film tells the story of what happens when the two groups of Americans, former enemies, are forced to work together to fight off attacks from bandits and from the Juaristas, republican opponents of Maximilian's government.A number of Westerns from this period had a Mexican-related theme and generally involve Americans becoming embroiled in either the Mexican civil war of the 1860s or the Mexican Revolution of the 1910s; others include "The Wild Bunch", "Two Mules for Sister Sara" and "The Professionals", with "Veracruz" being an earlier example from the fifties. The makers of "The Undefeated", however, were less concerned with the intricacies of Mexican politics than they were with putting across a message of American patriotism. Although the Confederates and Unionists have recently been fighting one another, they learn to respect one another and to unite against a common foe. Thomas and his men not only help the Confederates fight the bandits, they also give up their horses to ransom them when they are being held hostage by a Juarista general.The old divisions- North versus South, blue versus grey, abolitionists versus advocates of slavery- no longer matter; the reconciliation between the two groups takes place, very symbolically, at a Fourth of July party. What matters is that former Confederates and former Unionists are all now Americans, united against the world. Even non-whites are included; a romance develops between Thomas's adopted Indian son Blue Boy and Langdon's daughter. The implied message for the Americans of 1969 is that they must learn to overcome their own divisions- conservative versus liberal, young versus old, black versus white, pro-Vietnam war versus pacifists- in a similar way.This message of inclusive patriotism would have been dear to the heart of one of the film's two big stars, John Wayne, who plays Thomas. The following year Wayne was to make another Western, "Rio Lobo", about Northerners and Southerners learning to live together after the Civil War. It is a potentially interesting theme, but not one which this film makes the most of. Rock Hudson's performance as a Southern gentleman has been criticised, but for me he was not the problem with the film. I will leave comment on his accent to those who are more familiar with the dialects of the Deep South than I am, but I found his portrayal of a proud and honourable aristocrat a convincing one. John Wayne, however, had already shown in "The Green Berets" the year before that he was really too old to go on playing a front-line soldier, and he is no more credible here. The film also contains a few other implausible elements. There may have been men in the 1860s who would have had no objection to their daughter entering into a racially mixed marriage, but I doubt if a die-hard Confederate aristocrat like Langdon would have been one of them. The film ends with both Langdon and Thomas on surprisingly good terms with the Juarista General Rojas, even though he has shown himself to be both ruthless and treacherous and has threatened to shoot the Confederates in cold blood if his ransom demands are not met. The film is also overlong and its pace, particularly during the second half, tends to flag.The late sixties and early seventies saw the last great hurrah of the Western before its decline in the late seventies and eighties, but "The Undefeated" cannot compare in quality with some of the other offerings from the period, such as "The Wild Bunch", or Wayne's other film from 1969, "True Grit", or even with "Chisum", another collaboration between Wayne and director Andrew V. McLaglen from the following year. It is marginally better than the non-Western "The Green Berets", but to say that about a film is no very great praise. 5/10

The Undefeated is directed by Andrew V. McLaglen and adapted for the screen by James Lee Barrett from a story by Stanley L. Hough. It stars John Wayne & Rock Hudson, features a musical score by Hugo Montenegro and William H. Clothier provides the South Western cinematography.Much yee-hawing and lots of patriotic fervour, The Undefeated is a fun and undemanding way for the Western fan to spend a couple of hours. Plot basically revolves around some post Civil War rivalries between Union and Confederate leaders played by Wayne and Hudson respectively. Both men and the groups they have under their control, get mixed up in the Maximillian/Juarez revolution in Mexico. Cue moral quandaries, big decisions and life affirming human interests; as McLaglen (aided by Wayne apparently) directs unfussy without pushing the envelope of Western directing. True enough at times the tone is uneven, it's hard to tell if it's meant to be light hearted or serious during some passages (kind of why John Ford was a genre master since he could achieve it comfortably), and some casting decisions are rather baffling (hello Roman Gabriel); but it's all very spirited, especially Hudson, to round it out as a solid genre offering from the late 1960s. 6.5/10