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Carlos
The story of Venezuelan revolutionary, Ilich Ramirez Sanchez, who founded a worldwide terrorist organization and raided the OPEC headquarters in 1975 before being caught by the French police.
Release : | 2010 |
Rating : | 7.6 |
Studio : | ARTE France Cinéma, Canal+, CNC, |
Crew : | Art Direction, Art Direction, |
Cast : | Edgar Ramírez Alexander Scheer Nora Waldstätten Talal Jurdi Christoph Bach |
Genre : | Drama History Thriller Crime |
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Sadly Over-hyped
Good movie but grossly overrated
The film never slows down or bores, plunging from one harrowing sequence to the next.
The film never slows down or bores, plunging from one harrowing sequence to the next.
The life of Ilich Ramírez Sánchez is extremely interesting in its own right, but the success of this project really depended upon Édgar Ramírez, who rose to the occasion in a remarkable way. Through him, the viewer can see the charismatic, ambitious, inspiring, fiery, driven, obsessed, aggressive, narcissistic, lecherous, hot-tempered, morally and ethically flexible person behind the notorious and fearsome reputation of Carlos the Jackal. One also gains pretty good insight into some of what drives, and the development of, revolutionaries, insurgents, terrorists, etc., and this series begs the question of where the line between those different classifications lies. The project also calls out how instrumental governments have been in the success of these non-state combatants, and the ensuing hypocrisy of such governments in denouncing these individuals once their services lose enough value. Additionally, viewers can appreciate a fascinating account of the development of the Cold War from the perspective of its "front-lines" fighters and in constantly shifting international settings. In sum, this is a brilliant series about fascinating people and subjects, brought to life by excellent actors.For more reviews and a kickass podcast, check out: www.livemancave.com
First off. I had never really heard of this Carlos guy. But I think I have seen quite a few characters loosely based on his persona. So I started to see trailers promising this epic story about the true events of a terrorist legend spanning decades in Cinemascope. And I was thinking I should watch this. This looks promising. I didn't really expect it to be awesome. But it did look interesting.But the film didn't open in theaters here. And while it was waiting for a DVD or release I heard that there's two versions of this. Both a 3 hour compilation and a three-part 5+hr miniseries. Now, I am in a mindset that when there's several versions I want to experience the directors cut first. But that doesn't necessarily mean that it's the longer one. Often it is. But there are quite a few cases where Directors have preferred their theatrical cuts and only did longer cuts as Special Editions. Greatest examples here being James Camerons works with Aliens, Terminator 2, and the likes. And here in Sweden too, there's a common practice where the filmmakers have to do longer TV-edits in order to secure extra funding. Most of those times, the Theatrical Cut would be the Directors Cut. Well, in the case of Carlos, it wasn't. The 5hr version is the directors cut. So I tried waiting to see it the way it was intended. It never came. So now. 4 years later. I finally got a copy of the whole thing and over the course of two nights, I plowed through it.Part One, first night:Here you get the origin of this multinational antihero as he's starting out as a veteran of revolutionary wars and fights his way into the business of international terrorism for hire. And for me, this was the best part. It shows his talent for this gig. And also how haphazardly the operations can be slapped together. They say that beggars can't be choosers and sometimes you just don't have enough trustworthy or talented coworkers available, so the bar is lowered somewhat to fill up the roles that the operation needs. Again. This first part showed a lot of promise and almost made you root for this womanizing borderline-alcoholic that has no problems bombing civilians to make a point. And it ended with the crew on a bus going to do their biggest gig yet. Quite a cliffhanger.Part Two and Three, second night: Well, the plan sort of fell apart and Carlos is set on a downward spiral of lesser successes throughout the later parts. And, unfortunately, the quality of the film kind of followed. It became an increasingly tangled mess of a bloating cast and muddy motivations. I have very little recollection of what happened during the latter 2.5 hours. The only part I remember sticking out was where they repeatedly mention the location of Ulm. That made me giggle as I tried to recollect the full name of Johann Gambolputty. Eventually it ended and I was more exhausted than anything.Overall:Though I will say this. The costumes, the setting and make-up where all terrific. The lead did his damnedest and had no reservations on camera. Technically, the camera-work was a bit too close and shaky at times but mostly well done. Also, the sound was convincing and the music fit for the most part. Where the problem lies is in the script. Which needed shedding quite a few plot-threads. And it makes me curious how much of the fluff was kept for the 3hr cut. It'll probably take me quite a while before I watch that one, as I want to rid myself of this one just to make the judgment fairer. In conclusion. The whole piece was too bloated for me. Buffs of terrorism history will probably enjoy it more.
This 3 part series follows the "career" of Carlos from about 1973 to 1994. A psychopathic killer and terrorist leader he was responsible for a rash of bombings and assassinations for various groups mainly Palestinian causes. He was finally captured in Sudan in 1994.The movie is nicely filmed with period details adhered to. It seems to have been mostly filmed in Beirut with that venue passing for Tripoli Algiers etc... in any case it is convincing.What struck me is that the 911 attacks were nothing new...terrorists in the 1970s were taking OPEC ministers hostage blowing up planes etc... I am cynical enough to wonder why now there has to be trillions spent on the war on terror...seems they managed back then with out doing that. The military industrial complex needed a new threat after the cold war ended.Another flaw is the group is made to seem almost chic in their running from country to country. But that is minor.It is pretty good if you need to kill 6 hours.
The story was interesting and worth the watch. Despite the disclaimers that stated fictitious characters were introduced in the movie and some events or parts of them were also fictionalized for artistic content, I like to think as I'm sure many others will, that it did not matter; we get a sense of what terrorism at the time, the 70's and 80's, was probably like. The movie has a lot of action scenes, a plus. It had too many solo nude scenes of the character Carlos. My guess is the director(s) tried to convey the narcissistic side of the man; I can't rule out that possibility. I would have preferred he had some of the women Carlos was famous for seducing into his world of violence, with him in the nude scenes. Édgar Ramírez did okay with the character of Carlos, but I think that had the direction of the movie been better quality, Ramirez would have provided a much better performance. The editing was sloppy and almost amateurish, I'm sorry to say. It won't spoil your enjoyment of the movie but if you watched the two part series "Mesrine", you can see the difference better editing and direction can do.