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Attenberg
Marina, 23, is growing up with her architect father in a prototype factory town by the sea. Finding the human species strange and repellent, she keeps her distance...that is until a stranger comes to town and challenges her to a foosball duel, on her own table. Her father, meanwhile, ritualistically prepares for his exit from the 20th century, which he considers to be "overrated."
Release : | 2012 |
Rating : | 6.2 |
Studio : | MEDIA Programme of the European Union, Greek Film Centre, Boo Productions, |
Crew : | Production Design, Set Decoration, |
Cast : | Ariane Labed Evangelia Randou Vangelis Mourikis Yorgos Lanthimos Kostas Berikopoulos |
Genre : | Drama |
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Reviews
Absolutely Fantastic
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Blistering performances.
It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film
Dark, unpleasant movie about contemporary Greece, set by a dying father and a lost-soul daughter. Strange how you can fall in love with an actress you haven't seen before, as I did with Ariane Labed playing Marina. I guess she reminded me both physically and spiritually of an ex-girlfriend. Attractive, somehow boyish, always making the other move, both at a distance and now and then unexpectedly intimate. All the talking in other reviews about Marina being emotionally 'dead' is total nonsense. You have to (try to) understand this character, but not many men are willing or able to. To me she was the shining light in this portrayal of a depressed, bankrupt and humiliated country. This movie worked like a magnet to me. After I finished watching it, I was almost certain the director had to be a woman of about my age. I was right. I suppose Ariane has a great filming future ahead of her, but I hope she will perform in movies like this one. But it could just as well be her best role already.
Difficult. That's what cult stands for in this situation. Greece's highest creations come from a group of people where they recycle and create via a type of rotation. The producer of Dogtooth become a director, the director an actor and so on. Not bad at all. Follows the artistic aspect of Dogtooth, showing a story on adulthood and dealing with loss and what you are. An unconventional human being (with a touch of Asperger's syndrome), a loving and caring father, a slutty best friend and a partner almost like an alter ego, resembles to her father, and mirrors herself. Honest, familiar yet artsy, method-ish and pretentious from time to time. But still opens up to the viewers, where the twisted is welcome, no one judges and offers himself to the public effortlessly, honestly almost unconditionally. A new era, post modern, unlocks the contemporary social establishment.
I saw this film at a KVIFF screening and just had to sit down and write this bit about it. I think I've seen quite a bit of various films, but this was a real "cinema extraordinaire" Like Dogtooth, which Tsangari co-produced, Attenberg is a clear criticism of contemporary Greece and the decay of values on a sample so precious to the Greek culture – a family.Inspired by the BBC series studying the behavior of animals by David Attenborough, the film tries to do something similar, only the with people. Mispronunciation of the biologist's name provides the title to the film.The plot is quite simple and easy to get. Marina, a 23 year old is only just starting to experiment with her sexuality at the background of a deserted factory, a remnant of industrial Greece of the last century. Her father, who's dying of cancer, only speaks of the procedure of having his body cremated elsewhere, as this is apparently a taboo in Greece. Marina's experimenting her first sexual experience with her best friend Bella, who has apparently had her share already. Enter "Engineer", a nameless character, who serves Marina almost like a human figurine for her first sexual experience.Let the story begin. Hold on, but there's no story here. Tsangari is not interested in her characters and their journey of how they got being what they are or where they're going. Rather, she studies their character and she does so mercilessly.She doesn't stop before anything including stripping her characters (and their protagonists) naked, literary. Its not just their bodies we see naked, but also all their secret thoughts and feelings, lets them express everything on the screen for the voyeur-predator sitting in the audience, serving them blood-dripping raw.To even deepen the animal-like impression the audience gets when seeing the four lead characters, Tsangari lets them act like real animals, and uses these sequences as intermission, sort of, in her film, giving it an even more bizarre impression.The colors are very simple as well, the general greyness interrupted only by images of the monstrous factory nearby. Camera bets everything on stills having the pattern interrupted only by a moment when Marina and Bella play tennis and tensions between them escalate.Overall, a very interesting film more likely to shock and make your head spin rather than bore you.
Born and raised in an abandoned mill town, uniformly built around a single high-rise apartment building , Marina has fallen in love with a failed architectural experiment and forgotten all about the people who were supposed to live in it.Built sometime in the sixties, Attenberg was never meant to harbour human warmth in the first place. Its sole purpose was to procure obedient workers for the nearby aluminum factory, offering a colorless life to go with the regulation outfit. Hardly the stuff dreams are made of. The only romance that ever blossoms amidst the white-washed walls of this ghost town is of the fleeting variety, here now and gone tomorrow, as Marina's promiscuous friend Bella would readily attest to.The only long-standing engagement is the one between Marina's father – one of the project's leading architects – and the city. Eternally bound to his concrete mistress, he now follow s her down ward spiral , as his cancerous innards are decaying in synch with the building's ancient plumbing. No wonder his daughter never learned how to love. And the only man who could ever teach her – a handsome stranger in town for business – might have entered her life a little too late. Will Marina follow her father down the path of destruction, or will she break free of the asphalt and concrete jungle that is her home? Conjuring magic from graceless slabs of stone, Athina Rachel Tsangari turns the remains of this industrial community into her own private Stonehenge – a cross between ancient burial ground s and an enchanted monument. Or perhaps the town is just the breeding ground for an endangered species, like the ones Marina loves to watch on the wildlife channel. The only difference is these ones are plagued by post-industrial loneliness. And it appears to be fatal.Some kinda artful, theatrically but then again verisimilar movie. A Lot Nudity. The main character got this Asexuality orientations (abstention from sexual activity) + shes got this strange shoulder condition. Movie not for everyone . Check out my lists http://www.imdb.com/user/ur23690923/? ref_=nv_usr_prof_0