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Good concept, poorly executed.

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

By the time the dramatic fireworks start popping off, each one feels earned.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Tarzan and Boy meet a magician entertaining troops in North Africa, Nancy Kelly, on her way to warn a sheik about evil Nazi plans to steal horses. Tarzan and Boy are wrongfully put in jail for stealing the horses, but break out to stop the evil Nazi plan. It's the usual Tarzan nonsense you'd expect, but it's all quite enjoyable, which includes giant lizards, killer spiders, and a man-eating plant. Top that all off with Hollywood WWII propaganda and this is something of a bizarre must-see film for it's era. Otto Kruger also appears in the film (as a Nazi, of course).

I agree with the other reviewers that this is not one of the better Tarzan movies. But about three quarters of the way through, I began to ask myself "where have I seen this before?" Then it struck me. This movie introduces three creatures that later appeared in Tolkien's "Lord of the Rings." TDM first presents a wild-spirited horse that cannot be tamed but will allow a person to ride it if asked. And Tarzan can summon this wild horse by whistling. Sounds a lot like Shadowfax. Then we have a dangerous multi-tentacled creature at the entrance to the jungle which later entraps Tarzan. This seems quite similar to the Watcher in the Water by the gates of Moria. Finally there is the huge cave-dwelling spider. As soon as I saw Boy caught in the spider's web, I remembered the image of Frodo caught by Shelob. Now, one coincidence I can dismiss. But three imaginary creatures in one movie that later appear in a different book? TDM came out in 1943, and according to Wiki Tolkien resumed writing LOTR in 1944. Coincidence? Watch TDM and decide.

Pretty good second RKO Tarzan feature has the jungle man and his son Boy still going it alone in the absence of Jane, who remains in London nursing the wounded soldiers of WWII. Her most recent letter asks that Tarzan bring some jungle fever medicine to her, so he, Boy, and Cheeta travel across the desert to honor her request. Along the way, father and son meet a tough traveling lady magician named Connie (Nancy Kelly) who winds up tagging along with them and becomes the latest substitute for the missing Jane character. Though unlikable at first, she gradually settles in as a more amiable companion. Soon, the travelers become stranded in an Arab city where Tarzan gets jailed for stealing a stallion, and Connie becomes framed for murdering the son of a Shiek and is sentenced to death by hanging. In this film are more old familiar actors like Lloyd Corrigan (as the Sheik), Robert Lowery (the Prince), and Otto Kruger as another Nazi leader named Heinrich who is hiding out under the name of Hendrix. This entry also features giant jungle creatures, including a huge spider who snares Boy in its web, and man-eating plants. We're also treated to more of Cheeta's zany antics as well. **1/2 out of ****

When I was growing up and Tarzan pictures were shown regularly on a local television station every saturday morning, this is the one I and my friends would wait for: the one with the giant spider. It's not the best of the series otherwise, but has an interesting locale (North rather than sub-Saharan Africa), and a non-Jane leading lady for the big guy (Nancy Kelly). I can't recall whether Tarzan and Miss Kelly get together romantically, but she was a most attractive woman and a nice change of pace for the series, which was beginning to run out of gimmicks. Otto Kruger makes a pretty good, refined villain; his small, slight stature contrasts interestingly with Weisssmuller's. But it's the spider most people remember best from this film, and it's big, furry one with a sticky web and eight disturbingly agile legs. I've never cared much for arachnids, and don't know anyone who does, and so just watching the movie was both a trial and a thrill, as I could only hope I would behave with such bravery and resourcefulness as the swinging hero of the film were I caught up in a similar circumstance.