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Perfect cast and a good story

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

This movie was so-so. It had it's moments, but wasn't the greatest.

One of the worst ways to make a cult movie is to set out to make a cult movie.

This movie has an interesting narrative structure with a co-ed pair of middle-aged detectives (Emanuelle Devos, Gilbert Melki) investigating the murder of young male. This is skillfully cut together with the parallel flashback narrative of the young victim (Cyril Descoeurs) and his relationship with a fresh-faced teenage girl (Nina Meurisse). Their relationship starts out sweet and innocent, but he is a bisexual hustler, who in turn gets her involved in paid sexual encounters with various "respectable" but sleazy middle-age men in various generic-looking hotel rooms. The narrative structure is quite effective, even if the present-day narrative with mismatched male and female cops--who are both very attractive, yet strangely both single, and who have a sexual tension between them you could cut with a knife--is an extremely tiresome cliché from pretty much every police procedural movie and TV show you see these days. The OTHER narrative with the young couple works much better.Cyril Descoeurs' character in a lesser movie would undoubtedly be portrayed as an evil "suitcase pimp"-type, leading an innocent girl astray. It always strikes me as very dishonest and unrealistic to portray a female this age as a wide-eyed innocent while a boy about the same age is portrayed as mustache-twirling villain. The boy here engages in paid sex along with the girl and he obviously genuinely cares about her (at one point he violently beats a sleazy middle-age client who abuses her). It also helps that we know from the beginning that HE at least is ultimately going to wind up a victim.Nina Meurisse is a real revelation. She has an appealing girl-next-door wholesome look to her and is very talented, yet is clearly not afraid to take on a role that involves sex and nudity in every other scene. This movie kind of reminded me of the recent Francois Ozon misfire "Young and Beautiful". But the "teenage" girl in that looked suspiciously like a gorgeous fashion model (which the actress actually was) and her character simply did not have any particularly good reason to be engaging in prostitution. This is much, much more believable, and its largely thanks to the performance of Meurisse. I don't want to oversell this movie, which is not exactly startling original, and is really only serviceable at an artistic filmmaking level. But I did enjoy it, largely because of the two young actors.

I suppose I'm hypocritical in that I would happily watch a porn film, but unnecessary sex scenes and nudity in more mainstream movies annoy me.The 'it was central to the plot' argument hardly ever holds up. But here it does. By recent standards, where it seems almost anything can be shown, the sex scenes in Complices are by no means explicit, but nonetheless the situations are still quite shocking.Without those scenes though, there's no film. We needed to see what went on between Vincent, Rebecca and the others, unpleasant as it may have seemed to us.My only gripe is that Rebecca's willingness to turn to the dark side seemed a bit sudden, although I understand her motivation.A sad but gripping love story, wonderfully acted and cleverly told.

The opening sequence of "Accomplices", with a body floating down a river, will almost certainly have a strong resonance for those who remember "Twin Peaks". In this case the waterlogged corpse is that of a rootless young man, Vincent, rather than the beautiful homecoming queen Laura Palmer - and the subsequent murder inquiry unveils the hidden decadence of the French city of Lyons, rather than that of a small town in the Pacific Northwest. The two detectives assigned to the case are Herve and Karine, who enjoy a complex friendship, coupled with an efficient work relationship. Their initial fact-finding in Lyons reveals an additional echo from David Lynch's landmark TV series - Vincent, like Laura, had been prostituting himself. As Herve and Karine probe into Vincent's complicated life - as well as their own - the film cuts back and forth between the murder investigation and the young hustler's various pursuits in the weeks prior to his death. They discover that the rent-boy murder victim was bi-sexual, and had been involved in a love affair with a high-school student, Rebecca, who has disappeared. Shortly thereafter, the detectives are informed that the apparently demure, middle-class Rebecca had become embroiled in Vincent's sex trade activities, leaving them uncertain whether the missing girl may be the unknown killer, or another victim.Writer/director Mermoud has created believable and sympathetic personalities for his four principal protagonists. His actors' fine performances ensure that an audience remains interested in the fate of their characters until the story's two time-lines are integrated in an unexpected and poignant conclusion. "Accomplices" is an exceptional film with an intriguing narrative arc unfolding in an original manner.

"Complices" is a rather depressing work ,depicting a world which is exploiting the young ones ,treating them as sexual objects :it's revealing that two "clients" are a (female) lawyer and an ophthalmologist.The two miserable heroes come from difficult backgrounds:we never see Vincent's parents and the boy lives in a trailer with his pimp ,a jealous gay who cannot stand his girlfriend Rebecca.As for the girl ,she is left to her own devices ,her mother being almost always absent and she's hardly eighteen (we learn she is to take her HS diploma this year).The boy prostitutes himself and he leads Rebecca into bad ways ( the bisexual clientèle).Not exactly the romantic story of your dreams.Although the director does not spare the sordid details ,partly thanks to his actors (particularly Descours ,who remains natural and whose youthful look reveals a shattered innocence -the actor was 26 ,whereas he is supposed to be 19 in the movie) he makes his principals endearing.The movie is a long flashback but,and it is the director's main quality,we never have the feeling of watching flashbacks .It's so rare in the movies it has to be underlined : present and past are so tightly linked that we have the strange feeling that Rebecca and her dead lover are still living their love story while the two cops are investigating.This is not the rosy world of Eric Rohmer.It's a cruel world ,the world of those "dirty" sites on the net ,of the double life of the prostitutes and their clients .The boy ,eating candies after making love with a (probably) well-respected man ,shows the child still inside of him.As for Rebecca ,who is not a very attractive girl,she's naively looking for someone to love .Par excellence doomed lovers.However, the ending is finally ,in its own particular way,some kind of happy end ,and ,it's another quality of the movie,the cops are not caricatured and show some compassion.