Watch The Thin Man Goes Home For Free

This movie is the proof that the world is becoming a sick and dumb place

It is a performances centric movie

A waste of 90 minutes of my life

A Masterpiece!

Nick (William Powell) and Nora (Myrna Loy) go on holiday, and end up involved in a murder.While Powell is the title character, Loy carries the picture. Her fast talking and attitude (reminiscent of a certain Howard Hawks heroine) really draws us in and keeps the pace going steady. She was apparently almost replaced... that would have been the death of the series for sure.I enjoyed the spanking scene, with Powell calling this the "power of the press", with that adorable dog clapping -- in fact, the dog in general is definitely a character all his own.Not sure what is up with how the sailor dances -- it looks more like assault at times.I would love to point out that the greatest cinematographer of all time, Karl Freund, photographed this picture. However, there is nothing of his creativity here... perhaps stifled by the studio atmosphere.

THE THIN MAN GOES HOME (Metro-Goldwyn-Mayer, 1944), directed by Richard Thorpe, returns William Powell to his popular role of Nick Charles, with Myrna Loy back on screen for the first time since the last installment of SHADOW OF THE THIN MAN (1941). Unlike other screen detectives in series films of "Charlie Chan," "Sherlock Holmes" or "Boston Blackie" having two or three theatrical releases a year, "The Thin Man" has a rare distinction, next to the MGM Tarzan series of the 1930s and 40s, to come up with a new installment once every two to three years. For this fifth of six entries, the original screenplay by Robert Riskin and Dwight Taylor attempts in following the basic pattern more on the initial films, THE THIN MAN (1934) and AFTER THE THIN MAN (1936) by emphasizing more situations on Nick and Nora as opposed to ANOTHER THIN MAN (1939) and SHADOW (1941) where time-out for parenting takes place in between comedic antics and crime solving. With Nick Jr. being "away in school" this time around, Nick, Nora and their dog, Asta, become the center of attention again, sharing their scenes with newly developed characters, namely Nick's parents.The story gets underway where Nick and Nora (William Powell and Myrna Loy) at Grand Central Station getting train tickets from New York to Sycamore Springs where they plan to vacation with Nick's parents, whom he hasn't seen in years. Situations arise when coping with both overcrowded station and train while attempting to sneak their Scottish terrier, Asta, on board where at one point, pass the dog off as a baby. Once at the home of Nick's parents, Doctor and Mrs. Bertram Charles (Harry Davenport and Lucile Watson), their vacation of peace and quiet turns to crime solving when Peter Berton (Ralph Brooks), a landscape painter, is suddenly shot and killed by a silencer on the doorstep of Dr. Charles. With Nick's birthday approaching, Nora buys a painting of a windmill from Willie Crump (Donald Meek), who originally promised it to Edgar and Helena Draque (Leon Ames and Helen Vinson). Because the painting holds an important clue to the mystery, Draque follows Nora hoping to buy it from her while Nora follows Nick's friend, Brogan (Edward Brophy), a traveling greeting card salesman, whom she suspects to be the killer. Going on with his sleuthing, much to the dismay of Police Chief MacGregor (Donald MacBride), Nick stumbles upon another murder, that of "Crazy Mary" (Anne Revere), a town character living in a shack, who may have some connection with Peter Burton. By gathering prominent citizens for questioning, including Laura Ronson (Gloria DeHaven), a society girl; Sam Bronson (Minor Watson), her father; Doctor Bruce Clayworth (Lloyd Corrigan), Nick's former classmate; Willoughby (Morris Ankrum), Nick risks his father's chances of receiving financial support for a new hospital, causing more complications between father and son. With some more mystery to uncover, it appears Nick and Nora don't get to see much of Sycamore Springs.While there was never any mention about Nick's parents and his background, much of it is brought out in this installment. It's revealed that Nick's father has always wanted him to become a doctor like himself, not his true profession of a "policeman." Nick, usually having a passion for liquor, has "reformed" by drinking only cider. His deductions in crime solving still rank high as in previous installments, and is no disappointment here. The performance of Nora, on the other hand, is slightly altered from fun-loving sophisticate to silly spouse. Her demonstration and re-enactment on Nick's previous cases to her in-laws doesn't come off as funny as it deserved to be. One scene where Nick paddles Nora on her behind with a folded newspaper may seem out of character, but the use of assortment oddball characters as "Crazy Mary," Brogan and Hilda (hilariously played by Anita Bolster), the housekeeper, is a welcome traditional trait for this series.With more comedy inserted into the mystery than before, some slapstick was thrown in for good measure, ranging from Nick's pratfall at while trying to keep Asta from running loose at the train station, to Nora unwittingly becoming part of a wild jitterbug dance with a young sailor at a nightclub. As mentioned earlier, there's no Nick Jr. in this installment. Had Little Nicky been written in as part of the family vacation, it's a wonder whether Dickie Hall from SHADOW would have resumed his cutesy role, or offered to another boy actor in the Nicky age range of eight as Jackie "Butch" Jenkins could have been a possibility. Overall, the absence of Nicky Jr. did help keep the story on a balanced level. Still quite overlong at 100 minutes, THE THIN MAN GOES HOME, though not in the same league as the initial two produced a decade ago, is, for fans of the series, really not so bad.Distributed to home video in the 1990s and later DVD as part of the "Thin Man" collection a decade later, this and other "Thin Man" mysteries can be seen frequently on Turner Classic Movies cable channel. Next chapter: SONG OF THE THIN MAN (1947). (***)

If a Thin Man movie is on, it's always watchable. What gets me is that in movies these days if the plot runs thin, the director warms up some pixels and amps up the special effects.Back in the day, when the plot got thin, there weren't a lot of optical effects, so the director leaned on the writer and actors and got great dialogue and snappy acting.This Thin Man has a plot as thin as a 1940's projection screen. As long as Nick, Nora, and Asta, and the supporting cast is up for the fun and mayhem, though, plot doesn't seem to matter so much.I thought the last reel dragged on in comparison to the rest of the film, but there are some great scenes and snappy jokes throughout the film.And where do sailors learn to dance like that?!?

It's 1945, the trains are packed with people, Asta doesn't remain hidden under Nora's fur coat so Nick, Nora and Asta end up in the baggage car as they travel to Nick's home town. And Nick is drinking only cider - his father never approved of drink. Thus begins, "The Thin Man Goes Home," made as the war was ending and a lot of people whose lives had changed were thinking about going home.Nick, it turns out, has an uneasy relationship with his doctor dad because he himself never became a doctor. When the inevitable mystery arises around a murder, Nora wants Nick to solve it to impress his dad.The fact is, the scripts of "The Thin Man" series never mattered. It was always the acting and interaction of William Powell and Myrna Loy, and here, as usual, they're great - loving, flippant, and funny. Since Nick is always falling on the floor or getting hit on the head, it's hard for anyone to believe he's sober. At a charity dance, in order to do some investigating, he gives his dance tickets to a sailor and Nora becomes his partner. The dance scene is hilarious as the sailor tosses Nora all over the place and swings her around with the kind of maneuvers you see in pair figure skating.The war is still on so the story involves espionage. A very young Gloria de Haven does nicely as a self-consciously over-dramatic young woman; Harry Davenport and Lucile Watson are great as Nick's parents; and the later blacklisted Anne Revere does a fine job as Crazy Mary.William Powell could read the phone book with class and humor; Loy looks beautiful and their teamwork has never been better. Highly recommended.