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So much average

Good story, Not enough for a whole film

Bad Acting and worse Bad Screenplay

Blistering performances.

It's 1976. Married couple Grace (Helen Mirren) and Charlie Bontempo (Joe Pesci) own the Love Ranch outside of Reno. Irene (Gina Gershon), Mallory (Taryn Manning), Christina (Scout Taylor-Compton), Samantha (Bai Ling), and Alana (Elise Neal) are some of the girls working at the ranch. Charlie is unstable and recruits boxer Armando Bruza to train out on the ranch. His criminal background forces Grace to be Bruza's manager. He controls the local police and faces an effort to criminalize prostitution.This is a mess of stories. It can't be the actors because there are some great ones here. There is probably too many story elements going on. It's in the writing itself. It should concentrate on Mirren and Pesci. It should also get somebody bigger than Sergio Peris-Mencheta. The movie seems to struggle for an identity. It's a waste of great talents.

Love Ranch is a fictionalized bio-pic, loosely based on the true story of Joe & Sally Conforte. The Conforte's were the first people to open a legalized brothel in the state of Nevada and for a while, became local celebrities, until it all came crashing down. It was an interesting story, following the lives of two people, that most of us don't know anything about. As for the film, while it over-dramatized a lot of the events, it really fails to make much of an impact. There are scenes that make these two look like gangsters, others that make them look like royalty, and several that just makes them look like trailer trash. The truth is that it was hard to really decipher the true character of these people and figure out what they were really like. I was mildly interested in the story, but what I really wanted to see was the return of Joe Pesci. Since retiring in 1999, Pesci had a cameo in one film, but this is was his first leading role since Lethal Weapon 4. For the living legend, it was as if he had never stopped, giving a terrific performance. The only disappointing thing was that they kept Pesci's classic, profanity laced tirades to a minimum, but other than that, he was really terrific. Helen Mirren on the other hands kind of annoyed me in this film. She's always been an amazing actress, but her performance was really all over the place. I guess it has to do with the emotional state of the woman she was playing, but to be honest I was very unimpressed by what I saw from her. While it was great to see Joe Pesci back on the big screen, the Love Ranch was really just a mass of confusion that was all over the place. It was nearly impossible to separate the truth from the Hollywood bull, when personalities and situations are changing so rapidly. If you love Joe Pesci, you won't want to miss his comeback, but the film that brought him out of retirement, really isn't anything special.

LOVE STORY is a peculiar movie. It is based on the true story of the notorious Mustang Ranch just outside of Reno, Nevada, a brothel that was world famous run by a couple by the name of Joe and Sally Conforte who had chutzpah and an ongoing run-in with the IRS and the law in bringing in boxer Oscar Buenovena as an addendum to their game of wealth. The facts of the brothel's existence are true as are the characters portrayed in the film, but a considerable amount of artistic license as to dates and chronology of event were taken by writer Mark Jacobson. The result is a strange conglomeration of a story, boring as roadkill during the first half but awakening into a rather tender melodrama in the second half. And it is worth the wait. Taylor Hackford directs his wife Helen Mirren, and as we have come to expect, anytime Mirren is in a film there is at least a modicum of fine acting. The Confortes become the Bontempos for LOVE RANCH (aka Mustang Ranch of history) and Joe Pesci as Charlie Bontempo is an ex-con with a potty mouth who married Grace (Helen Mirren) 20 some years ago, and together they have built the world's largest brothel - the first legal one in Nevada. Grace at first is cheap and tacky, walking with a cane and constantly reminding Charlie of her importance: her character changes a it when she is diagnosed with terminal cancer by her doctor (Broadway singing star Harve Presnell in a tiny and last role; he died in 2009) . Charlie beds all the women who work at Love Ranch and Grace is aware of it. Grace befriends her 'staff' - Gina Gershon, Ling Bai, Taryn Manning, Scout Taylor-Compton, Elise Neal among others - and Charlie tends to the business of promoting the Ranch as well as taking chances with other projects, such as tempting famous Argentine boxer Armando Bruza (Sergio Peris-Mencheta) to move to the Ranch for training in preparation for a fight with (supposedly) Muhammed Ali. Bruza arrives and insists Grace be his manager and she reluctantly accepts out of a sense of being attracted to Bruza. Her girls, especially Irene (Gina Gershon) encourage Grace to live for the moment and give in to the desire for an affair with Bruza. Grace and Bruza do indeed find each other's soft core and fall in love. Bruza is prepared for a fight, but in the fight he staggers through the first rounds only to win by a late surprise knockout: Grace rushes Bruza to the hospital because of his unstable status and there she discovers Bruza suffered a previous brain injury years ago resulting the placement of a metal plate in his skull. This discovery and the events that it initiates bring the film to a tender but tragic end - on many levels. The cinematography by Kieran McGuigan is splendid when surveying the beauty of the land around Reno but uncomfortably monochromatic through most of the rest of the film. The musical score by Chris Bacon (who has many fine credits for other films) is almost unbearably bad. Joe Pesci, made up to look very old, is in this viewer's opinion miscast: he rarely gets beyond being a screaming filthy mouthed moron. Helen Mirren transforms Grace from a tawdry Madame to a truly beautiful but tired partner for Charlie, opting to spend her few final days with one who can demonstrate his care for her. Sergio Peris-Mencheta manages to make his blustering character one of compassion and vulnerability. In all this is a movie that, once over, seems well worth watching as the credits reveal all the facts about the destinies of everyone involved in the story. Get past the first half hour or so and you're in for a fine film. Grady Harp

The focus is in the wrong place. Who cares about the owners. The real stories are what went on between the girls and their customers. There's where the action, emotion and conflicts happen. So many, and so interesting, I wrote a novel about it all.Incidentally, the summary says the ranch was closed by the IRS. True and double-true. The IRS first closed the place in 1995, for a few days; then it was re-opened under IRS management. The IRS likes to deny they actually operated a brothel for profit, but the eyewitnesses and newspaper accounts say otherwise. The IRS actions were shameless. They actually confiscated the personal effects (clothing, teddy bears, hairbrushes, etc) belonging to the girls who worked there, sold these for chump change. This despite the fact that their claim was against the owners, not the girls. CBS News and other coverage of the closing was laughable. It showed girls saying they were taking up sewing et cetera. In fact, the adjoining brothel (0.1 miles away) suddenly had an increase of dozens of new girls who simply moved to a new location.When the property was auctioned, a lone bidder got the property for 10 cents on the dollar and he secretly represented the original owners. Re-opened without IRS, they operated for a few years until the second and final IRS closing. Old Joe ought to have paid his taxes.There are still legal brothels in Nevada, but sharp increases in prices has taken away the casual fun atmosphere and customers are few and far between. Love Ranch? Not anymore.