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Fantastic!

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The acting in this movie is really good.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

This cops vs. terrorists chase flick featured a pretty familiar plot line - Yeoh stops a terrorist on board a plane, and the terrorist chief targets her and two male confederates for a rub-out. But this is a must-see for Yeoh fans. The former (1983) Miss Malaysia first introduced her unsmiling, no-nonsense cop persona here and comes off as a kick-boxing female Charles Bronson. Yeoh's fabulous fight scenes (which, typically for any Hong Kong action star, she performed herself) and on-screen charisma made her a star in this role and it needs to be seen by her fans. It helps that the movie had a decent budget, with good looking production design and elaborate stunts to go with the martial arts. This is a first rate movie of its type.

From the mid 80's to the early 90's, D & B Films produced some spectacular features. This is one of them. Everything here is big and loud and brutal. Michael Yeoh, credited as Michelle Kahn, plays a policewoman who prevents a major incident on a airliner, ably assisted by secret agent Henry Sanada. Kahn and Sanada's actions infuriate the mob and revenge comes quickly in the form of an explosion that kills the Japanese agent's wife and daughter. Michael Wong, another cop, assists the Chinese-Japanese duo in their quest for justice, but he only gets in the way, as does his bad acting.This has car stunts, explosions, rafts of grievous bodily harm and lots of woman-to-woman, man-on-man and man-on-woman fighting. John Chung, who directed the excellent "Web of Deception" and the delightful "I Love Maria", stages his action with tremendous energy and works hard to make us feel the pain the characters are feeling.The film has an expansive feel and, though it guns for some comedy relief now and then, never gets sidetracked by it. Kahn's character was replaced in "In the Line of Duty 3" by the aptly named Cynthia Khan, another tough cookie (but not as tough as Michelle).

This is some of Michelle Yeoh's best work, alongside Magnificent Warriors and Yes Madam (A.K.A. In The Line of Duty or Police Assassins). This movie has a mix of drama, hard-hitting action, and comedy (little less on comedy though).In my opinion, this movie could've done without Michael Wong. He tries to create a lovable character but he just seemed to get in the way of the movie. Well, I guess the movie needed some comedy. I appreciate the casting of Henry Sanada (Hiroyuki Sanada) in the film. After Ninja in the Dragon's Den, I was hoping he would continue to pursue action flicks. His martial arts skills always seems to impress me. His character in the film is portrayed as cool and slick, but if provoked, can be aggressive. Michelle Yeoh's character is very dedicated to her work as a police officer. She will enforce the law by any means.The action in this film was very excellent and brutal. The club scene was the best. I'm pretty sure the actors and actresses had to use some ointment to take care of the bruises after some of the scenes. Groundwork dominated this film. I really didn't notice wirework.Overall, this a great film. The replay value is very high. Besides the action, drama and a little comedy gave the film a good mix. HIGHLY RECOMMENDED!!!Final Judgement: ****/****

Fine follow up to Yes Madam. Not nearly as witty, but heavier on action (most of the scenes are very exciting with extremely tough baddies).The last baddy is particularly good, with a silly mocking smile and grin. I loved the scene where he shoots the TV set.The plot is by turns clever and cliched, and the "music" makes the whole thing feel much more cheesy than it otherwise would. Really, in some of these 80's Hong Kong films the DVD's should have an option of removable soundtracks. Alot of the films such as this would come across much stronger now without a synthesizer in the background banging away. Of course this would remove the campy bad guy forte chord which I know many viewers are endeared to.Those who enjoy hard-edged action over wit might even prefer this to Yes Madam as the best of Michelle Yeoh's early action films.