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Highly Overrated But Still Good

Good story, Not enough for a whole film

Absolutely Fantastic

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

I would like to say something different about this movie. I saw comments how beautiful is Russia and the views from Russia have been great. Hey guys this is not Russia it's Bulgaria more specific the capital Sofia. So this is not Russia it's my country. About the movie - well in Bulgaria, maybe except the Grey Zone - all movies from American directors are in one word awful like this one of course. It's a shame that Patrick Swayze has to play in such a low budget movies. Most of the actors are Bulgarians but really this movie has no plot twist has no energy what can i say-weak and boring movie a cliché not more. Hey people remember it's not Russia in reality it's Bulgaria.

I recently rented this promising mini series, I didn't even know they had adapted it for television. I was really looking forward to it since the book Icon is one of the best spy thrillers I have ever read. What a disappointment it was. The plot only loosely resembles the one in the book, the characters are completely miscast and there's some appalling acting. A shame really. The story behind Icon is perfect for the silver screen, but I think television budgets just aren't big enough for a decent adaptation of this spectacular book.Forsyth deserves much, much better than this. Avoid and stick to the book, which is a must-read.

Fans of the novel will more than likely be disappointed. But if you are interested in seeing a decent spy thriller, I recommend this. The cast is good and its got high production values.The cast is a good one. Patrick Swayze fits the role of Jason Monk perfectly and bares quite a resemblance to the character in the novel. Patrick Bergin and Ben Cross are excellent as the villains. But the best acted part in the film has to go to Micael York for his role of Sir Nigel Irvine. Joss Ackland also gives a good performance as the underused Russian General turned presidential candidate.Also on the plus side,the production values are high. The action sequences are good and exciting. The locations look real and are obviously not faked and the score is one of the best i've heard recently for TV movies.Ont he downside, the film's plot and its length are a downside. Most of the novel is scrapped and the great Black Manifesto is replaced (for the most part) by a virus. The addition of Monk's daughter and the female FSB agent are also added on to the novel's plot and are often irrelevant to the main part of the story. The plot is highly unbelievable and the duologue come in the tons in this film and winds it down several times.SPOILER! : The biggest flaw is the ending. The novel featured Komarov's and his army launching an attack on Moscow leading to a battle that would have been great on screen Instead it is replaced by simply having Komarov chased out by protesters and being shot by monk. An anti-climactic ending if there ever was one.Despite these flaws, Icon is still watchable and, while not faithful to the novel, is a decent spy thriller.

Frederick Forsyth's books are always so intricately plotted, with twists and turns, and usually a great surprise ending. This adaptation had none of that.So much of what was great in the book (the history of Monk and the betrayed agents; the plot to influence the outcome of the Russian election) were completely missing in this adaptation. Instead, there's this completely new plot about bio-weapons that was a yawner.Forsyth's protagonists always operated in the shadows, forever just slightly beyond the reach of the antagonists. The joys of his books have always been the machinations of carrying out their mission. This film resigned itself to gunfights and car chases early on.Swayze's Monk might as well have hung a sign around his neck saying "I AM A SECRET AGENT" for all the attention that he called to himself during the film. And with all of that attention, the amount of time that it took the bad guys to catch up to him was surprising.Granted there was some energy to this film, which is why I'm giving it a "3" instead of a "1". It was also great to see some underutilized pros like Patrick Bergin, Ben Cross, Michael York, and Barry Morse.I hope that someday, someone will once again do justice to a Forsyth film adaptation like "Day of the Jackal" did.