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Overrated

Excellent but underrated film

A Masterpiece!

Worth seeing just to witness how winsome it is.

Written, directed, and starring Alan Alda, Sweet Liberty follows, well, Alan Alda as he gets introduced to the wacky world of Hollywood. He plays an author—which foreshadows his real-life accomplishments, since he later wrote three memoirs and became a New York Times bestseller—whose novel is being adapted into a film. Even though he has his hands full with his personal life, when he becomes surrounded by the cast and crew, he learns an entirely new definition of drama.If you like movies about making movies, you'll probably want to rent this one. The lead actors of the film within the film are Michael Caine and Michelle Pfeiffer, and it's always fun to watch beautiful people on the big screen. A ninety-two-year-old Lillian Gish plays Alan's mother, and Lois Chiles and Bob Hoskins join the supporting cast. In general, I find this genre a little too over-the-top in the backstage "drama", and even though I love Michael Caine, this movie didn't really break the mold. But there are some pretty funny scenes, and if you don't take it too seriously, it can be fun with a bunch of your friends and a bowl of popcorn.

I had hoped to like this film a bit more than I did, and I certainly expected to laugh more. Sweet Liberty is an Alan Alda project through and through. In it, he plays a history professor whose historical novel is going to be made into a movie during one crazy summer in the little college town. Everyone is excited about the upcoming shoot, but Alda's excitement turns to disgust once the cast and crew arrive. He finally gets a look at the script and finds out that the movie will be sort of a sex comedy with little regard for historical accuracy. Alda then sets out with the screenwriter to try and convince the actors and director to film his own version. While all of this is going on, we sit through several arguments about Alda's relationship status with his girlfriend. We are also treated to the eccentricities of Alda's ancient mother played by legendary actress Lillian Gish. Overall, there is just too much going on, and the film never quite sustains any comedic momentum.The film has some genuine strengths. The cast is an eclectic bunch of old stars, new faces, and genial nobodies. Alda and Michael Caine basically play themselves and do a very good job. Michelle Pfeiffer is not only beautiful as hell, but she also gives a strong early performance as the lead actress. Bob Hoskins' character is well-written, but he plays the man in too shrill of a manner to be taken seriously. His screenwriter character has some wonderful points to make about using flattery to get the attention of the actors and director if you want them to change what they are doing. But he is just so hyper that you cringe whenever you hear his voice. Saul Rubinek is good as the hotshot, pompous young director who is only out to show the audience three things: People defying authority, destruction of property, and people taking off their clothing. That's what industry research shows that younger audiences want, he informs Alda more than once.There are other problems besides the annoying Hoskins character. I'm sure it would seem desirable for an icon like Lillian Gish to be included in just about any film at that time. However, her character and scenes are just not needed and end up being more of a distraction than anything else. Alda and his girlfriend have about the same argument at least half a dozen times. Another scene looks like it will give a huge laugh payoff, but it falls flat. In it, a group of stunt men are in a bar with some of the local re-creators of the Battle of Cowpens who will also be used as extras in the film. The stunt men are trying to tell the amateurs how to fall in the battle scene. One of the stunt men breaks out one of those harnesses that people use to get pulled backwards through doorways in bar fight scenes. And you think you are going to see one of the amateurs get unknowingly hooked up to it and taken for the ride of his life. But alas, they apparently thought it would be funnier for the guy just to fall down on his back like an idiot. Another missed opportunity! 5 of 10 stars.The Hound.

I like this very silly movie about the making of a movie set during the Revolutionary War. History takes a back seat to the backstage madness as film crew invades a small town in the American South... ...except that this film was filmed on Long Island. Living on the Island I get great joy watching all the technical gaffes in the film, only the lead characters cars have non-New York license plates, a Long Island Railway Train goes by in the background and on it goes. You don't have to have sharp eyes to see the errors, they are glaring if you know that they are there. They don't take away from the fun, they add to it since as Alan Alda's character quickly finds out, there is nothing real about making movies.The cast is great across the board, with everyone seeming to have such a good time its infectious. See this movie, its just a lot of fun.

I have seen this film several times and on the most recent viewing, I noticed a continuity goof. Alan Alda's character Michael Burgess reads the Hollywood-ized script that has "not been taken" from his book and is outraged at the changes and historical inaccuracies. He spends the entire movie trying to make things right again, even going so far as to sabotage the filming. But then at the end, Michael accosts the director Bo Hodges and blithely apologizes for what he's done. If Michael Burgess is so outraged all through the film, why does he suddenly recant and apologize for his actions at the very end? He seems to be indecisive.This jolted me a little, but did not diminish my enjoyment of this otherwise fine film and its gentle comedy. It's well worth seeing.