Watch The Gang That Couldn't Shoot Straight For Free

That was an excellent one.

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

This story has more twists and turns than a second-rate soap opera.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

I always want to see a movie that has Robert DeNiro starring in it, so seeing him play Mario an imported Italian bicycle racer who will steal anything even if it is nailed down, was unique. This movie was made in 1971 when Mr. DeNiro was very hungry for lead roles so you can't blame him for the movie's poor content and flow. The movie evolves around a band of goofy dressed Italian mobsters led by Jerry Orbach as Kid Sully who spoof the Mafioso, and Kid Sully's Big Momma (the Godmother figure) is played by a convincing Jo Van Fleet. She certainly nailed her part and blends sweetness with ripe viciousness. There were some smaller parts for good actors such as Burt Young, as Willie Quarqulo the bomb maker, Jack Kehoe as a scared bartender assigned to spike two of the rival gang's drinks, and Lionel Stander as the made man Baccala. I guess the animal rights groups made pictures like this a target for changing the times, as the poor lion was mistreated in front of the camera by a few of the actors, including a scene which shows the fully grown lion shackled to the conveyor belt in a car wash and forced to go through the car wash even if it was just with sprayed water. The lion appears in quite a few scenes and does some stunts that needed a great Animal Trainer to handle. I was very surprised that the lion did not receive any acting credit what so ever, nor did the animal trainers. Shame on you MGM.Well I wouldn't roar about this movie, (no pun intended) but it is a victim of the times, and the screenplay could have been a lot stronger even for a mafioso spoof.

This is one of those classics. Not only for the first starring role for Robert De Niro but also its a comedy that is lighthearted and funny. De Niro does a good job as Mario (with a well done Italian accent) as does the late and great Jerry Orbach as Kid Sally the hood who wants to be the boss but keep having it fall from his hands. Lionel Sander (from Hart to Hart fame) does well as Baccala, the main gangster that Kid Sally is trying to take over. I found this hilarious fairly slapstick in some parts but also some strong performances of a film of this calibre. It reminded me for the old 1920's silent films as some of it you could have watched with no speaking at all and you'd still understand what was going on. There are some great scenes with Orbach and his Mama which had me laughing a lot and there were some touching scenes to between Mario and Kid Sally's kid sister. It's one to be watched and not missed if you want to see De Niro and how he started before the greats like Mean Streets, Raging Bull and Goodfellas.

I went to see this movie with my mother when it first came out. Now I am waiting for this to come out on DVD because it is one of the few movies that I want to own. When we went to see it in 1971 I laughed so hard I thought I might either pee on myself or vomit. I'd never seen anything so funny…or so familiar. I'm sure that it helped that the action took place primarily in my own neighborhood in Brooklyn, but I believe this movie has something for everyone. The humor didn't seem subtle to me at the time but in light of the brainless fare that has become so popular this movie does require that you actually pay attention from beginning to end. If you get nothing else out of it, the realization that it's not possible to housebreak a lion is worth the price of admission. That and the valuable lessons about car bombs, but to talk about that would require a spoiler alert.

"The Gang That Couldn't Shoot Straight" was a blast in 1971 and it's just as funny today. Before the Godfather and The Sopranos, writer Jimmy Breslin and then-light comic and musical star Jerry Orbach had the hapless Bonnano crime family skewered. The gags alone would have made the film, but there's a brain at work here, too, in the portrayal of a benighted crime leader and his clownish goons.There's also a small part for an then-unknown unknown Robert DeNiro that forecast and anticipated what Bob would do. After Jerry Orbach's death, I was stunned that so few obits mentioned this film, suggesting his real movie debut was in Prince of the City. He was great in Prince of the City, but this one made him somebody to watch. Don't miss it. It still delights.