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This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

One of the worst ways to make a cult movie is to set out to make a cult movie.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Film is overdramatic,loose script,cantain annoing song. Movie much look like SAS bahu serials. Sooraj Barjatya should stop making movie like this in time of era

Well it is easily visible after Sonam's "abhi tu party shrooh hoi hai" she is comfortable in the fantasy world where she like to portray as ordinary. I actually liked the movie for many reasons, the colors were pretty, sets were amazing, story is a common one but it is always good to see different actors playing the same part. Salman's innocence in prem dil wala was too unnatural. Sonam Kapoors acting is getting mature, even in front of a big star like Salman Khan she was acting between the lines. Cinematography was amazing, but then again so many unwanted scenes, instead of which there could be some added drama.In summary whatever the downs of this movie are, Saloo bhai is always entertaining and I always loved watching his movies. I like the end after so much efforts finally the prem got the mahrani. Sometimes it feels good to be lost in fantasies. This is one such movie.

Strangely, what Sooraj delivers in his much talked about and awaited PREM RATAN DHAN PAYO after a gap of nine years, turns out to be nothing even comparable to his cult films, straight away reminding you of the two mistakes made in the past as HUM SAATH SAATH HAIN and MAIN PREM KI DIWANI HOON, clearly indicating towards no lessons learned from their big failures at all in a highly ignorant and casual manner.Giving you the clear picture, nothing works in this latest venture of Rajshri-Sooraj-Salman, nothing whatsoever……except the man… Salman Khan, taking two steps backward from his last mega-hit BAJRANGI BHAIJAAN. The film neither has some great characterizations in its shockingly routine screenplay, nor any memorable well written sequences or simplistic dialogues continuing the tradition started by MAINE PYAR KIYA. Above all in PREM RATAN DHAN PAYO, the team comes up with such pathetically overused, clichéd storyline that makes you wonder that how confidently they keep on making films on the same stories again & again assuming the people to be dumb enough to keep on accepting them year after year with closed eyes without any complains as such. Yes, at times even the same stories become hugely entertaining due to the writer/director's exceptional novel treatment & presentation. But sadly that is not visible anywhere in this film that unexpectedly even starts boring the viewers in its second half.Recalling the experience of watching it in the theater, I was really surprised to see simply nothing executed on screen with the backing of some solid writing (post the decent opening Ramlila sequence) and the film progressing so casually without incorporating any kind of much needed suspense or enjoyable tension involving the double role. In fact, a few catchy songs and comic scenes remain the only relief moments in its first half, with the second turning out to be so painfully long that you keep looking at your mobile/watch repeatedly as if it's already gone beyond 3 hours shattering all kinds of expectations raised.The cast ensemble including a couple of forgotten names, seem to be only interested in carelessly completing their given jobs establishing no emotional connect with their ultimate viewers, contributing 'nothing'. And the names include veterans like Anupam Kher followed by Swara Bhaskar, Sonam Kapoor, Neil Nitin Mukesh and the snake-man Arman Kohli. To be fair, there is only one person who randomly makes you laugh in his few scenes and he is Deepak Dobriyal who sadly remains under-utilized in the entire film displaying a shocking lack of vision.Rephrasing the above, in PREM RATAN DHAN PAYO we have two lovers but no loving chemistry between them despite the hit tracks, brothers and sisters with no depth in their vaguely written characters placed just to get united again, villains with no emphasis given on their evil intentions or villainy and many deliberately inserted sequences like the unexciting football match post interval lacking the much- desired universal appeal and joy. Moreover except a couple of catchy compositions, both the lyricist and composer desperately keep trying to get into the Ravindra Jain/Ram Laxman mood making a conscious effort.Ruining it further, it was hard to understand the director's obsession with the highly outdated mirror sequences towards the end that had no charm at all reminding you of the famous climax sequence of Bruce Lee's ENTER THE DRAGON. Besides the never-ending final hour of the film becomes so tough to bear, exactly like watching the last few overs of a one day cricket match that has already been lost in its 40th over.To be honest, in the entire film I kept wondering that, A. Was this the story Sooraj R Barjatya kept searching for since 2006 which is clearly a take-off from famous novels such as "The Prisoner of Zenda" and "The Prince and the Pauper" (with the shades of BAWARCHI), already adapted several times in the West as well as in numerous Hindi films changing the theme from Kings to Dons since the mid of last century? Ironically even Rajshri had earlier made a film on the same subject as RAKTA BANDHAN in the 80s.B. Was this the film Salman approved of - full of old time obsolete feel, based on a ridiculously stereotyped theme, having only a few engaging moments, at your face brand promotion, lackluster background score, unimpressive 'big-empire' grandeur (that only worked in the promos) and loads of full length songs thrown in just like that, assuming that the viewers are still living somewhere in the 90s?C. Or Was this a mess, wherein Sooraj was not allowed to do what he was willing to, with the major suggestions/interventions coming from the now much bigger STAR with no intentions of breaking through his own comfort zone?In all, a big unexpected let-down, PREM RATAN DHAN PAYO actually has nothing Rajshri, Sooraj and Salman together are known for, not even the emotional warmth they used to offer in their earlier films.

As the folklore goes, Salman Khan was so impressed with The Prestige that he gave its DVD to Sanjay Leela Bhansali(SLB) in the hope that SLB would cast him in its remake. Well, SLB made Guzaarish - which was a pretty lame adaptation of The Prestige and didn't cast Salman in it.So angered was Salman by this insult that he publicly announced that 'Koi Kutta bhi Guzaarish dekhne nahin gaya'.At the same time Salman kept his hopes alive. Though with Dhoom 3, Aaamir khan also stole some bits from The Prestige. With PRDP, Salman hit the jackpot. Although, not a copy of The Prestige, Salman stole the double role bit. Sonam Kapoor is another actress who hasn't had a lot of luck with SLB after her debut with him in Saanwariya. For both Salman and Sonam, it was their last movie with SLB.Another thing to be noted about Dhoom 3 and PRDP is that in both the movies, audience came to know about the secret about the double role pretty soon. Quite unlike The Prestige where the audience had to wait almost till the end.Last observation is that it's the second time Salman Khan has turned Rajput Savior in a movie, first one being Veer. On the other hand, Aamir Khan loves to play a Rajput.