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Fresh and Exciting

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

I understand the fact that this movie is a crazy-comedy,and it's easy to see that the slapstick-comedy and sight-gags are very much inspired by Tom&Jerry-style cartoons.But is it really necessary to push for a gag once a minute throughout the movie? The movie's pacing leaves the viewer breathless, and grasping in vain for any semblance of a coherent storyline. Aside from the fact that two incompetent agents are searching for a destructive weapon, it is impossible to understand what is really going on in this movie.I don't know the source material. In the event that it is exactly as the movie turned out,they should have fleshed it out with something that would have made it work as actual storytelling.As for the characters, none of them are remotely relatable, and the gags aren't really funny. The actors are seemingly just waiting to get squashed, beaten or otherwise manhandled, so they don't have to do any real acting work.The movie hit new lows with cruel torture scenes (especially the one where the mother is tortured), generally misogynist behavior,and racist renditions of several different ethnic groups.From other reviews on this site, I understand that the movie is based on a very popular Spanish comic,but there must be a better way to adapt the source material than this. As it stands now I can only speculate that the director (Fesser) was experiencing a drug induced delirium during the making of this movie.Mistaking rapid-fire slapstick,and complete nonsense for a flash of genius.Mostly I am sorry for Dominique Pinon,a quality actor who cannot have known what lay in store for him,participating in this movie.I find it hard to recommend this movie even to my worst enemy.

Now, I understand that this film was quiet a hit in its native Spain and realize that (like the comic) it is considered a bit of a national treasure among comic-book-aficionados, like "Asterix" in France and "Tintin" is in Belgium. But that movie or that comic – namely "Mortadelo y Filemon" is not what I'm going to talk about.I'm going to talk about "Clever & Smart", which is the German title and boy, did they ever butcher that one! The comic was previously rather popular in Germany; mainly during the 1980's until the appeal eventually wore off as the material became more repetitive. It didn't (and didn't strive) to have the intellectual qualities of the series said above. If you're not familiar with the basic story: it's basically a satire of the secret-agent-genre, with two incompetent but sheer indestructible protagonists, said Mortadelo and Filemon. Mortadelo is the more anarchist one of this duo, being able to disguise himself as virtually everything at will, but at the same time the more simple-minded part, despite Filemon not being an intellectual giant either. Filemon is his more rational partner, usually grumpy and seeing himself as the leading man, despite usually bearing the brunt whenever his partner messes up (which is usually the case). Now imagine an episode of "Tom & Jerry". Not the squeaky-clean version of modern times, but the originals, where cat and mouse still fought each other tooth and nail, inflicting more damage and pain to each other than would physically be possible and still continuing the chase – alive and well – two seconds later. And now multiply that by a hundred. There's barely a panel in the comic where somebody involved doesn't get maimed, flattened by steam-rollers, blown up or otherwise mutilated. Rule of thumb being of course, that in the next panel they're up and about as if nothing happened.Granted, to turn this massive orgy of (comical) menace and destruction into a real-life-action movie prior to the new century and CGI would have been virtually impossible – and if attempted, it would have been way more expensive and labor-intensive than most companies could afford. Granted also, that the computer-animation of 2003 wasn't exactly on par with modern standards nowadays, but it sufficed to turn the comic carnage into a real film. The problem is this: since the source-material was already relatively light when it came to complex story lines, relying almost entirely on slapstick and one-liners, it must have been difficult to stretch this thin material into an hour and a half of film. But, as said, one can watch it for the effects if one is willing to forgive the lack of a deeper story. But I have to give it to the producer: optically both our "heroes" couldn't have been better cast and I dare say, from all the comic-adaptations I've seen – which have been plenty – none have fitted a shoe as perfect as Mortadelo and Filemon.Now we get to the reason why this film went completely flat in Germany: somebody in marketing saw it as a wise decision to cast the "comedic" (if you want to call it that) duo Erkan & Stefan as the voice-overs for the two agents. If you've never heard of them and/or are not German, nevermind, you haven't missed a thing. The duo makes a living imitating street- and ghetto-kids (one reason why one has adopted a Turkish name), who imitate the demeanor and attire of teen, wannabe hip-hoppers and their comedic repertoire consists mainly of grimacing and pretending that they only have a semi-illiterate grasp of the language. In short: they play morons who imitate the same crowd whom they cater to. Need I mention that many potential viewers either left the cinema as soon as they heard Mortadelo and Filemon "speak" – and that many more simply refused to enter the cinema in the first place? Perhaps the movie would have a chance if they would simply re-synchronize it with competent speakers (which are aplenty; Germany is known to have developed synchronizing movies into an art of its own), but until that happens, the fate of this movie is to lie on the 1-Euro shelves of dying video-stores and grab-shops – and they'll probably lie there for a long time to come. In that form I'd give it 4/10 and would consider it generous.

This movie has surprisingly good visual effects for a low budget Spanish movie, compared to Hollywood productions, but it is a very boring movie. It is a good adaptation from the comic book as most of the elements of the "tebeo" actually are well depicted in the movie, but the characters are lifeless and somehow you do not get attached to them. I just sat back and watched how those readings that I used to like in school came to life visually but I hardly laughed at the jokes and gags, they were too childish and repetitive. Another misconception was that characters, specially Mortadelo, should talk rapidly and with an unvaried tone (actually, acting was kind of poor). During the film, I didn't even understand what they were saying and I guess I should wait to see it in tv to get most of their lines. I prefer P.Tinto, Fesser's first movie, it has the same good visual effects, but, at least, there is some heart in the characters and you get a little more interested in the plot.

The Adventures of Mortadello and Filemon is one of those guilty pleasures you never admit seeing (even twice) or enjoying; but surely most of your friends did the same.Based on a successful Spanish comic, and transformed to the big screen for a J. Fesser, a guy whose previous credit,several years ago, was another mad comedy (with different stile) called `The P Tinto Miracle' . It was a light comedy about two completely innocent people and how the world barely affected them.This time, Fesser created the funniest movie in years; and I am not talking smiles but gross, uncomfortably, belly laughs. If you are in for sophisticated comedy, look elsewhere. This movie has only one goal, to make you have an excellent time and mostly succeed.The most amazing thing here, is that this movie relays heavily on special and digital effects which are perfectly used and of excellent quality. Hollywood and George Lucas please take note, this is a Spanish production with a budget about one tenth of any Hollywood project. The hundreds of special effects are use to create visual gangs, some of the absolutely brilliant. There are so many in the first fifteen minutes, that when the movie tones down you are already addicted.The story (not really important) is something like this:A small time crook robs an Army Depressive Gun (applied to soldiers, they get so depressed that they do not want to fight any more) and tries to sell it to a dictator on a country call TYRANNIA. The ultra secret organization TIA (this means aunt in English) assigns a French (or American) secret agent (played by Dominique Pinon from Amelie) to recover it. Jealous, Filemon and Mortadello try to do the same, creating a lot of absurd situations. This is A COMIC, logic is out of the equation. Every situation is a gang (darker, lighter, childish or plain stupid) and most of them really deliver.As an additional note, the movie, just premiered in his homeland, Spain, classified like PG or General Audiences. The humor is dark sometimes and a few times sexual oriented, but I do not think any kid could understand most of those jokes; so cleverly the creators made, a movie that could be see by kids and adults all of them having a fun time in a different level. However, probably because European kids seems to be more prepared than American, I wont be surprised if this movie (if ever distributed) gets an `R' rating or several cuts.I note this, because most good or at least "commercial" foreign movies usually get the worse ratings ("R") or released "UN-RATED" which limit their commercial success. This is done by the MPAA in order to protect Hollywood industry and market, but also limiting culture and knowledge coming from another countries. As an example, a movie like "8 FEMMES "(an important success almost any country) was classified as `R' even when there is no sex, or violence not even dirty talk. However a movie like CHICAGO (a really good movie ) were sex, betrayal and no moral message got a PG-13 (I guess because is musical).Final advise, release yourself of the crisis and pay a visit to `Mortadello and Filemon' you wont regret it