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The Seagull
At a picturesque lakeside estate, a love triangle unfolds between the legendary diva Irina, her lover Boris, and the ingénue Nina.
Release : | 2018 |
Rating : | 5.7 |
Studio : | KGB Media, Mar-Key Pictures, |
Crew : | Production Design, Set Decoration, |
Cast : | Annette Bening Saoirse Ronan Corey Stoll Elisabeth Moss Mare Winningham |
Genre : | Drama Comedy Romance |
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I love this movie so much
Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
Old school techniques in lighting and the use of close-ups were the perfect complement to the stunning setting where the film was shot. The ensemble is perfectly cast; the women shine in this film but the male roles were also expertly played by the surprising Corey Stoll and Billy Howle. My only critique is that the end does feel a bit rushed...it moves toward its inevitable conclusion, but in a way that could have been fleshed out a bit more. Excellent adaptation overall.
"The Seagull" (2018 release; 98 min.) is the latest big screen adaptation of the Anton Chekhov theater play. As the movie opens, we are at "The Imperial Theater, Moscow, 1904", where an aging stage actress is saying her goodbyes left and right. The action then shifts to the dacha (country estate), where the actress' ailing brother is anxiously awaiting her arrival. Meanwhile the actress' son Konstantin is preparing to stage his latest play. He is assisted by a lovely young lady, and the two seem happily in love... At this point we're less than 10 min. into the movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.Couple of comments: this is the latest film from director Michael Mayer, who is best known for his work on Broadway. Here he tackles what should be a natural for him: bringing a stage play onto the big screen. "The Seagull" has been made into a movie before (and a number of times at that), but I must admit that this is the first movie adaptation I have seen. All the elements are seemingly in place, none more so that a terrific ensemble cast led by Annette Bening, who seemingly only gets better as she ages, but also Saoirse Ronan, Elisabeth Moss, Brian Dennehy, and Billy Howle, just to name those. And it's certainly not the acting talent that is lacking. Bening and Ronan are simply terrific. (As an aside, Ronan and Howle are co-starring as a couple in not one but two movies currently playing at my local art-house theater here in Cincinnati: besides the Seagull, they also star in "On Chesil Beach". What are the odds of that?) Yet despite all this, "The Seagull" is simply not a great, or even good, movie. We watch these character but have no emotional investment in them. When Konstantin has yet another outburst (almost like a five year old's tantrum), we just wonder--why? When romantic relationships may or may not develop, we wonder where the spark is for that. It' a darn shame, and frankly I was relieved when the movie's end titles started rolling, as I had had more than my fill of this. "The Seagull" was filmed exactly 3 years ago (and one can notice it when you compare Ronan in this and in "On Chesil Bech", filmed 1 1/2 yrs. after this). Why has this been sitting on the shelf for so long? One can only wonder... The movie opened this weekend at my local art-house theater here in Cincinnati, and based purely on the strong ensemble cast, I decided to check it out. The Friday early evening screening where I saw this at was attended okay but not great (about 10 people). Frankly I haven't heard single buzz about this movie, and I can't see this playing long in the theater. If you have an interest in big screen play adaptations, or are a fan of anyong in the ensemble cast, I'd suggest you check this out, be it in the theater (while you still can), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.
This was one of best artful camera work, soundtrack, acting and directing I have seen in a long time. All women's characters are in the foreground and are so well developed, so different, so rich, so interesting ... with something peculiar about each one of them. The camera was seeing every woman with love.... bravo!Annette Benning is such a vulnerable, profound, complex, genius and tender comic. Please crown this regal actor - she is perfection...Costumes!!!! Spectacular... - Oscars due!!!! Exquisite execution.... eye candy... The garments are big players in this film. >> Appreciate what an important role a bustier plays in the scene where Gorina is begging her lover to not leave her: touching, funny, embarrassing, sexy, paradoxically perfect. The men were terrific too, and in the ensemble, I did care about all of the characters. The Seagull delivers to the viewers pure tender pleasure to revel in human drama of love while allowing them to chuckle at least a dozen times in the comedy of life.
I wish I could have taken a course on Russian Playwrights when I was in college, that way I could have some insight into Chekhov's psyche. Absent that, I will do my best with "The Seagull", one of Chekhov's most famous plays. As I said in the heading, it is about relationships, and peculiar in that everyone involved loves someone else. Without going into dizzying detail, this labyrinthine nature of the plot requires concentration, in the absence of a scorecard.The overall mood of the play is gloom and despair, as though love casts a pall over the proceedings. It is 1904, at a Russian mountain resort. Without going into painful detail (just read the website's storyline), there are at least four unhappy couples with their hearts in pain, and the main star is Annette Bening, who gives a terrific performance as an aging actress trying to stay young. Elisabeth Moss is a name I am unfamiliar with but she was excellent as a woman desperately in love with Bening's son (Billy Howle, out of his element here), who is in love with Saoirse Ronan. I'll stop here before it becomes confusing.All in all, the film is handsomely mounted and, as far as I can tell, faithful to the material. I wish I could have generated more feeling for the principals involved, but I grew restless waiting for an impactful scene.